Charlie Huston - Already Dead

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From Publishers Weekly
Starred Review. After two hard-boiled hits, Caught Stealing and Six Bad Things, Huston does an irresistible and fiendishly original take on the vampire myth. Manhattan is teeming with the undead, the island divided into often-warring vampire clans such as the Society, the Hood and the Enclave. The most powerful is the Coalition, whose goal is to protect its members from public scrutiny and persecution. Rogue PI Joe Pitt (aka Simon), who like all vampires is infected with a virus that requires him to drink blood regularly, is hired by Marilee Horde, a prominent New York socialite, to locate her runaway teenage daughter, Amanda, who may be slumming with homeless goth kids in the East Village. Meanwhile, a "carrier" is on the loose, infecting its victims with a bacterium that turns them into brain-eating zombies. The Coalition wants Pitt to find and destroy the carrier, since the carnage the zombies are causing brings unwanted attention to the undead community. Huston has fun playing with the conventions of the genre, creating his own hip update that will appeal to fans of Quentin Tarantino and Buffy the Vampire Slayer alike.
From Bookmarks Magazine
Already Dead is not for the squeamish. Even so, it surprised even critics who had never thought themselves fans of Count Dracula. Huston portrays a noirish, gritty, alter-Manhattan world, with political rivalries comprised of all sorts of vampires, even "revolutionary" gay and lesbian ones. The terse, hard-boiled prose and characters contain shades of Raymond Chandler, Hunter S. Thompson, and Quentin Tarantino, but are wholly original. Despite the novel’s sophistication, it’s not for everyone. "Huston deserves hardcover publication and will get it soon enough, but it’s probably true that this book’s core audience is among the young, the cool, the hip, and the unshockable" (Washington Post).
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they're true. Only it's not like the movies or old man Stoker's storybook. It's worse. Especially if you happen to be one of them
Just ask Joe Pitt.
There's a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks' brains. Joe hates shamblers, but he's still the one who has to deal with them. That's just the kind of life he has. Except afterlife might be better word.
From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he's not happy about it. Yeah, he gets to be stronger and faster than you, and he's tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that's eating at him isn't his idea of a good time. And Joe doesn't make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan - it ain't easy. It's worse once he gets mixed up with the Coalition - the city's most powerful Clan - and finds himself searching for a poor little rich girl who's gone missing in Alphabet City.
Now the Coalition and the girl's high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

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And screaming. People screaming. Someone I know screaming.

And I am not dead.

Not dead.

But not alive.

The basement of the school, illuminated by a hissing camp lantern.

Marilee is screaming. She has a reason to.

– Use the condom.

– I don't like 'em.

– I gave it to you for a reason. Use it.

– Fucking. Can't feel anything.

– Neither will you leave any traces of your semen.

– OK.

– We can afford a certain level of contradiction in the evidence we leave behind, but let us not bow to hubris and become, dare I say it under the circumstances, cocky.

– OK, OK.

Horde's goon opens the foil packet. He's kneeling next to Marilee, his pants and drawers pushed down his thighs, struggling to roll the rubber onto his semi-hard penis. Marilee is on her stomach, skirt torn half off, panties around her ankles. She's bound and gagged and drugged, but the bacteria is running in her now and her screams pierce the room as she struggles against the belt looped around her wrists.

I am spilled against a pile of junked desks. Thrown here to be dealt with soon enough. When Horde is done with his wife and daughter.

He's naked, standing above the sheet of cardboard where I smelled the residue of his rape of Whitney Vale, his rape of the dead. His daughter sleeps peacefully at his feet. Her shoes and socks removed and set neatly to the side. He watches the goon put on the condom, tug the panties from Marilee's ankles and position himself between her legs.

– Not yet.

The goon looks at him, dick in hand.

– What?

– Wait. Turn her head. I'd like for her to see this. And keep your hand away from her teeth.

The goon shakes his head, grabs a fistful of Marilee's hair and twists her face toward her husband. Horde is roped with lean muscle and pelted with graying hair. He squats next to Amanda, his penis sharply erect between his knees, and he begins to undo the button and zipper of her jeans.

– Self-control is a virtue. I always told you that, wife. With every one of your infidelities I would remind you that your inability to control your appetites was a weakness for which you would eventually pay.

He opens his daughter's fly slowly, then butterflies it and pauses, gazing at the triangle of white cotton beneath.

– Giving in to one's passions on a constant basis weakens the individual, as well as the passions themselves. Self-control, willpower, not only strengthen the individual, but also sharpen the appetite.

He inserts his index fingers at the waistband of Amanda's jeans and begins to tug them down over her slight hips.

– Self-control allows one the time to fully contemplate one's desires, and to imagine detailed scenarios in which those desires might be fulfilled. It also allows one the time to arrange circumstances so that the most favored of these scenarios might come to fruition.

The jeans are off now, and he folds them carefully and places them atop Amanda's shoes and socks.

– And if you look back, I think you will see how it is that your lack of self-control, and my own ample supply of this virtue, has led you to be in your current position, and me to be in mine.

He runs a finger over the elastic waistband of his daughter's panties. He nods his head.

– Now you may begin. But make sure she is watching me.

The goon grunts and clumsily tries to shove his now utterly limp penis into Marilee while still forcing her to watch her husband. Horde tucks his fingertips into the panties and begins to slide them down. I close my eyes. I can close my eyes. And I can feel my body. And it is not filled with pain. I open my eyes.

– Hey.

No one hears.

– Hey!

They hear this time. The goon, with a handful of Marilee's hair and something less than a handful of limp dick. Horde, with his daughter's panties pulled just past the tops of her hip bones. They both stop and turn their heads to look at me where I stand leaning crookedly against the pile of desks.

– Stop that.

Horde purses his lips.

– He was supposed to be finished?

– I've got it.

The enforcer is on me. He appears before me from whatever corner he has been lurking in, seizes my throat and shoves me through the pile of half-rotted desks. The wood tops of the desks splinter and crack and he pins me to the wall, fingers digging into my neck.

Horde holds up a hand.

– Don't kill him. He needs to be shot.

The enforcer keeps his eyes locked on my face.

– I know. He's strong.

Predo keeps them gorged on blood. That's what Terry told me. He said that short of the Secretariat, the enforcers are rationed the largest shares of Coalition blood. They feed to surfeit, their appetites always appeased. Predo keeps himself lean, hungry and subtle, but his instruments are often blunt and hard. I have likely never fed as well as this one feeds daily. He is strong, trained and experienced in the use of that strength.

Which is the advantage he retains when my heart explodes. But first it stops.

Death has truly and finally arrived.

Good.

I have failed. Failed as a child; failed as a man; failed as a revolutionary; failed as a lover; failed as a goodguy. My only success in life has been as a pawn. Fuck it, I never asked to be any of those things. And my life was over by rights long ago. I've just been waiting to catch up to it.

Then my heart explodes, beating a manic rhythm, and I realize my life is not over. Hell. The world shivers and splinters, vibrates at a frequency beyond my senses' range of reception, and then resolves into clarity.

I feel the room. Cracks in the concrete walls etched in sharp detail; fecal and delicate odors both, articulated and singular; sounds enunciated perfectly, from Marilee's scream to Amanda's peacefully drugged inhalations; the taste of my own tongue; the whorls of the fingerprints on the hand gripping my throat. My heart trip-hammers, trying to dig its way from my chest. And all of it; cracks in the walls, smells of shit and Horde's French milled soap, sounds of scream and breath, taste of my own flesh, unique identifying ridges; all of it pales beside my hunger.

I grab at the enforcer's wrist. The movement jars the world. The room shivers again, bright trails of light tail from every object, and I miss the enforcer's arm entirely. It's too fast, I'm too fast. I try to breathe, realize I am already breathing, air desperately chugging in and out of my lungs in an attempt to keep up with my heart's need. I wait for the shock of the enforcer's clutch on my neck. But it doesn't come. He is frozen, stunned by the speed of my attack, not yet certain what has happened. I grab at him again, slowly this time. My hand clips his forearm, knocks his hand from my throat. He drops into a crouch, the thin stiletto blade sprouts from his hand, and he waits, poised for my next move.

But I am not interested in him. He has nothing for me. I can smell what is inside him and it will not nourish me or feed my hunger. But the others, three of the others in the room have what I spoil for. They are bursting with it.

The enforcer waits for my attack, but I do not attack. I charge, sweeping my left arm at him as I go past, launching him into the discarded desks, a wrecking ball through crumbling brick. The goon is the closest. I am nearly upon him before he or Horde have registered what has happened. I will drink their blood and they will die before they know death has begun.

The air at my back thrums as something passes through it.

I spin, see the enforcer leaping at me, sidestep and catch only half his blow. Still it drives me to my knees. The stiletto arcs down, a glitter that winks at my neck. I bring up my arm to block the blade. I am too fast again, my arm whistles in front of his, but misses entirely. He is again startled by my speed, and the angle of the glitter changes and it draws a line along the edge of my jaw. I jump up and he dodges back. What I need is behind me. I cannot be bothered with him now. I turn.

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