Leslie Hartley - The Complete Short Stories of L.P. Hartley

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For the first time, the complete short fiction of L.P. Hartley is included in one volume. A novelist whose work has been acclaimed for its consistent quality, he also produced a number of masterly executed short stories. Those stories, written under the collection titles of
,
,
, and
are in this edition, as is the flawless novella
.
Leslie Poles Hartley was born in 1895 and died in 1972. Of his eighteen novels, the best known are
,
,
,
,
,
,
,
, and
.
, when filmed, was an international success, and the film version of
won the principal award at the 1973 Cannes festival.

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‘Your coffee, sir,’ said a voice at his elbow.

‘Thank you, Clutsam, I’m very much obliged to you,’ said Mr. Rumbold, with the exaggerated civility of slight intoxication. ‘You’re an excellent fellow. I wish there were more like you.’

‘I hope so, too, I’m sure,’ said Clutsam, trying in his muddle-headed way to deal with both observations at once.

‘Don’t seem many people about,’ Mr. Rumbold remarked. ‘Hotel pretty full?’

‘Oh, yes, sir, all the suites are let, and the other rooms, too. We’re turning people away every day. Why, only to-night a gentleman rang up. Said he would come round late, on the off-chance. But, bless me, he’ll find the birds have flown.’

‘Birds?’ echoed Mr. Rumbold.

‘I mean there ain’t any more rooms, not for love nor money.’

‘Well, I’m sorry for him,’ said Mr. Rumbold, with ponderous sincerity. ‘I’m sorry for any man, friend or foe, who has to go tramping about London on a night like this. If I had an extra bed in my room, I’d put it at his disposal.’

‘You have, sir,’ the waiter said.

‘Why, of course I have. How stupid. Well, well. I’m sorry for the poor chap. I’m sorry for all homeless ones, Clutsam, wandering on the face of the earth.’

‘Amen to that,’ said the waiter devoutly.

‘And doctors and such, pulled out of their beds at midnight. It’s a hard life. Ever thought about a doctor’s life, Clutsam?’

‘Can’t say I have, sir.’

‘Well, well, but it’s hard; you can take that from me.’

‘What time shall I call you in the morning, sir?’ the waiter asked, seeing no reason why the conversation should ever stop.

‘You needn’t call me Clutsam,’ replied Mr. Rumbold, in a sing-song voice, and rushing the words together as though he were excusing the waiter from addressing him by the waiter’s own name. ‘I’ll get up when I’m ready. And that may be pretty late, pretty late.’ He smacked his lips over the words.

‘Nothing like a good lie, eh, Clutsam?’

‘That’s right, sir, you have your sleep out,’ the waiter encouraged him. ‘You won’t be disturbed.’

‘Good-night, Clutsam. You’re an excellent fellow, and I don’t care who hears me say so.’

‘Good-night, sir.’

Mr. Rumbold returned to his chair. It lapped him round, it ministered to his comfort: he felt at one with it. At one with the fire, the clock, the tables, all the furniture. Their usefulness, their goodness, went out to meet his usefulness, his goodness, met, and were friends. Who could bind their sweet influences or restrain them in the exercise of their kind offices? No one: certainly not a shadow from the past. The room was perfectly quiet. Street sounds reached it only as a low continuous hum, infinitely reassuring. Mr. Rumbold fell asleep.

He dreamed that he was a boy again, living in his old home in the country. He was possessed, in the dream, by a master-passion; he must collect firewood, whenever and wherever he saw it. He found himself one autumn afternoon in the wood-house; that was how the dream began. The door was partly open, admitting a little light, but he could not recall how he got in. The floor of the shed was littered with bits of bark and thin twigs; but, with the exception of the chopping-block which he knew could not be used, there was nowhere a log of sufficient size to make a fire. Though he did not like being in the wood-house alone he stayed long enough to make a thorough search. But he could find nothing. The compulsion he knew so well descended on him, and he left the wood-house and went into the garden. His steps took him to the foot of a high tree, standing by itself in a tangle of long grass at some distance from the house. The tree had been lopped; for half its height it had no branches, only leafy tufts, sticking out at irregular intervals. He knew what he would see when he looked up into the dark foliage. And there, sure enough, it was: a long dead bough, bare in patches where the bark had peeled off, and crooked in the middle like an elbow.

He began to climb the tree. The ascent proved easier than he expected, his body seemed no weight at all. But he was visited by a terrible oppression, which increased as he mounted. The bough did not want him; it was projecting its hostility down the trunk of the tree. And every second brought him nearer to an object which he had always dreaded; a growth, people called it. It stuck out from the trunk of the tree, a huge circular swelling thickly matted with twigs. Victor would have rather died than hit his head against it.

By the time he reached the bough twilight had deepened into night. He knew what he had to do: sit astride the bough, since there was none near by from which he could reach it, and press with his hands until it broke. Using his legs to get what purchase he could, he set his back against the tree and pushed with all his might downwards. To do this he was obliged to look beneath him, and he saw, far below him on the ground, a white sheet spread out as though to catch him; and he knew at once that it was a shroud.

Frantically he pulled and pushed at the stiff, brittle bough; a lust to break it took hold of him; leaning forward his whole length he seized the bough at the elbow joint and strained it away from him. As it cracked he toppled over and the shroud came rushing upwards. . . .

Mr. Rumbold waked in a cold sweat to find himself clutching the curved arm of the chair on which the waiter had set his brandy. The glass had fallen over and the spirit lay in a little pool on the leather seat. ‘I can’t let it go like that,’ he thought. ‘I must get some more.’ A man he did not know answered the bell. ‘Waiter,’ he said, ‘bring me a brandy and soda in my room in a quarter of an hour’s time. Rumbold, the name is.’ He followed the waiter out of the room. The passage was completely dark except for a small blue gas-jet, beneath which was huddled a cluster of candlesticks. The hotel, he remembered, maintained an old-time habit of deference towards darkness. As he held the wick to the gas-jet, he heard himself mutter, ‘Here is a candle to light you to bed.’ But he recollected the ominous conclusion of the distich, and fuddled though he was he left it unspoken.

Shortly after Mr. Rumbold’s retirement the door-bell of the hotel rang. Three sharp peals, and no pause between them. ‘Someone in a hurry to get in,’ the night porter grumbled to himself. ‘Expect he’s forgotten his key.’ He made no haste to answer the summons; it would do the forgetful fellow good to wait: teach him a lesson. So dilatory was he that by the time he reached the hall door the bell was tinkling again. Irritated by such importunity, he deliberately went back to set straight a pile of newspapers before letting this impatient devil in. To mark his indifference he even kept behind the door while he opened it, so that his first sight of the visitor only took in his back; but this limited inspection sufficed to show that the man was a stranger and not a visitor at the hotel.

In the long black cape which fell almost sheer on one side, and on the other stuck out as though he had a basket under his arm, he looked like a crow with a broken wing. A bald-headed crow, thought the porter, for there’s a patch of bare skin between that white linen thing and his hat.

‘Good evening, sir,’ he said. ‘What can I do for you?’

The stranger made no answer, but glided to a side-table and began turning over some letters with his right hand.

‘Are you expecting a message?’ asked the porter.

‘No,’ the stranger replied. ‘I want a room for the night.’

‘Was you the gentleman who telephoned for a room this evening?’

‘Yes.’

‘In that case, I was to tell you we’re afraid you can’t have one; the hotel’s booked right up.’

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