Charles De Lint - Memory and Dream

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Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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She didn’t mean to hide the fact that she had renewed her relationship with Rushkin, it just never came up whenever she was around Kathy. Her roommate might have heard it from someone else except that, having finally received her share of the advance for the paperback sale of her book, all her time was caught up in the work of establishing her children’s foundation—everything from finding suitable staff and applying for charitable status to renting a small building in which to house the operation.

As she’d predicted to Izzy back in January, the money from her advance wasn’t nearly enough—not even starting at the modest scale at which she planned. Late in June she organized a combination benefit concert and art auction that, when added to her fundraising efforts once her charitable status came through, raised another seventy-two thousand dollars. Eleven thousand of that came from the sale of one of Izzy’s paintings.

“The doors open July twelfth,” she told Izzy a few days after the benefit. “Are you going to have a party to celebrate it?” Izzy asked.

“Of course. But it’s going to be a potluck affair. I don’t want any of the Foundation’s money to be used for anything except for the kids. The thing that really worries me is that we’re going to get swamped and I don’t want to turn anybody away.”

“So organize another benefit,” Izzy suggested.

“I don’t think it would be as successful. People only have so much money and there are a lot of other worthwhile causes. It’ll work better on a yearly basis, I think.”

Izzy smiled. “You better get writing then.”

“I am. I have—whenever I can spare the time. Alan says there’s already a lot of interest in a second book and the first paperback’s not even out yet.”

“Will you take it to the same publisher that’s doing the paperback edition?” Izzy asked.

Kathy shook her head. “I’m letting Alan publish it first and then he’ll offer it to them. It’s a chance for his press to really establish itself and after all he’s done for me, I figure it’s the least I can do to repay him.”

“But if he gets fifty percent of the next paperback sale as well,” Izzy began. “He won’t. He didn’t even take that for Angels.”

“What do you mean?”

“He’s earmarked forty percent of what would go to him as an ongoing donation to the Foundation.”

“Wow. I can’t believe he’s giving up all that money.”

“Some people would say the same thing about the painting you gave us to auction.”

“That’s different,” Izzy began, but then she shook her head. “No, I guess it’s not.”

“I couldn’t ask for better friends,” Kathy told her. She tried to stifle a huge yawn, but wasn’t successful. “I have to go to bed,” she said. “I’m dead on my feet.”

Kathy’d been losing weight, Izzy realized, taking a good look at her roommate. It wasn’t something you noticed right away, because of the baggy clothes she usually wore. But she was thinner, and there were rings under her eyes from lack of sleep.

“Don’t overdo things,” Izzy warned.

“I won’t,” Kathy said as she stumbled off to bed. “I’m just so happy that everything’s actually going to happen.” She paused at the doorway to her bedroom to look back at Izzy. “You know, that maybe I can save some kids having to go through the shit I had to.”

But you don’t look happy, Izzy thought as Kathy continued on into the bedroom. You look dead on your feet.

XVI

July 1978

It seemed as though everybody that Kathy and Izzy knew showed up for the open-house party to celebrate the opening of the Newford Children’s Foundation. The only exceptions were Rushkin and John, both of whom had been invited—Rushkin by Izzy and John by Kathy, who’d run into him in the Walker Street subway station the week of the benefit. The house had been furnished in what Jilly called Contemporary Scrounge, because everything had been acquired from flea markets and yard sales.

“The furniture just has to do its job,” Kathy had said, resenting any money spent that didn’t go directly to the kids. “It doesn’t have to be pretty.”

To offset the battered desks and filing cabinets, Izzy and Kathy, along with a number of their other artist friends, had spent a few weeks repainting all the rooms, making curtains, wallpapering, painting wall murals in the kitchen and offices and generally giving the rooms a more homey feel. The centerpieces of the waiting room, which also housed the reception desk, were the two paintings that Izzy had based on Kathy’s stories: La Liseuse and The Wild Girl. She’d given them to Kathy a year ago.

“I’m so glad you hung them here,” Izzy said, as she and Kathy finally got a break from greeting the guests and were leaning up against a wall in the waiting room, sipping glasses of wine.

Kathy smiled. “I love the way they look in here. I know you based them on stories in Angels, but they perfectly suit what the Foundation’s all about. The Wild Girl is all the kids we’re trying to help and La Liseuse is a perfect image of what so many of them have never had and never will have: the quintessential mother figure, about to read them a story before bed. I can’t imagine them anywhere else.

In fact, they’re part of the Foundation’s assets now and I’ve written in a stipulation in our charter that says they’re always to hang in the Foundation’s waiting room, no matter where we eventually move, no matter what happens to me personally.”

“I like that,” Izzy said. “I think that’s my favorite thing about any of the arts, that we each get to put our own interpretation upon the message that’s being conveyed. There’s no right or wrong way to appreciate, there’s only honest or dishonest.”

“I see her from time to time, you know,” Kathy said. “Rosalind.”

Izzy looked at her, feeling a little confused. Considering what she knew of Rosalind’s feelings about meeting Kathy, she was surprised to discover that the numena had managed to overcome her shyness in the matter.

“Really?” she said finally.

“Oh, I’ve never talked to her or anything,” Kathy explained, “but I catch glimpses of her from time to time—across a street, sitting in a cafe, walking through a park. It’s both odd and neat to see someone from one of my own stories walking about in the city. It gives me a better idea what it must feel like for you when you bring the numena across.”

Izzy really wished that Rosalind could overcome her shyness. She just knew that the two of them would get along famously. She’d often considered secretly setting up a meeting between the them, but then she’d think of John, she’d think of how Rosalind had entrusted her with her feelings, and she wouldn’t let it go any further than a thought.

“And Cosette?” she asked. “Do you ever see her?”

Kathy shook her head. “I’m too civilized to visit the kinds of places that she’d hang around—don’t you think? But I’ll bet Jilly’s seen her.”

“I think Jilly knows every fourth person in the city.”

“More like every third—and she’s working on the rest.” Kathy paused. “How come you’ve never told her about the numena? It’s so up her alley.”

Izzy shrugged. “I don’t know. I’m not trying to be selfish or anything, but I feel like everything would change if I told anybody else.”

“You told me.”

“That’s different,” Izzy said. “That’s more like telling another part of myself.”

“Are we going to be friends forever?” Kathy asked.

Izzy turned to look at her roommate. Kathy looked so serious that Izzy stifled the humorous response she’d been about to make.

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