Leslie Hartley - The Complete Short Stories of L.P. Hartley

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For the first time, the complete short fiction of L.P. Hartley is included in one volume. A novelist whose work has been acclaimed for its consistent quality, he also produced a number of masterly executed short stories. Those stories, written under the collection titles of
,
,
, and
are in this edition, as is the flawless novella
.
Leslie Poles Hartley was born in 1895 and died in 1972. Of his eighteen novels, the best known are
,
,
,
,
,
,
,
, and
.
, when filmed, was an international success, and the film version of
won the principal award at the 1973 Cannes festival.

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For a few minutes, such was the force of this inward monitor, Jimmy did contemplate setting the butterfly at liberty. He was prone to sudden irrational scruples and impulses, and if there was nothing definite urging him the other way he often gave in to them. But in this case there was. Manners demanded that he should accede to his host’s request; the rules of manners, of all rules in life, were the easiest to recognize and the most satisfactory to act upon. Not to go would be a breach of manners.

‘How kind of you,’ said Randolph, coming forward and shaking Jimmy’s hand, a greeting that, between two members of the same household, struck him as odd. ‘You have brought your invention with you?’

Jimmy saw that it was useless to disclaim the honour of its discovery. He unwrapped the bottle and handed it to Randolph.

Randolph carried it straight away to a high window, the sill of which was level with his eyes and above the top of Jimmy’s head. He held the bottle up to the light. Oblong in shape and about the size of an ordinary jam jar, it had a deep whitish pavement of plaster, pitted with brown furry holes like an overripe cheese. Resting on the plaster, billowing and coiling up to the glass stopper, stood a fat column of cotton-wool. The most striking thing about the bottle was the word poison printed in large, loving characters on a label stuck to the outside.

‘May I release the stopper?’ asked Randolph at length.

‘You may,’ said Jimmy, ‘but a whiff of the stuff is all you want.’

Randolph stared meditatively into the depths of the bottle. ‘A rather agreeable odour,’ he said. ‘But how small the bottle is. I had figured it to myself as something very much larger.’

‘Larger?’ echoed Jimmy. ‘Oh, no, this is quite big enough for me. I don t need a mausoleum.’

‘But I was under the impression,’ Randolph Verdew remarked, still fingering the bottle, ‘that you used it to destroy pests.’

‘If you call butterflies pests,’ said Jimmy, smiling.

‘I am afraid that some of them must undeniably be included in that category,’ pronounced Mr. Verdew, his voice edged with a melancholy decisiveness. ‘The cabbage butterfly, for instance. And it is, of course, only the admittedly noxious insects that need to be destroyed.’

‘All insects are more or less harmful,’ Jimmy said.

Randolph Verdew passed his hand over his brow. The shadow of a painful thought crossed his face, and he murmured uncertainly:

‘I think that’s a quibble. There are categories . . . I have been at some pains to draw them up. . . . The list of destructive lepidoptera is large, too large. . . . That is why I imagined your lethal chamber would be a vessel of considerable extent, possibly large enough to admit a man, and its use attended by some danger to an unpractised exponent.’

‘Well,’ said Jimmy, ‘there’s enough poison here to account for half a town. But let me show you how it works.’ And he took the pill-box from his pocket. Shabby, battered and cowed, the butterfly stood motionless, its wings closed and upright.

‘Now,’ said Jimmy, ‘you’ll see.’

The butterfly was already between the fingers and half-way to the bottle, when he heard, faint but clear, the sound of a cry. It was twosyllabled, like the interval of the cuckoo’s call inverted, and might have been his own name.

‘Listen!’ he exclaimed. ‘What was that? It sounded like Mrs. Verdew’s voice.’ His swiftly turning head almost collided with his host’s chin, so near had the latter drawn to watch the operation, and chased the tail-end of a curious look from Randolph Verdew’s face.

‘It’s nothing,’ he said. ‘Go on.’

Alas, alas, for the experiment in humane slaughter! The butterfly must have been stronger than it looked; the power of the killing bottle had no doubt declined with frequent usage. Up and down, round and round flew the butterfly; its frantic flutterings could be heard through the thick walls of its glass prison. It clung to the cotton-wool, pressed itself into corners, its straining, delicate tongue coiling and uncoiling in the effort to suck in a breath of living air. Now it was weakening. It fell from the cotton-wool and lay with its back on the plaster slab. It jolted itself up and down and, when strength for this movement failed, it clawed the air with its thin legs as though pedalling an imaginary bicycle. Suddenly, with a violent spasm, it gave birth to a thick cluster of yellowish eggs. Its body twitched once or twice and at last lay still.

Jimmy shrugged his shoulders in annoyance and turned to his host. The look of horrified excitement whose vanishing vestige he had seen a moment before, lay full and undisguised upon Randolph Verdew’s face. He only said:

‘Of what flower or vegetable is that dead butterfly the parasite?’

‘Oh, poor thing,’ said Jimmy carelessly, ‘it’s rather a rarity. Its caterpillar may have eaten an elm-leaf or two—nothing more. It’s too scarce to be a pest. It’s fond of gardens and frequented places, the book says—rather sociable, like a robin.’

‘It could not be described as injurious to human life?’

‘Oh, no. It’s a collector’s specimen really. Only this is too damaged to be any good.’

‘Thank you for letting me see the invention in operation,’ said Randolph Verdew, going to his desk and sitting down. Jimmy found his silence a little embarrassing. He packed up the bottle and made a rather awkward, self-conscious exit.

The four bedroom candles always stood, their silver flashing agreeably, cheek by jowl with the whisky decanter and the hot-water kettle and the soda. Now, the others having retired, there were only two, one of which (somewhat wastefully, for he still had a half-empty glass in his hand) Rollo was lighting.

‘My dear fellow,’ he was saying to Jimmy, “I’m sorry you think the new model insecticide fell a bit flat. But Randolph’s like that, you know: damned undemonstrative cove, I must say, though he’s my own brother.’

‘He wasn’t exactly undemonstrative,’ answered Jimmy, perplexity written on his face.

‘No, rather like an iceberg hitting you amidships,’ said his friend. ‘Doesn’t make a fuss, but you feel it all the same. But don’t you worry, Jimmy; I happen to know that he enjoyed your show. Fact is, he told me so.’ He gulped down some whisky.

‘I’m relieved,’ said Jimmy, and he obviously spoke the truth. ‘I’ve only one more whole day here, and I should be sorry if I’d hurt his feelings.’

‘Yes, and I’m afraid you’ll have to spend it with him alone,’ said Rollo, compunction colouring his voice. ‘I was coming to that. Fact is, Vera and I have unexpectedly got to go away to-morrow for the day.’ He paused; a footman entered and began walking uncertainly about the room. ‘Now, Jimmy,’ he went on, ‘be a good chap and stay on a couple of days more. You do keep us from the blues so. That’s all right, William, we don’t want anything,’ he remarked parenthetically to the footman’s retreating figure. ‘I haven’t mentioned it to Randolph, but he’d be absolutely charmed if you’d grace our humble dwelling a little longer. You needn’t tell anyone anything: just stay, and we shall be back the day after to-morrow. It’s hellish that we’ve got to go, but you know this bread-winning business: it’s the early bird that catches the worm. And talking of that, we have to depart at cock-crow. I may not see you again—that is, unless you stay, as I hope you will. Just send a wire to the old blighter who works with you and tell him to go to blazes.’

‘Well,’ said Jimmy, delighted by the prospect, ‘you certainly do tempt me.’

‘Then fall, my lad,’ said Rollo, catching him a heavy blow between the shoulder-blades. ‘I shan’t say good-bye, but “au revoir.” Don’t go to bed sober; have another drink.’

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