Anne Rice - Interview with the Vampire

“There was something disturbing to me in the room, and I didn’t know what it was. I didn’t in truth know what was wrong with me, only that I’d been drawn forcefully either by myself or someone else from two fierce, consuming states: an absorption with those grim paintings, and the kill to which I’d abandoned myself, obscenely, in the eyes of others.

“I didn’t know what it was that threatened me now, what it was that my mind sought escape from. I kept looking at Claudia, the way she lay against the books, the way she sat amongst the objects of the desk, the polished white skull, the candle-holder, the open parchment book whose hand-painted script gleamed in the light; and then above her there emerged into focus the lacquered and shimmering painting of a medieval devil, horned and hoofed, his bestial figure looming over a coven of worshipping witches. Her head was just beneath it, the loose curling strands of her hair just stroking it; and she watched the brown-eyed vampire with wide, wondering eyes. I wanted to pick her up suddenly, and frightfully, horribly, I saw her in my kindled imagination flopping like a doll. I was gazing at the devil, that monstrous face preferable to the sight of her in her eerie stillness.

“ ‘You won’t awaken the boy if you speak,’ said the brown-eyed vampire. ‘You’ve come from so far, you’ve traveled so long.’ And gradually my confusion subsided, as if smoke were rising and moving away on a current of fresh air. And I lay awake and very calm, looking at him as he sat in the opposite chair. Claudia, too, looked at him. And he looked from one to the other of us, his smooth face and pacific eyes very like they’d been all along, as though there had never been any change in him at all.

“ ‘My name is Armand,’ he said. ‘I sent Santiago to give you the invitation. I know your names. I welcome you to my house.’

“I gathered my strength to speak, my voice sounding strange to me when I told him that we had feared we were alone.

“ ‘But how did you come into existence?’ he asked. Claudia’s hand rose ever so slightly from her lap, her eyes moving mechanically from his face to mine. I saw this and knew that he must have seen it, and yet he gave no sign. I knew at once what she meant to tell me. ‘You don’t want to answer,’ said Armand, his voice low and even more measured than Claudia’s voice, far less human than my own. I sensed myself slipping away again into contemplation of that voice and those eyes, from which I had to draw myself up with great effort.

“ ‘Are you the leader of this group?’ I asked him.

“ ‘Not in the way you mean leader,’ he answered. But if there were a leader here, I would be that one.’

“ ‘I haven’t come… you’ll forgive me… to talk of how I came into being. Because that’s no mystery to me, it presents no question. So if you have no power to which I might be required to render respect, I don’t wish to talk of those things.’

“ ‘If I told you I did have such power, would you respect it?’ he asked.

“I wish I could describe his manner of speaking, how each time he spoke he seemed to arise out of a state of contemplation very like that state into which I felt I was drifting, from which it took so much to wrench myself; and yet he never moved, and seemed at all times alert. This distracted me while at the same time I was powerfully attracted by it, as I was by this room, its simplicity, its rich, warm combination of essentials: the books, the desk, the two chairs by the fire, the coffin, the pictures. The luxury of those rooms in the hotel seemed vulgar, but more than that, meaningless, beside this room. I understood all of it except for the mortal boy, the sleeping boy, whom I didn’t understand at all.

“ ‘I’m not certain,’ I said, unable to keep my eyes off that awful medieval Satan. ‘I would have to know from what… from whom it comes. Whether it came from other vampires… or elsewhere’

“ ‘Elsewhere…’ he said. ‘What is elsewhere?

“ ‘That?’ I pointed to the medieval picture.

“ ‘That is a picture,’ he said.

“ ‘Nothing more?’

“ ‘Nothing more.’

“ ‘Then Satan… some satanic power doesn’t give you your power here, either as leader or as vampire?’

“ ‘No,’ he said calmly, so calmly it was impossible for me to know what he thought of my questions, if he thought of them at all in the manner which I knew to be thinking.

“ ‘And the other vampires?’

“ ‘No,’ he said.

“ ‘Then we are not…’ I sat forward. ‘… the children of Satan?’

“ ‘How could we be the children of Satan?’ he asked. ‘Do you believe that Satan made this world around you?’

“ ‘No, I believe that God made it, if anyone made it. But He also must have made Satan, and I want to know if we are his children!’

“ ‘Exactly, and consequently if you believe God made Satan, you must realize that all Satan’s power comes from God and that Satan is simply God’s child, and that we are God’s children also. There are no children of Satan, really.’

“I couldn’t disguise my feelings at this. I sat back against the leather, looking at that small woodcut of the devil, released for the moment from any sense of obligation to Armand’s presence, lost in my thoughts, in the undeniable implications of his simple logic.

“ ‘But why does this concern you? Surely what I say doesn’t surprise you,’ he said. ‘Why do you let it affect you?’

“ ‘Let me explain,’ I began. ‘I know that you’re a master vampire. I respect you. But I’m incapable of your detachment. I know what it is, and I do not possess it and I doubt that I ever will. I accept this.’

“ ‘I understand,’ he nodded. ‘I saw you in the theater, your suffering, your sympathy with that girl. I saw your sympathy for Denis when I offered him to you; you die when you kill, as if you feel that you deserve to die, and you stint on nothing. But why, with this passion and this sense of justice, do you wish to call yourself the child of Satan!’

“ ‘I’m evil, evil as any vampire who ever lived! I’ve killed over and over and will do it again. I took that boy, Denis, when you gave him to me, though I was incapable of knowing whether he would survive or not.’

“ ‘Why does that make you as evil as any vampire? Aren’t there gradations of evil? Is evil a great perilous gulf into which one falls with the first sin, plummeting to the depth?’

“ ‘Yes, I think it is,’ I said to him. ‘It’s not logical, as you would make it sound. But it’s that dark, that empty. And it is without consolation.’

“ ‘But you’re not being fair,’ he said with the first glimmer of expression in his voice. ‘Surely you attribute great degrees and variations to goodness. There is the goodness of the child which is innocence, and then there is the goodness of the monk who has given up everything to others and lives a life of self-deprivation and service. The goodness of saints, the goodness of good housewives. Are all these the same?’

“ ‘No. But equally and infinitely different from evil.’ I answered.

“I didn’t know I thought these things. I spoke them now as my thoughts. And they were my most profound feelings taking a shape they could never have taken had I not spoken them, had I not thought them out this way in conversation with another. I thought myself then possessed of a passive mind, in a sense. I mean that my mind could only pull itself together, formulate thought out of the muddle of longing and pain, when it was touched by another mind; fertilized by it; deeply excited by that other mind and driven to form conclusions. I felt now the rarest, most acute alleviation of loneliness. I could easily visualize and suffer that moment years before in another century, when I had stood at the foot of Babette’s stairway, and feel the perpetual metallic frustration of years with Lestat; and then that passionate and doomed affection for Claudia which made loneliness retreat behind the soft indulgence of the senses, the same senses that longed for the kill. And I saw the desolate mountaintop in eastern Europe where I had confronted that mindless vampire and killed him in the monastery ruins. And it was as if the great feminine longing of my mind were being awakened again to be satisfied. And this I felt despite my own words: ‘But it’s that dark, that empty. And it is without consolation.’