Charles De Lint - Memory and Dream

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Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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“Paddyjack won’t need to be told.”

Cosette nodded. “But he won’t follow me if someone doesn’t think of it for him. If we have to take a chance, let it only be one of us that takes the risk.”

“But—”

“Promise me,” Cosette said.

“I promise.” Rosalind’s grip tightened on Cosette’s fingers. “But only ifyou promise that you’ll be careful. Promise me you won’t let that dark man find you.”

Cosette promised, but it wasn’t a pledge she was sure she could keep. She could only try.

She looked away again, out between the birches to the field beyond. The figures were all gone now.

There were only the autumn fields, red and gold and brown, and the lake farther off, a blue that was almost grey. The red-brown shapes had been washed away as easily as Isabelle might lift transparent pigment from wet paper.

That could happen to me, she thought. That could happen to all of us. But she took the fear and held it inside herself, leaving it unspoken.

“I like this Alan,” she said instead. “Maybe if Isabelle doesn’t want him, I’ll take him.”

“He’s far too old for you,” Rosalind said with a laugh.

Cosette’s lips formed a sulky moue that wasn’t at all serious.

“I only look young,” she informed her companion.

“That’s true,” Rosalind said, still smiling. “And you never play the fool. You’re far too mature for that.”

Cosette poked her in the ribs with her elbow.

“Hush you,” she said.

Rosalind let go of Cosette’s hand and put her arm around the younger woman’s shoulders. They spoke no more of departures or danger. Instead, they watched the day pass beyond their glade, the light change on the fields as the afternoon crept toward dusk, and pretended, if just for these few hours, that they wouldn’t miss each other. That nothing was changed. That the red crow flew inside their bodies and when they slept, they could dream.

III

Newford, September 1992

Driving back to the city, Alan was glad that he’d taken Marisa’s advice and not tried to apologize for or make sense of his and Isabelle’s estrangement all those years ago. His stay at Wren Island had contained enough odd and strained moments all on their own without his needing to bring up any old baggage. It was funny, though. He didn’t remember Isabelle as being so moody in the old days. She’d been somewhat serious, and certainly quieter than Kathy, but then everyone had been quieter than Kathy.

Thinking of Kathy woke a deep pang of loss. It was a familiar sorrow, but no less difficult to bear for that familiarity. He wondered if it was memories of Kathy that had brought on Isabelle’s extreme shifts of mood. Lord knew the memories seemed so fresh to him at the moment that they were leaving him more than a little off-balance. It wasn’t just the senselessness of her death that ate at him, but that he missed her so terribly. While time was supposed to heal all, it had yet to heal him. He thought it never might.

There were times when he was able to go a week or more without thinking of her, but something always came up to remind him and then that deep sorrow would return, lodged so firmly inside that there was no escaping it. The court battles with her family and working on the omnibus didn’t help either.

Sometimes he thought that if he could just get the book out, he’d be able to close the door on the past and get on with his life, but most of the time he felt that would never happen. He wasn’t even sure he wanted it to. Forgetting seemed too much like a betrayal.

Traffic was light going into the city and he made good time on the highway. The recent cassette of a New Jersey songwriter named Kate Jacobs was on the car stereo. She came across as folky and wise, with just a touch of sly humor, and he found himself relaxing to the sound of her voice, though he couldn’t help but wonder, After what?, as he listened to the title cut, “The Calm Comes After.” A miracle, he supposed. He reached the downtown core before the lunch crowds began to congest the streets and had no trouble driving into Lower Crowsea, which was somewhat of a miracle in itself. By the time he pulled into his garage, it was just under two and a half hours from when Isabelle had left him off at her landing on the mainland.

The first thing he planned to do was change; then he’d get on the phone to the New York paperback house that was interested in the omnibus to pass along the good news that Isabelle had come on board.

They could use one of the paintings hanging in the Newford Children’s Foundation to start the publicity machine rolling and he’d send out galleys of the unpublished stories to get some new quotes. Since Kathy’s work had been out of the limelight for five years now, it was important to choreograph her return so that it was just right.

With his head full of business details, he went up the stairs to his apartment, then stopped dead at the sound of music that was coming from the other side of the apartment’s front door. He was certain he hadn’t left the stereo on. With his key in hand, he moved forward again, an uneasy feeling prickling across his shoulder blades, but before he could put the key in the lock, the door swung open and Marisa was standing there.

“Hi,” she said.

Her familiar half-smile had a touch of nervousness about it and Alan could see why. She’d obviously made herself at home in his absence. She was barefoot, wearing one of his long-sleeved shirts over a pair of her own jeans. Her hair was a disheveled blonde tangle and her eyes were puffy and red, as though she’d been crying.

“I saw you pull up into the garage,” she went on, “but I didn’t have time to change.” She gave the shirt she was wearing a fidgety pluck with her fingers. “Sorry.”

“That’s okay,” Alan said.

“I left so fast, I never even thought to pack anything. George, I mean.” She backed up a little so that Alan could come inside. “I left him last night. I didn’t know where else to go.”

Alan closed the door behind him. Of course, he thought. After all this time, she finally left George just when Isabelle had come back into his life. Then he felt like a heel for even thinking such a thing. Tears were brimming in Marisa’s eyes and her lower lip trembled.

“I . I tried to think of where I could go,” she said, “and then I realized that you’re the only person I really know. After all these years of living here, you’re the only person I can trust.”

“You can stay as long as you want,” Alan told her, and he meant it.

“I don’t want to get in the way of ... you know ... you and Isabelle ....”

“There’s nothing to get in the way of,” Alan said. Not yet. Maybe never.

“I ... would you hold me, Alan? I just need somebody to hold me ...”

As he put his arms around her, she buried her face in his shoulder and began to cry. Alan steered her toward the sofa. He sat there holding her for a long time, murmuring words of comfort that he wasn’t sure were true. Everything wasn’t necessarily going to get better for her. He knew how Marisa felt about him, but he wasn’t sure how he felt about her anymore. She’d waited so long to get out of her marriage—maybe too long.

She fell asleep finally. Being careful not to disturb her, Alan rose from the sofa after putting a pillow under her head. Sitting on the edge of the coffee table, he regarded her for a long time. After a few minutes, he pushed an errant lock away from her forehead, kissed her lightly on the top of her head and rose to his feet. He crossed the room and sat down at his desk, but found himself unable to concentrate on his work. Instead, he looked at Marisa, sleeping so peacefully now on the sofa.

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