Dean Koontz - By the Light of the Moon

Failing to acknowledge her response, he drifted serenely past, surprisingly light on his feet for a man his size, gliding almost as smoothly as an ice skater, his locomotion in sync with his half-loco smile.

She watched him walk away until she was convinced that he was nothing worse than another weary soul who'd been wandering too long through the lonely immensity of the Southwest deserts – perhaps a tired salesman assigned to a territory so vast that it tested his stamina – dazed by the daunting distances between destinations, by sun-silvered highways that seemed to go on forever.

She knew how he might feel. Part of her unique stage shtick, her comedic ID, was to present herself as a true Southwest chick, a sand-sucking cactuskicker who ate a bowl of jalapeno peppers every morning for breakfast, who hung out in country-music bars with guys named Tex and Dusty, who was a full sun-ripened woman but also tough enough to grab a rattlesnake if it dared to hiss at her, crack it like a whip, and snap its brains out through its eye sockets. She booked dates in clubs all across the country, but she spent a significant part of her time in Texas, New Mexico, Arizona, and Nevada, staying in touch with the culture that had shaped her, keeping her shtick sharp, refining her material in front of boot-stompin' audiences that would relate to every righteous observation with whoops of approval but would likewise hoot her off the stage if she tried to pass off ketchup as salsa or if she went show-biz phony on them. Driving between these gigs was part of remaining a real and true sandsucker, and although she loved the barren badlands and the sweeping vistas of silver sage, she understood how the daunting emptiness of the desert could leave you smiling as vacuously as a sock puppet, and set you to talking of death and peanuts to an imaginary friend.

In the refreshments alcove, the vending machines offered three brands of diet cola, two brands of diet lemon-lime soda, and diet Orange Crush, but in the matter of root beer, her choice was between abstinence or the sugar-packed, big-ass-makin' real stuff. She pumped quarters with the abandon of a gambling grandma feeding a hot slot machine, and as three cans clattered one at a time into the delivery tray, she murmured a Hail Mary prayer, not with a physiology-related request attached, but just to store up a little goodwill in Heaven.

Carrying three cans of soda and a plastic bucket brimming with ice cubes, she made the short trip back to her room. She'd left the door ajar in anticipation of having full hands upon her return.

As soon as she opened a root beer, she'd have to call her mom in Los Angeles, have a good long mother-daughter gab about the curse of the family ass, new material for the act, who'd been shot recently in the neighborhood, whether the cutting from Fred was continuing to thrive under Mom's good care, whether Clone Fred was as cute as Fred the First…

Shouldering inside, the first thing that she noticed was Fred, of course, who was a breath of Zen serenity in the colorful chaos of the clown-closet decor. And then on the desk, in the shade of Fred, she spotted the can of Coke, beaded with icy condensation, and the three bags of peanuts.

A fraction of an instant later, she saw the open black satchel on the bed. The smiling salesman had been carrying it. Probably his sample case.

Snake-cracking, sand-striding, Southwest Amazons need to be both mentally and physically quick to cope with romance-minded honky-tonk cowboys, both those who are loaded with Lone Star and those who are inexplicably sober. Jilly could fend off the most persistent cowpoke Casanova as fast and forcefully as she could dance Western swing, and her collection of swing-dance trophies filled a display case.

Nevertheless, although she understood the danger when she'd been in the motel room shy of two seconds, she couldn't react fast enough to save herself from the salesman. He came from behind her, locking one arm around her neck, pressing a rag over her face. The soft cloth stank of chloroform or ether, or perhaps of nitrous oxide. Not being a connoisseur of anesthetics, Jilly failed to identify the variety and the vintage.

She told herself Don't breathe , and knew that she should stamp hard on one of his feet, should drive an elbow into his gut, but her initial gasp of surprise, in the instant when the rag covered mouth and nose, undid her. When she tried to move her right foot, it was wobbly and seemed to be coming loose at the ankle, and she couldn't remember where her elbows were located or how they worked. Instead of not breathing, she breathed in again to clear her head, and this time she filled her lungs with the essence of darkness, as though she were a drowning swimmer, sinking, sinking…

'Doodle-deedle-doodle.'

Was a name I gave my poodle.

'Doodle-deedle-doodle.'

On a flute my dog could tootle.

Dylan O'Conner's game had long been an effective defense against being driven into a screaming fit by his brother's occasional spells of monotonous chanting. In the current crisis, however, if he was not able to shut out Shep's voice, he would not be able to stay focused on the challenge posed by his bonds. He would still be taped to this chair, chewing on a cotton cud, when the nameless assassins arrived with the intention of testing his blood for the presence of stuff and then chopping him into bite-size carrion for the delectation of desert vultures.

As his fluttering hands rapidly constructed the two-dimensional temple, Shep said, 'Doodle-deedle-doodle.'

Dylan concentrated on his predicament.

The size of the rag in his mouth – a soggy wad large enough to make his entire face ache from the strain of containing it – prevented him from working his jaws as aggressively as he would have liked. Nevertheless, by persistently flexing his facial muscles, he loosened the strips of tape, which slowly began to peel up at the ends and to unravel like a mummy's wrappings.

He drew his tongue out from under the gag, contracted it behind that ball of cloth, and strove to press the foreign material out of his mouth. The extruding rag put pressure on the half-undone tape, which caused twinges of mild pain when, at a few points, the adhesive strips separated from his lips with a tiny prize of skin.

Like a giant human-moth hybrid regurgitating a disagreeable dinner in a low-budget horror movie, he steadily expelled the vile cloth, which slid wetly over his chin, onto his chest. Looking down, he recognized the saliva-soaked ejecta: one of his nearly knee-length white athletic socks, which Doc apparently had found in a suitcase. At least it had been a clean sock.

Half the tape had fallen away, but two strips remained, one dangling from each corner of his mouth, like catfish whiskers. He twitched his lips, shook his head, but the drooping lengths of tape clung fast.

At last he could shout for help, but he kept silent. Whoever came to free him would want to know what had happened, and some concerned citizen would call the police, who would arrive before Dylan could throw his gear – and Shep – into the SUV and hit the road. If killers were coming, any delay could be deadly.

Point in pine, gleaming brightly, the pocketknife awaited use.

He leaned forward, lowered his head, and clamped the rubber-coated handle of the knife in his teeth. Got a firm grip. Carefully worked the little instrument back and forth, widening the wound in the arm of the chair until he freed the blade.

'Doodle-deedle-doodle.'

Dylan once more sat up straight in the chair, biting on the handle of the pocketknife, staring cross-eyed at the point, on which a star of light twinkled. He was armed now, but he didn't feel particularly dangerous.