Charles De Lint - Memory and Dream

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Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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Izzy finished The Spirit Is Strong the next day, but she had no time to admire her portrait of the Kickaha brave in his urban setting. She had to rush to another class that afternoon and then, when it was done, she spent what was left of the day at the university library, working on a paper that was due the next Monday. When she finally stepped outside, she blinked in surprise. She’d lost all track of time and night had fallen while she was cloistered away in the study cubicle with a stack of art-history books.

Her stomach rumbled and she realized that she’d not only missed lunch, but supper now as well. She felt so tired she could have lain down right there on the library steps and gone straight to sleep except she had just enough common sense left, in the fuzzy space between her ears that was passing for her mind at the moment, to know that she should get herself home first.

“You look beat,” a stranger’s voice said from behind her. “What’re you doing—burning the paintbrush at both ends?”

“You mean candle,” Izzy corrected absently as she turned to see who’d spoken.

A figure stood leaning in the shadows beside the stone lion statue on the left side of the library’s doors. She could see he wore a white T-shirt and blue jeans, and his long hair was dark, but his face was just a daub of shadowed skin color in the bad light and she couldn’t make out his features. There was enough of a nip in the air that she found herself wondering how he could stand being outside in only those short sleeves.

“But you’re an artist,” he said, “so I thought paintbrush would be more appropriate.”

“Do I know you?” Izzy asked. There was something familiar about him, but she couldn’t quite put her finger on it.

“Does it matter?”

Izzy had been about to take a step closer to get a better look at him, but she paused as the memory of Rochelle’s bruised features rose in her mind. Oh shit, she thought, taking a quick look around herself, but they were alone on the library steps. Through the leaded panes of the doors, she could see people moving around inside the building, but she knew they were too far away to do her any good if she had to yell for help.

She wanted to turn and run, but the idea of crossing the dark common with this guy chasing her held no appeal whatsoever. But she couldn’t get by him to go back inside either. All he had to do was grab her and drag her away into the bushes and nobody’d know. Nobody’d know at all.

“Look,” she said. “I don’t want any trouble.”

“I’m not here to hurt you,” the figure in the shadows told her. “Then what do you want from me?”

“Nothing, really. I was just making conversation. Go ahead and leave. I won’t stop you.”

Right, Izzy thought. I’ll just walk off onto the common and make it easy for you. Then something else struck her.

“How’d you know I’m an artist?” she asked.

“You’ve got paint under your nails and you were reading up on art history.”

“So you saw me inside,” Izzy said.

“Probably.”

Izzy shivered. What kind of an answer was that? It was so creepily vague. “Look,” she said. “You’re starting to freak me out a little.”

“Sorry. I just wanted to meet you, hear what your voice sounded like—that’s all. I didn’t mean to upset you. You can go back inside or wherever you were going. I won’t bother you.”

Izzy started to relax then. Now she thought she knew what he was doing out here, waiting for her.

He’d seen her inside and was trying to work his way around to asking for a date.

“What’s your name?” she asked.

“Mizaun.”

“I’m sorry,” Izzy said, leaning forward a little. “What did you say?”

“Call me John.”

Izzy frowned. The first thing he’d said hadn’t sound at all like “call me John.”

“Well, John,” she said. “Being mysterious and everything’s kind of interesting—I’ll give you that—but considering what happened a couple of nights ago, it’s not exactly all that endearing at the moment, if you know what I mean.” The figure in the shadows shook his head. “What happened two nights ago?”

“You don’t know? What planet did you beam down from tonight anyway—Mars?”

He hesitated for the length of a few heartbeats, then said, “I’m not sure I understand the question.”

Oh boy, Izzy thought. Maybe it was time to reevaluate the idea that he wanted a date.

“This is getting a little too weird for me,” she began. “Maybe we should just forget about—”

Before she could finish, the door to the library opened and two girls came out, a brunette and a blonde, chatting to each other, books bundled up against their chests. Izzy stepped aside to let them pass by, but when she turned back to where her mysterious companion had been standing in the shadows, he wasn’t there anymore. Alarm bells went off in her mind.

“Hey!” she called to the departing girls. When they paused to look back at her, she added, “Are you going as far as Lee Street?”

“Just as far as the bus stop at the Green,” the blonde said.

“Mind if I walk with you?”

“Not at all.”

“Great. I’m kind of nervous of walking over the common by myself tonight.”

“I know exactly what you mean,” the brunette confided when Izzy joined them. “Everything feels a little weird after what happened the other night.”

Izzy looked back at the library steps, but they were still empty. Where had he gone? Hopped over the wall into the vegetation that grew on either side of the steps? But then why hadn’t she heard him moving in the bushes?

“You’re telling me,” she said slowly.

Her nerves felt all on edge and she realized that she wasn’t at all tired anymore. Or hungry. The strange encounter had stolen both her fatigue and her appetite. She was never so glad to be in her apartment as she was that night, even if Kathy was out for another hour before she returned home as well.

“Oh yuck,” Kathy said after Izzy related what had happened to her. “You’re giving me goose bumps.”

“Do you think he was dangerous?” Izzy asked.

“Jeez, that’s a hard call. But let me assure you, I would’ve done exactly the same thing you did.

There’s no way I would’ve stuck around to find out. Uh-uh.

“No, of course not,” Izzy said thoughtfully.

Kathy had to shake her head. “Oh, ma belle Izzy. Don’t start romanticizing it.”

“I’m not. It’s just ...”

“Just what?”

Call me John. Not “my name is John.”

“I don’t know,” Izzy said. “I guess I just felt like I knew him from somewhere.”

Kathy sprawled out on the cushions under the window and laced her fingers behind her head. “Let’s see now,” she said. “You said that he didn’t strike you as either threatening or shy—right?”

Izzy nodded.

“Well, then how did he strike you?”

Izzy had to think about it for a moment. “Odd, I guess,” she said finally.

“And maybe a little lost. Like he was a stranger, still trying to get his bearings.” Kathy started to play an imaginary violin until Izzy threw a pillow at her. “Be serious,” Izzy said.

“I’m seriously glad you took off when you did,” Kathy told her. “I’m just not all that keen on hearing you mooning over this guy. You don’t know anything about him except that he hangs around outside the library, giving people the willies.”

“If it was all innocent—”

“And he can make a good exit.”

Izzy sighed. “I suppose. But I can’t help but wonder if the reason it all seemed so weird is because of what happened to Rochelle. I mean, everybody’s been feeling weird lately.”

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