Charles De Lint - Memory and Dream

Здесь есть возможность читать онлайн «Charles De Lint - Memory and Dream» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 1994, ISBN: 1994, Издательство: Tor, Жанр: Ужасы и Мистика, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Memory and Dream: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Memory and Dream»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

Memory and Dream — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Memory and Dream», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“But you will still repay the debt you owe me,” Rushkin added.

Isabelle shook her head. “I won’t do it,” she said. “I won’t make people for you to murder.”

“People? You call them numena, yourself. Strictly speaking, a numen is merely a spiritual force, an influence one might feel around a certain thing or place. It has no physical presence.”

“You know exactly what I mean.”

“Of course I do,” Rushkin told her. “But you have to remember they’re not real.”

Isabelle looked at the two numena who had brought her to this place. “You heard it from his own lips,” she said. “How can you serve a monster such as this? How can you help him prey on your own kind?”

But neither of the numena appeared particularly perturbed.

“What do we care about the others?” Scam asked. “What have they ever done for us?”

Bitterweed nodded. “And we will be real. We have been promised.”

“By who? This father of lies?”

“He has never lied to us.”

Isabelle shook her head. “You don’t need him. He needs you. You’re already real. My numena live lives of their own and so do you. To believe otherwise is to believe his lies.”

“No,” Bitterweed said. “We need him.”

“All we ever did,” Isabelle said, “was open a door for you to cross over from your own world to this. You don’t need him any more than the man he based you upon needs me.”

“Quite the remarkable job I did making Bitterweed, don’t you think?” Rushkin remarked. “Of course it helps to have an eidetic memory.”

“I’m not talking to you,” Isabelle said.

“I know,” Rushkin said. “But you are wasting your time trying to convince them to see things your way. They know the truth.”

“Then how will you make them real?” Isabelle challenged.

“It’s quite simple, frankly. They require only a piece of your soul. Or mine. Or that of anyone such as us who can make them.”

Now Isabelle knew what Bitterweed had meant when he said she owed him. Though what he should have said was that she was owed to him. He and Scara had brought her to Rushkin so that she would rejuvenate her erstwhile mentor and in return Rushkin would give her to them. So much for Rushkin’s assurances of safety. So much for his giving his word. But then she already knew he was a liar.

“You’re a monster,” she said.

Rushkin shook his head. “You take everything far too seriously, Isabelle. You think of us as parasites, but it’s nothing so crass as that, I can assure you. The beings I require to restore me are not real in the sense that you or I can claim. I murder no one; I hurt no one. No one that is real.”

Isabelle thought of John, of the arguments they’d had on this very subject, and all she could do was shake her head in denial.

“And to make them real,” Rushkin went on, “costs so little. They will step into your sleep and take a small morsel of your soul. A memory, a hope, a piece of a dream. Nothing you can’t live without.”

“You were in my dreams once,” Isabelle said, “and you weren’t nearly so benign. You killed the winged cat. You would have killed Paddyjack, too, if John hadn’t driven you away.”

Rushkin neither denied nor agreed to what she said. “It’s harder for you and I to step into each other’s dreams. It’s because we are both makers—dreamers. It’s much easier for what you call numena since they are already so close to our dreams. They are born from our art and our art is born from our dreams—from what we remember, and what we envision.”

“You still killed the winged cat.”

Rushkin shrugged. “There was a need upon me that night. In retrospect, I should have been more patient. But I must remind you, Isabelle: none of your numena that I took were real. They need that piece of your soul to fuel them and I would have known if you had given it to them. I would never harm any that you made real. I am not the monster you make me out to be.”

“Oh no? Then what would you call yourself?”

“A man who has lived for a very long time and who is not yet ready to end his stay in this world.”

“No matter what the cost.”

“There is always a cost,” Rushkin agreed. “But in this case, it is not the one you assume it to be. I did not want to come back into your life and bring you more heartbreak, Isabelle. But I was weaker than I thought and in the two years since Giselle died, I have found no one with the necessary talent to take under my tutelage. It was Bitterweed who reminded me of you and even then I would not have returned into your life except that I heard that you would be illustrating a new collection of stories by your friend.

Since I knew you would once again be creating numena ...” He shrugged.

“How could you have heard that? I only agreed to it yesterday.”

“Really? I heard about it over a month ago. Or perhaps it was only that you were being considered for the project. It makes little difference, now, since here we all are.”

“So this was all Bitterweed’s idea,” Isabelle said. “Kidnapping me and bringing me here.”

“He is very eager to become real,” Rushkin told her, “and like your own John, headstrong. We meant to wait until you had completed the work for the book before we stepped in, but then ...”

“But then what?” Isabelle asked when he hesitated.

“There are so many things that could go wrong or delay such a project,” Rushkin said.

He kept that same earnest expression in his eyes that he’d been wearing throughout their conversation, but Isabelle didn’t think that this was what he’d meant to say. He was hiding something.

Then she had to laugh at herself. When had she known Rushkin to ever be straightforward about anything?

“You can see how weak I am,” Rushkin added. “Bitterweed was afraid that I wouldn’t survive the wait. And besides, he is so eager. So impatient. I think he would do anything to become real.”

“But he already is real.”

Rushkin sighed. “The numena do not need to eat or sleep. They are unable to bleed or dream. They are not real.”

“You say that only because it suits your purpose.”

“Then what would you call them?”

Isabelle glanced at his numena. Scara lounged on the floor, cleaning her nails with a switchblade, and didn’t even seem to be paying attention to the conversation. Bitterweed leaned against a wall beside her, arms folded, listening, but his face was a closed mask. Unreadable.

“Different,” Isabelle said. “That’s all. Not better or worse than us, only different.”

Rushkin smiled. “How very open-minded of you. How politically correct. Perhaps we should refer to them as the dream-impaired in the future.”

“I’m not Izzy anymore,” Isabelle told him. “I’m not that impressionable teenager that you took under your wing and who’d believe anything you’d say because you were Vincent bloody Adjani Rushkin.

God, I hate you.”

“And yet you named your studio after me.”

Isabelle gave him a withering look. “You know up until this very morning I couldn’t have said which was stronger: my admiration for you and the gratefulness I’ve felt for everything you taught me, or my fear and loathing for everything you stand for. You’ve certainly clarified that for me today.”

“And yet you will help me,” Rushkin said.

Isabelle shook her head. “I can’t believe you. Aren’t you listening to what I’m saying?”

“If you help restore me with your numena,” Rushkin told her, “I will give you the one thing your heart most desires.”

“What would you know about my desires?”

“I’ll bring her back—the friend you still mourn.”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Memory and Dream»

Представляем Вашему вниманию похожие книги на «Memory and Dream» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Memory and Dream»

Обсуждение, отзывы о книге «Memory and Dream» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x