Stephen King - Needful Things

“May I open it and see?”

“Yes, sir,” Brian said in his listless voice. “I guess so.”

Alan rotated the cover to one side and looked into the cooler.

It was full of baseball cards: Topps, Fleer, Donruss.

“These are my traders. I carry them with me almost everywhere,” Brian said.

“You… carry them with you.”

“Yes, sir.”

“Why, Brian? Why do you cart a cooler filled with baseball cards around with you?”

“I told you-they’re traders. You never know when you’ll get a chance to make a boss trade with someone. I’m still looking for a Joe Foy-he was on the Impossible Dream team in ’67-and a Mike Greenwell rookie card. The Gator’s my favorite player.” And now Alan thought he saw a faint, fugitive gleam of amusement in the boy’s eyes; could almost hear a telepathic voice chanting Fooled ya! Fooledya! But surely that was only him; only his own frustration mocking the boy’s voice.

Wasn’t it?

Well, what did you expect to find inside that cooler, anyway?

A pile of rocks with notes tied around them? Did you actually think he was on his way to do the same thing to someone else’s house?

Yes, he admitted. Part of him had thought exactly that. Brian Rusk, The Pint-Sized Terror of Castle Rock. The Mad Rocker. And the worst part was this: he was pretty sure Brian Rusk knew what was going through his head.

Fooledya! Fooledya, Sheriff.’ “Brian, please tell me what’s going on around here. If you know, please tell me.”

Brian closed the lid of the Playmate cooler and said nothing. It made a soft little snick! in the drowsy autumn afternoon.

“Can’t say?”

Brian nodded slowly-meaning, Alan thought, that he was right: he couldn’t say.

“Tell me this, at least: are you scared? Are you scared, Brian?”

Brian nodded again, just as slowly.

“Tell me what you’re scared of, son. Maybe I can make it go away.” He tapped one finger lightly against the badge he wore on the left side of his uniform shirt. “I think that’s why they pay me to lug this star around. Because sometimes I can make the scary stuff go away.”

“I-” Brian began, and then the police radio Alan had installed beneath the dash of the Town and Country wagon three or four years ago squawked to life.

“Unit One, Unit One, this is base. Do you copy? Over?”

Brian’s eyes broke away from Alan’s. They turned toward the station wagon and the sound of Sheila Brigham’s voice-the voice of authority, the voice of the police. Alan saw that, if the boy had been on the verge of telling him something (and it might only be wishful thinking to believe he had been), he wasn’t anymore. His face had closed up like a clamshell.

“You go on home now, Brian. We’re going to talk about this… this dream of yours… more later on. Okay?”

“Yes, sir,” Brian said. “I guess so.”

“In the meantime, think about what I said: most of what being Sheriff’s about is making the scary stuff go away.”

“I have to go home now, Sheriff. If I don’t get home pretty soon, my mom’s gonna be mad at me.”

Alan nodded. “Well, we don’t want that. Go on, Brian.”

He watched the boy go. Brian’s head was down, and once again he did not seem to be riding the bike so much as trudging along with it between his legs. Something was wrong there, so wrong that Alan’s finding out what had happened to Wilma and Nettle seemed secondary to finding out what had put the tired, haunted expression on that kid’s face.

The women, after all, were dead and buried. Brian Rusk was still alive.

He went to the tired old station wagon he should have traded a year ago, leaned in, grabbed the Radio Shack mike, and depressed the transmit button. “Yeah, Sheila, this is Unit One. I copy-come on back.”

“Henry Payton called for you, Alan,” Sheila said. “He told me to tell you it’s urgent. He wants me to patch you through to him.

Ten-four?”

“Go for it,” Alan said. He felt his pulse pick up.

“It may take a couple of minutes, ten-four?”

“That’s fine. I’ll be right here. Unit One clear.”

He leaned against the side of the car in the dappled shade, mike in hand, waiting to see what was urgent in Henry Payton’s life.

By the time Polly reached home, it was twenty minutes past three, and she felt torn in two completely different directions. On one hand, she felt a deep, drumming need to be about the errand Mr.

Gaunt had given her (she didn’t like to think of it in his terms, as a prank-Polly Chalmers was not much of a prankster), to get it done so that the azka would finally belong to her. The concept that the dealing wasn’t done until Mr. Gaunt said the dealing was done had not so much as crossed her mind.

On the other hand, she felt a deep, drumming need to get in touch with Alan, to tell him exactly what had happened… or as much of it as she could remember. One thing she could rememberit filled her with shame and a low sort of horror, but she could remember it, all right-was this: Mr. Leland Gaunt hated the man Polly loved, and Mr.

Gaunt was doing something-something-that was very wrong. Alan should know. Even if the azka stopped working, he should know.

You don’t mean that.

But yes-part of her meant exactly that. The part that was terrified of Leland Gaunt even though she couldn’t remember what, exactly, he had done to induce that feeling of terror.

Do you want to go back to the way things were, Polly? Do you want to go back to owning a pair of hands that feel full of shrapnel?

No… but neither did she want Alan hurt. Neither did she want Mr. Gaunt to do whatever he was planning to do, if it was something (she suspected it was) that would hurt the town. Nor did she want to be a part of that something, by going out to the old deserted Camber place at the end of Town Road #3 and playing some sort of trick she didn’t even understand.

So these conflicting wants, each championed by its own hectoring voice, pulled at her as she walked slowly home. If Mr. Gaunt had hypnotized her in some way (she had been positive of this when she left the store, but she became less and less sure as time passed), the effects had worn off now. (Polly really believed this.) And she had never in her life found herself so incapable of deciding what to do next. It was as if her whole supply of some vital decisionmaking chemical had been stolen from her brain.

In the end she went home to do what Mr. Gaunt had advised (although she no longer precisely remembered the advice). She would check her mail, and then she would call Alan and tell him what Mr. Gaunt wanted her to do.

If you do that, the interior voice said grimly, the azka really will stop working. And you know it.

Yes-but there was still the question of right and wrong. There was still that. She would call Alan, and apologize for being so short with him, and then tell him what Mr. Gaunt wanted of her. Perhaps she would even give him the envelope Mr. Gaunt had given her, the one she was supposed to put in the tin can.

Perhaps.

Feeling a little better, Polly put her key in the front door of her house-again rejoicing at the ease of this operation, almost without being aware of it-and turned it. The mail was in its usual place on the carpet-not very much today. Usually there was more junk mail after the Post Office had taken a day off. She bent and picked it up. A cable-TV brochure with Tom Cruise’s smiling, impossibly handsome face on the front; one catalogue from the Horchow Collection and another from The Sharper Image. AlsoPolly saw the one letter and a ball of dread began to grow deep in her stomach. To Patricia Chalmers of Castle Rock, from the San Francisco Department of Child Welfare… from 666 Geary. She remembered 666 Geary so very well from her trips down there.