Charles De Lint - Memory and Dream

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Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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“Detective Michael Thompson, ma’am,” he said, “of the Newford Police Department.” He nodded to his companion. “This is Detective Roger Davis. We’re looking for a Mr. Alan Grant of this address.

Would he be available?”

“What’s going on?” Marisa asked. “What do you want with Alan?”

“Nothing to worry about,” the detective assured her. “We have a few questions for Mr. Grant, that’s all.”

“Questions about what?” Alan asked, coming up behind Marisa. He’d changed into jeans and a shirt, but was still barefoot.

“Just a few routine questions concerning an ongoing investigation,” Thompson said. “If you’d like to finish getting dressed, sir, we’ll drive you down to the precinct.”

“Can’t you tell me what this is all about?”

“We’d prefer to deal with this at the precinct, sir.”

“I’m coming with you,” Marisa said.

When Alan gave her a grateful look, she realized that he didn’t want to be alone on this, whatever it was about. It gave her a good feeling that she could be here for him.

“Would that be a problem, officers?” Alan asked.

Both men shook their head.

“Not at all, sir,” Thompson said. “Do you mind if we wait inside while you get ready?”

“Please, come in.”

The smaller detective made his way to the sofa and sat down while his companion drifted across the room to stand by the window. He didn’t seem to be looking at anything in particular, but Marisa got the definite impression that he wasn’t missing a thing. Pillow on the sofa. The sheet Alan hadn’t wrapped himself in bunched up on the floor. The open bedroom door through which he could see the bed with its rumpled bedclothes. She wished she’d taken the time to put some clothes on herself, rather than be standing here in Alan’s shirt.

“We won’t be long,” Alan said.

“No problem,” Thompson assured him.

Marisa followed Alan into the bedroom, where she collected her clothes. She paused at the doorway to look at Alan where he sat on the edge of the bed putting on a pair of socks. She held the bundle tight against her chest, wishing it were Alan she was holding, that Alan was hugging her back.

“What do you think it’s about?” she asked.

“I don’t know. But it can’t be good. They don’t take you in for questioning when it’s only an unpaid parking ticket or something else as innocuous as that. Still we should take comfort in the fact that they obviously don’t think we’re dangerous or they’d never have let us out of their sight, even to get dressed.”

“But you haven’t done anything wrong, have you?”

Alan shook his head. “Not that I know.”

“Then why—”

“We’re keeping them waiting. You should go get dressed.”

“I know,” Marisa said. “But this whole business is giving me the creeps. Why can’t they just tell us what it’s all about?” She hesitated, then asked, “You don’t think it’s got anything to do with my leaving George, do you?”

Alan gave her a thin smile. “There’s no law against leaving your husband—not unless you killed him first.”

“Ha ha.”

“Just get dressed, Marisa. We’ll find out what’s going on when we get down to the precinct.”

“I don’t see how you can be so calm.”

Alan shrugged. “I’ve nothing to feel guilty about.”

But maybe that won’t make any difference, Marisa thought. As she stood there looking at him, every miscarriage of justice that she’d ever heard about reared up in her mind, tormenting her with the possibilities of what might be waiting for them at the precinct. Just last week she’d read about a man accused of molesting his niece. He’d been proven innocent—the girl had admitted that she’d made the story up to get some attention from her own parents—but according to the article, the stigma of the accusation still clung to the man and the whole sorry affair had opened a breach in the family that showed no signs of being diminished. But now wasn’t the time to bring anything like that up, she realized.

“I guess I’ll go get dressed” was all she said.

“Things will work out,” Alan told her.

She nodded.

“But if anything does happen when we’re at the precinct—I mean, if they decide to hold me or whatever—I don’t want you to think that it changes anything. You’re still welcome to stay here. You’ll have to get someone else to help you pick up your things, that’s all.”

“I don’t even want to think along those lines.”

“But just in case.”

Marisa sighed. “Fine. Just in case. But that’s not going to happen.”

“I sure as hell hope not.”

He might look calm, Marisa realized, but inside he was feeling just as worried as she was. She straightened her back, determined to put on as good a face herself. If he could do it, when he was the one the police wanted to question, then she could do it too.

“Well, let’s get this over with,” she said.

She went into the bathroom to get dressed herself and was out again in record time, having paused only long enough to put on a touch of lipstick.

III

Come midmorning, Rolanda was still sitting beside her bed, watching Cosette sleep. She’d left once to go downstairs to cancel her morning’s appointments and get herself a coffee. That had been over an hour ago. The coffee was long finished and Cosette still slept—if what she was doing was sleeping.

Rolanda couldn’t shake the memory of that awful moment earlier this morning when the girl had run an Xacto blade across her hand, the sharp metal cutting deeply into the palm, but the wound hadn’t bled.

Hadn’t bled at all. What it had done was close up again as easily as you might seal a zip-lock plastic bag.

Hey presto, just like that.

It wasn’t possible, of course. What she’d seen couldn’t have happened. Except there was no denying that she had seen it and now the whole world had become unsafe. Nothing could be trusted to be as it once had been. The hard-wood floor of her apartment seemed spongy underfoot, the walls pulsed, the air was thick with light that appeared to have a physical consistency. Dust motes didn’t so much float in it as were encased. Everything was changed.

You think you’re safe, Rolanda thought, looking down at her sleeping charge. You think you know who you are and you’re content with the comfortable familiarity of your life, and then something like this comes along and the next thing you know, everything becomes foreign. It wasn’t just Cosette, lying there on her bed; it was that everything now had the potential to be other than what she always believed it to be.

This must be what people meant when they spoke of an epiphany, she thought, except she didn’t actually understand what she was seeing. She simply knew that there were no more safe corners to turn.

That underlying what everyone accepted as true was another truth. A different truth, one that allowed for god knew how many interpretations.

“You’re scared, aren’t you?”

She looked down to see that Cosette’s eyes were open, their luminous gaze regarding her sympathetically, and Rolanda realized that she no longer considered the girl as a potential client, in need of the Foundation’s services. Their roles hadn’t so much reversed as evened out so that they were meeting now as equals, each able to learn from the other.

“I don’t know what I am,” Rolanda admitted. “Everything seems changed. Anything seems possible.”

Cosette sat up and scooted over to where she could lean back against the headboard. “Except for happiness.”

“What do you mean?”

“I want to be real.”

Rolanda smiled. “You sound like Pinocchio.”

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