Charlie Huston - Already Dead

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From Publishers Weekly
Starred Review. After two hard-boiled hits, Caught Stealing and Six Bad Things, Huston does an irresistible and fiendishly original take on the vampire myth. Manhattan is teeming with the undead, the island divided into often-warring vampire clans such as the Society, the Hood and the Enclave. The most powerful is the Coalition, whose goal is to protect its members from public scrutiny and persecution. Rogue PI Joe Pitt (aka Simon), who like all vampires is infected with a virus that requires him to drink blood regularly, is hired by Marilee Horde, a prominent New York socialite, to locate her runaway teenage daughter, Amanda, who may be slumming with homeless goth kids in the East Village. Meanwhile, a "carrier" is on the loose, infecting its victims with a bacterium that turns them into brain-eating zombies. The Coalition wants Pitt to find and destroy the carrier, since the carnage the zombies are causing brings unwanted attention to the undead community. Huston has fun playing with the conventions of the genre, creating his own hip update that will appeal to fans of Quentin Tarantino and Buffy the Vampire Slayer alike.
From Bookmarks Magazine
Already Dead is not for the squeamish. Even so, it surprised even critics who had never thought themselves fans of Count Dracula. Huston portrays a noirish, gritty, alter-Manhattan world, with political rivalries comprised of all sorts of vampires, even "revolutionary" gay and lesbian ones. The terse, hard-boiled prose and characters contain shades of Raymond Chandler, Hunter S. Thompson, and Quentin Tarantino, but are wholly original. Despite the novel’s sophistication, it’s not for everyone. "Huston deserves hardcover publication and will get it soon enough, but it’s probably true that this book’s core audience is among the young, the cool, the hip, and the unshockable" (Washington Post).
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they're true. Only it's not like the movies or old man Stoker's storybook. It's worse. Especially if you happen to be one of them
Just ask Joe Pitt.
There's a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks' brains. Joe hates shamblers, but he's still the one who has to deal with them. That's just the kind of life he has. Except afterlife might be better word.
From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he's not happy about it. Yeah, he gets to be stronger and faster than you, and he's tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that's eating at him isn't his idea of a good time. And Joe doesn't make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan - it ain't easy. It's worse once he gets mixed up with the Coalition - the city's most powerful Clan - and finds himself searching for a poor little rich girl who's gone missing in Alphabet City.
Now the Coalition and the girl's high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

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Kabuki-face have the right build, but a closer look tells me they're not my girl. I hang out for another half hour, keeping a close eye on the door. No dice. This is a waste of time. It's not like I can flash the girl's picture around or hang up flyers. That would pretty much go in the face of the discreet job Predo and Marilee Horde want. I'll check the basement and blow.

Realm's basement is a dark warren of small rooms, each with its own ambience, as it were. There's the Victorian Room, crammed with old sofas and cast-off end tables, all of it illuminated by oil lamps. Next to that is the Murder Room, decorated like a suburban kitchen, but with fake blood splattered across the walls and ceiling, and body outlines taped on the floor. There's the Dungeon Room and the Padded Cell and the Mad Scientist Room. I stick my head into each, take a quick look at the inhabitants and move on. Suburban goths from Long Island are sitting around the Formica-topped table in the Murder Room playing quarters. The Dungeon Room is hosting an impromptu panel discussion on spanking. And so on. I duck out of the Padded Cell, where a guy is being strapped into a straitjacket by one of his buddies, and head for the stairs. Time to get out of here.

I catch a flash of white out of the corner of my eye, turn to see what it is, see nothing, turn, and then he's right in front of me, blocking the stairs.

He squints through the grimy lenses of his glasses.

– Are you alright, Simon?

I grunt.

– I asked if you were alright, Simon?

– Yeah, I'm fine.

Christ I hate it when people use my real name.

I size him up. He's just a bit shorter than me, but more pale and skinnier than a cancer patient with AIDS and a heavy speed habit. He's wearing baggy white clothes, sporting a shaved head, and I don't know his name. I don't know him at all. But I know where he's from and who he belongs to because he knows my real name. These fuckers always know your real name. I step around him and start up the stairs. He follows.

– Are you alright, Simon?

– I said yes, for Christ's sake. Now will you stop calling me that?

– My apologies, Joe.

I get to the top and make a beeline out the front door. The skeleton stays on my heels as I walk down the sidewalk away from Realm.

– Perhaps you have a moment, Joe?

– Perhaps I have a whole shitload of moments. Perhaps I have moments squirreled away all over the place, and perhaps I plan to keep them for myself. What of it?

He laughs.

– What are you laughing at?

– I've been told about your sense of humor, Joe, how you stumble over wisdom even as you mock it. Moments squirreled away. Indeed, that is how so many treat time, as if it is something to be hoarded rather than a phenomenon to be experienced.

– Are you fucking serious? Is this what you have planned for me tonight? Can I just give you a donation or volunteer at a soup kitchen or something and get you off my back, or do I have to listen to this shit?

– No, Joe, you don't have to listen to anything. You don't have to do anything. But die, Joe, we all have to die. Except one of us.

– Yeah, well I already did that so maybe you can fuck off now.

– There's trouble about, Joe Pitt.

– There's always trouble around. Way I figure it, trouble just runs around this town doing what it wants.

– You are in danger and in need of allies.

– Not as far as I know.

– You do know. You know about the one you cannot smell or see.

I stop.

– Who is it?

It is not a who.

Oh, Jesus. It's gonna be a ghost story.

– Bullshit.

– It watches you.

Screw this. I start to walk. He doesn't follow.

– Give them my regards then.

– Daniel wants to talk with you.

– You tell Daniel to stay out of my business.

– You are being watched, Simon. Have a care.

– I told you not to call me that.

I turn back around, but he's disappeared. Of course. That's how these Enclave guys are, dramatic entrance, dramatic exit, and a bunch of crap in between. I start walking again, and try not to feel the little tingles on the back of my neck that make me feel I'm being watched.

Evie loves me. I know she loves me because she buys all my drinks for me. I know for lots of other reasons, too, but right now this is the most important one because I want to get drunk. I took a walk around the neighborhood, looking for any indication of the carrier and coming up empty. I cruised back through the park to check on Leprosy, but the other squatters said he had split right after I did. So I heaved a sigh, said fuck it and came over here to see Evie and have a drink.

It's after midnight on a Sunday and the place is just starting to pick up. There's a late night hoedown-jam going on on the tiny stage and a few couples trying to two-step between the tables. Folks that work in the bars and restaurants in the neighborhood are getting off shift and coming in here to blow off steam. Evie likes working Sundays. She says it's the pros' night out. It's not as busy as Friday and Saturday, but she makes more money because these people know how to tip and most of them have Monday off so they're getting good and fucked up. And trust me, these people know a thing or two about getting fucked up.

Right now Evie is setting them up for the midget deadbeat I shook down the night we met. His name is Dixon and he turned out to be a pretty good guy other than being a degenerate gambler. I put another shot of Old Crow down my neck and take a sip off my Lone Star.

I can get drunk. It takes some seriously hard work because the Vyrus treats alcohol like any other poison and works quickly to neutralize it, but if I drink enough and I drink fast, I can get something resembling a buzz. And hey, no hangovers! The virtues of Vampyrism. Evie sidles back over to my side of the bar and refills my glass. She doesn't really need to do that since the bottle is right in front of me, but it's a nice gesture.

Every gesture Evie makes is a nice gesture because she's just that kind of girl. The kind I like to look at, but can't touch. I take another drink. She fills me back up. From the ground up she's wearing cowboy boots, low-cut jeans, a baby-doll T-shirt with the word TITS stretching tight as a drum across hers, and a smile that's all for me. I look her up and down and take another drink.

She fills my glass, takes a pull from the bottle and gives me the smile.

– So, can I come over tonight?

I bob my head up and down.

– Could be, could be.

She leans on the bar and puts her hand alongside my face.

– We could watch a movie maybe. Maybe play a little.

– A movie, hmm?

– Yeah.

She leans closer, puts her cheek against mine and flicks a tongue at my ear. I shiver. I almost cry. But I don't. Someone calls for a drink. Evie smiles at me and walks away down the bar. I watch her ass and take another drink.

This is what we do. This is what we do instead of sex. Not all the time, but some nights this is what we do. We flirt and tease. We slap and tickle. We go home and watch porn and make out. We jerk each other off through our clothes or sometimes we take them off and jerk off ourselves in front of each other. This is what we do because Evie will never take the chance of giving me her sickness, and it makes her feel guilty as hell that she won't fuck me, but that's just because she doesn't know that I'm afraid of giving her mine.

I don't know how to make a Vampyre. As far as I know, nobody really does. The Vyrus is certainly carried in the blood, but like HIV it might be in my come as well. I can't have sex with Evie because I might turn her into one of me, which would cure her, which would mean we could be together for… I take another drink.

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