Anne Rice - Interview with the Vampire

“Only, that was not quite the thought that was gradually coming clear to me. I had hated him for all the wrong reasons; yes, that was true. But I did not fully understand it yet. Confounded, I found myself sitting finally on those dark steps, the light from the ballroom throwing my own shadow on the rough floor, my hands holding my head, a weariness overcoming me. My mind said, Sleep. But more profoundly, my mind said, Dream. And yet I made no move to return to the Hotel Saint-Gabriel, which seemed a very secure and airy place to me now, a place of subtle and luxurious mortal consolation where I might lie in a chair of puce velvet, put one foot on an ottoman and watch the fire lick the marble tile, looking for all the world to myself in the long mirrors like a thoughtful human. Flee to that, I thought, flee all that is pulling you. And again came that thought: I have wronged Lestat, I have hated him for all the wrong reasons. I whispered it now, trying to withdraw it from the dark, inarticulate pool of my mind, and the whispering made a scratching sound in the stone vault of the stairs.

“But then a voice came softly to me on the air, too faint for mortals: ‘How is this so? How did you wrong him?’

“I turned round so sharp that my breath left me. A vampire sat near me, so near as to almost brush my shoulder with the tip of his boot, his legs drawn up close to him, his hands clasped around them. For a moment I thought my eyes deceived me. It was the trickster vampire, whom Armand had called Santiago.

“Yet nothing in his manner indicated his former self, that devilish, hateful self that I had seen, even only a few hours ago when he had reached out for me and Armand had struck him. He was staring at me over his drawn-up knees, his hair disheveled, his mouth slack and without cunning.

“ ‘It makes no difference to anyone else,’ I said to him, the fear in me subsiding.

“ ‘But you said a name; I heard you say a name,’ he said.

“ ‘A name I don’t want to say again,’ I answered, looking away from him. I could see now how he’d fooled me, why his shadow had not fallen over mine; he crouched in my shadow. The vision of him slithering down those stone stairs to sit behind me was slightly disturbing. Everything about him was disturbing, and I reminded myself that he could in no way be trusted. It seemed to me then that Armand, with his hypnotic power, aimed in some way for the maximum truth in presentation of himself: he had drawn out of me without words my state of mind. But this vampire was a liar. And I could feel his power, a crude, pounding power that was almost as strong as Armand.

“ ‘You come to Paris in search of us, and then you sit alone on the stairs…’ he said, in a conciliatory tone. ‘Why don’t you come up with us? Why don’t you speak to us and talk to us of this person whose name you spoke; I know who it was, I know the name.’

“ ‘You don’t know, you couldn’t know. It was a mortal,’ I said now, more from instinct than conviction. The thought of Lestat disturbed me, the thought that this creature should know of Lestat’s death.

“ ‘You came here to ponder mortals, justice done to mortals?’ he asked; but there was no reproach or mockery in his tone.

“ ‘I came to be alone, let me not offend you. It’s a fact,’ I murmured.

“ ‘But alone in this frame of mind, when you don’t even hear my steps… I like you. I want you to come upstairs’ And as he said this, he slowly pulled me to my feet beside him.

“At that moment the door of Armand’s cell threw a long light into the passage. I heard him coming, and Santiago let me go. I was standing there baffled. Armand appeared at the foot of the steps, with Claudia in his arms. She had that same dull expression on her face which she’d had all during my talk with Armand. It was as if she were deep in her own considerations and saw nothing around her; and I remember noting this, though not knowing what to think of it, that it persisted even now. I took her quickly from Armand, and felt her soft limbs against me as if we were both in the coffin, yielding to that paralytic sleep.

“And then, with a powerful thrust of his arm, Armand pushed Santiago away. It seemed he fell backwards, but was up again only to have Armand pull him towards the head of the steps, all of this happening so swiftly I could only see the blur of their garments and hear the scratching of their boots. Then Armand stood alone at the head of the steps, and I went upward towards him.

“ ‘You cannot safely leave the theater tonight,’ he whispered to me. ‘He is suspicious of you. And my having brought you here, he feels that it is his right to know you better. Our security depends on it.’ He guided me slowly into the ballroom. But then he turned to me and pressed his lips almost to my ear: ‘I must warn you. Answer no questions. Ask and you open one bud of truth for yourself after another. But give nothing, nothing, especially concerning your origin.’

“He moved away from us now, but beckoning for us to follow into the gloom where the others were gathered, clustered like remote marble statues, their faces and hands all too like our own. I had the strong sense then of how we were all made from the same material, a thought which had only occurred to me occasionally in all the long years in New Orleans; and it disturbed me, particularly when I saw one or more of the others reflected in the long mirrors that broke the density of those awful murals.

“Claudia seemed to awaken as I found one of the carved oak chairs and settled into it. She leaned towards me and said something strangely incoherent, which seemed to mean that I must do as Armand said: say nothing of our origin. I wanted to talk with her now, but I could see that tall vampire, Santiago, watching us, his eyes moving slowly from us to Armand. Several women vampires had gathered around Armand, and I felt a tumult of feeling as I saw them put their arms around his waist. And what appalled me as I watched was not their exquisite form, their delicate features and graceful hands made hard as glass by vampire nature, or their bewitching eyes which fixed on me now in a sudden silence; what appalled me was my own fierce jealousy. I was afraid when I saw them so close to him, afraid when he turned and kissed them each. And, as he brought them near to me now, I was unsure and confused.

“Estelle and Celeste are the names I remember, porcelain beauties, who fondled Claudia with the license of the blind, running their hands over her radiant hair, touching even her lips, while she, her eyes still misty and distant, tolerated it all, knowing what I also knew and what they seemed unable to grasp: that a woman’s mind as sharp and distinct as their own lived within that small body. It made me wonder as I watched her turning about for them, holding out her lavender skirts and smiling coldly at their adoration, how many times I must have forgotten, spoken to her as if she were the child, fondled her too freely, brought her into my arms with an adult’s abandon. My mind went in three directions: that last night in the Hotel Saint-Gabriel, which seemed a year ago, when she talked of love with rancor; my reverberating shock at Armand’s revelations or lack of them; and a quiet absorption of the vampires around me, who whispered in the dark beneath the grotesque murals. For I could learn much from the vampires without ever asking a question, and vampire life in Paris was all that I’d feared it to be, all that the little stage in the theater above had indicated it was.

“ ‘The dim lights of the house were mandatory, and the paintings appreciated in full, added to almost nightly when some vampire brought a new engraving or picture by a contemporary artist into the house. Celeste, with her cold hand on my arm, spoke with contempt of men as the originators of these pictures, and Estelle, who now held Claudia on her lap, emphasized to me, the naive colonial, that vampires had not made such horrors themselves but merely collected them, confirming over and over that men were capable of far greater evil than vampires.