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Dean Koontz: By the Light of the Moon

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Dean Koontz By the Light of the Moon
  • Название:
    By the Light of the Moon
  • Автор:
  • Издательство:
    Bantam
  • Жанр:
  • Год:
    2003
  • Город:
    London
  • Язык:
    Английский
  • ISBN:
    0-553-58276-3 / 978-0-553-58276-5
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    4 / 5
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By the Light of the Moon: краткое содержание, описание и аннотация

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique. Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more. Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police. Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air. Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place. What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon." By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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'I've got too much pride to be contrite. There's the problem. Oh, I know my flaws, I know them well, but that doesn't mean I can fix them. Too late for that. Too late, too late.'

After dropping the Band-Aid wrappings in the small waste can by the desk, Doc fished in a pants pocket and withdrew a knife.

Although ordinarily Dylan wouldn't have used the word weapon to describe a mere pocketknife, no less menacing noun would be adequate in this instance. You didn't need either a dagger or a machete to cut a throat and sever a carotid artery. A simple pocketknife would do the job.

Doc changed the subject from unspecified past sins to more urgent matters. 'They want to kill me and destroy all my work.'

With a thumbnail, he pried the stubby blade out of the handle.

The smile finally sank out of sight in the doughy pool of his face, and a frown slowly surfaced. 'A net is closing around me right this minute.'

Dylan figured that with the net would come a significant dose of Thorazine, a straitjacket, and cautious men in white uniforms.

Lamplight glinted off the polished-steel penknife blade.

'There's no way out for me, but damn if I'll let them destroy a life's work. Stealing it is one thing. I could accept that. I've done it myself, after all. But they want to erase everything that I've achieved. As if I never existed.'

Scowling, Doc wrapped his fist around the handle of the little knife and drove the blade into the arm of the chair, a fraction of an inch from his captive's left hand.

This didn't have a beneficial effect on Dylan. The shock of fright that jumped through him was of such high voltage that the resultant muscle spasm lifted at least three legs of the chair off the floor and might even have levitated it entirely for a fraction of a second.

'They'll be here in half an hour, maybe less,' Doc warned. 'I'm going to make a run for it, but there's no point kidding myself. The bastards will probably get me. And when they find even just one empty syringe, they'll seal off this town and test everybody in it, one by one, till they learn who's carrying the stuff. Which is you. You're a carrier.'

He bent down, lowering his face close to Dylan's. His breath smelled of beer and peanuts.

'You better take what I'm telling you to heart, son. If you're in the quarantine zone, they'll find you, all right, and when they find you, they'll kill you. A smart fella like you ought to be able to figure out how to use that pocketknife and get himself loose in ten minutes, which gives you a chance to save yourself and gives me a chance to be long gone before you can get your hands on me.'

Shreds of the red skins from peanuts and pale bits of nut meat mortared the spaces between Doc's teeth, but evidence of his madness could not be found as easily as could proof of his recent snack. His faded-denim eyes brimmed with nothing more identifiable than sorrow.

He stood erect once more, stared at the pocketknife stuck in the arm of the chair, and sighed. 'They really aren't bad people. In their position, I'd kill you, too. There's only one bad man in all this, and that's me. I've no illusions about myself.'

He stepped behind the chair, out of sight. Judging by the sounds he made, Doc was gathering up his mad-scientist gear, shrugging into his suit coat, getting ready to split.

So you're driving to an arts festival in Santa Fe, New Mexico, where in previous years you've sold enough paintings to pay expenses and to bank a profit, and you stop for the night at a clean and respectable motel, subsequent to which you purchase a bagged dinner of such high caloric content that it will knock you into sleep as effectively as an overdose of Nembutal, because all you want is to spend a quiet evening putting your brain cells at risk watching the usual idiotic TV programs in the company of your puzzle-working brother, and then spend a restful night disturbed by as little cheeseburger-induced flatulence as possible, but the modern world has fallen apart to such an extent that you wind up taped to a chair, gagged, injected with God knows what hideous disease, targeted by unknown assassins… And yet your friends wonder why you're becoming a young curmudgeon.

From behind Dylan, as though he were as telepathic as he was crazy, Doc said, 'You're not infected. Not in the sense you think. No bacteria, no virus. What I've given to you… it can't be passed along to other people. Son, I assure you, if I weren't such a coward, I'd inject myself.'

That qualified assurance didn't improve Dylan's mood.

'I'm ashamed to say cowardice is another of my character flaws. I'm a genius, certainly, but I'm not a fit role model for anyone.'

The man's self-justification through self-deprecation had lost what little fizz it might at first have possessed.

'As I explained, the stuff produces a different effect in each subject. If it doesn't obliterate your personality or totally disrupt your capacity for linear thinking, or reduce your IQ by sixty points, there's a chance it'll do something to greatly enhance your life.'

On further consideration, this guy didn't have the bedside manner of Dr. Frankenstein. He had the bedside manner of Dr. Satan .

'If it enhances your life, then I'll have paid some reparations for what I've done. Hell's got a bed waiting for me, sure enough, but a successful result here would compensate at least a little for the worst crimes I've committed.'

On the motel-room door, the security chain rattled and the dead-bolt lock scraped steel against steel as Doc disengaged them.

'My life's work depends on you. It now is you. So stay alive if you can.'

The door opened. The door closed.

With less violence than on arrival, the maniac had departed.

At the desk, Shep no longer waved. He worked the jigsaw puzzle with both hands. Like a blind man before a Braille book, he seemed to read each piece of pasteboard with his sensitive fingertips, never glancing at any scrap of the picture for longer than a second or two, occasionally not even bothering to use his eyes, and with uncanny speed, he either placed each fragment of the image in the rapidly infilling mosaic or discarded it as not yet being of use.

Foolishly hoping that recognition of the desperate danger would transmit by some miraculous psychic bond between brothers, Dylan tried to shout 'Shepherd.' The soggy gag filtered the cry, soaked up most of the sound, and let through only a stifled bleat that didn't resemble his brother's name. Nevertheless, he shouted again, and a third time, a fourth, a fifth, counting on repetition to gain the kid's attention.

When Shep was in a communicative mood – which was less often than the frequency of sunrise but not as rare as the periodic visitation of Halley's comet – he could be so hyperverbal that you felt as if you were being hosed down with words, and just listening to him could be exhausting. More reliably, Shep would pass most of any day without seeming to be aware of Dylan. Like today. Like here and now. In a puzzle-working passion, all but oblivious of the motel room, living instead in the shadow of the Shinto temple half formed on the desk before him, breathing the freshness of the blossoming cherry trees under a cornflower-blue Japanese sky, he was half a world removed in just ten feet, too far away to hear his brother or to see Dylan's red-faced frustration, his clenched neck muscles, his throbbing temples, his beseeching eyes.

They were here together, but each alone.

The pocketknife waited, point buried in the arm of the chair, posing as formidable a challenge as the magic sword Excalibur locked in its sheath of stone. Unfortunately, King Arthur was not likely to be resurrected and dispatched to Arizona to assist Dylan with this extraction.

Unknown stuff currently circulated through his body, and at any moment sixty points might drop off his IQ, and faceless killers were coming.

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