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Stephen Jones: Dark Terrors 3: The Gollancz Book of Horror

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Stephen Jones Dark Terrors 3: The Gollancz Book of Horror

Dark Terrors 3: The Gollancz Book of Horror: краткое содержание, описание и аннотация

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The award-winning team of Jones and Sutton once again push the boundaries of fear in this new collection of horror and dark fantasy. Drawing from both sides of the Atlantic, features stories by some of the genres' biggest names as well as their rising stars, including Ray Bradbury, Poppy Z. Brite, Pat Cadigan, Ramsey Campbell, Christopher Fowler, Neil Gaiman, Julian Rathbone, Mark Timlin, and Michael Marshall Smith. An anthology that will take you to the furthest reaches of your imagination — and beyond. British Fantasy Award winner 1998, World Fantasy Award nominee 1998.

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She had married again and moved to Reno as soon as Justin turned eighteen, as soon as she could turn her painfully awkward son out of the house. You could be a nice-looking young man if you cleaned yourself up. You’re smart, you could get a good job and make money. You could have girlfriends, as if looks and money and girlfriends were the sweetest things he could ever dream of.

Her new husband had been a career Army man who looked at Justin the way he looked at their ragged old sofa, as leftover trash from her former life. Now they were both ten years dead, their bones mummified or scattered by animals somewhere in the Nevada desert, in those beautiful blasted lands. Only Justin knew where.

He’d shot his stepfather first, once in the back of the head with his own Army service pistol, just to see the surprise on his mother’s face as brain and bone exploded across the glass top of her brand-new dinner table, as her husband’s blood dripped into the mashed potatoes and the meatloaf, rained into her sweating glass of tea. He thought briefly that this surprise was the strongest emotion he had ever seen there. The sweetest, too. Then he pointed the gun at it and watched it blossom into chaos.

Justin remembered clearing the table, noticing that one of his mother’s eyes had landed in her plate, afloat on a thin patina of blood and grease. He tilted the plate a little and the glistening orb rolled on to the floor. It made a small satisfying squelch beneath the heel of his shoe, a sound he felt more than heard.

No one ever knew he had been out of California. He drove their gas-guzzling luxury sedan into the desert, dumped them and the gun. He returned to LA by night, by Greyhound bus, drinking bitter coffee and reading at rest stops, watching the country unspool past his window, the starlit desert and highway and small sleeping towns, the whole wide-open landscape folding around him like an envelope or a concealing hand. He was safe among other human flotsam. No one ever remembered his face. No one considered him capable of anything at all, let alone murder.

After that he worked and read and drank compulsively, did little else for a whole year. He never forgot that he was capable of murder, but he thought he had buried the urge. Then one morning he woke up with a boy strewn across his bed, face and chest battered in, abdomen torn wide open. Justin’s hands were still tangled in the glistening purple stew of intestines. From the stains on his skin he could see that he had rubbed them all over his body, maybe rolled in them.

He didn’t remember meeting the boy, didn’t know how he had killed him or opened his body like a big wet Christmas present, or why. But he kept the body until it started to smell, and then he cut off the head, boiled it until the flesh was gone, and kept the skull. After that it never stopped again. They had all been boys, all young, thin, and pretty: everything the way Justin liked it. Weapons were too easy, too impersonal, so he drugged them and strangled them. Like Willy Wonka in the Technicolor bowels of his chocolate factory, he was the music maker, and he was the dreamer of dreams.

It was a dark and lonely revelry, to be sure. But so was writing; so was painting or learning music. So, he supposed, was all art when you penetrated to its molten core. He didn’t know if killing was art, but it was the only creative thing he had ever done.

He got up, slid Dandelion Wine back into its place on his crowded bookshelf, and left the bedroom. He put his favourite CD on shuffle and crossed his small apartment to the kitchenette. A window beside the refrigerator looked out on a brick wall. Frank Sinatra was singing ‘I’ve Got You Under My Skin’.

Justin opened the refrigerator and took out a package wrapped in foil. Inside was a ragged cut of meat as large as a dinner plate, deep red, tough and fibrous. He selected a knife from the jumble of filthy dishes in the sink and sliced off a piece of meat the size of his palm. He wasn’t very hungry, but he needed something in his stomach to soak up the liquor he’d be drinking soon.

Justin heated oil in a skillet, sprinkled the meat with salt, laid it in the sizzling fat and cooked it until both sides were brown and the bottom of the pan was awash with fragrant juices. He slid the meat on to a saucer, found a clean fork in the silverware drawer, and began to eat his dinner standing at the counter.

The meat was rather tough, but it tasted wonderful, oily and salty with a slight undertone of musk. He felt it breaking down in the acids of his saliva and his stomach, felt its proteins joining with his cells and becoming part of him. That was fine.

But after tonight he would have something better. A person who lived and stayed with him, whose mind belonged to him. A homemade zombie. Justin knew it was possible, if only he could destroy the right parts of the brain. If a drill and a syringeful of bleach didn’t work, he would try something else next time.

The night drew like a curtain across the window, stealing his wall view brick by brick. Sinatra’s voice was as smooth and sweet as cream. Got you. deep in the heart of me. Justin nodded reflectively. The meat left a delicately metallic flavour on his tongue, one of the myriad tastes of love. Soon it would be time to go out.

Apart from the trip to Reno and the delicious wallow in the desert, Justin had never left Los Angeles. He longed to drive out into the desert, to find again the ghost towns and nuclear moonscapes he had so loved in Nevada. But he never had. You needed a car to get out there. If you didn’t have a car in LA, you might as well curl up and die. Los Angeles was a city with an enormous central nervous system, but no brain.

Since being fired from his job at an orange juice plant for chronic absenteeism — too many bodies demanding his time, requiring that he cut them up, preserve them, consume them — Justin wasn’t even sure how much longer he would be able to afford the apartment. But he didn’t see how he could move out with things the way they were in here. The place was a terrible mess. His neighbours had started complaining about the smell.

Justin decided not to think about all that now. He still had a little money saved, and a city bus would get him from his Silver Lake apartment to the garish carnival of West Hollywood; that much he knew. It had done so countless times.

If he was lucky, he’d be bringing home company.

Suko ran fingers the colour of sandalwood through haphazardly cut black hair, painted his eyes with stolen drugstore kohl, and grinned at himself in the cracked mirror over the sink. He fastened a string of thrift-shop Mardi Gras beads around his neck, studied the effect of the purple plastic against torn black cotton and smooth brown skin, then added a clay amulet of the Buddha and a tiny wooden penis, both strung on leather thongs.

These he had purchased among the dim stalls at Wat Rajanada, the amulet market near Klong Saensaep in Bangkok. The amulet was to protect him against accidents and malevolent ghosts. The penis was to increase his potency, to make sure whoever he met up with tonight would have a good time. It was supposed to be worn on a string around his waist, but the first few times he’d done that, his American lovers gave him strange looks.

The amulets were the last thing Suko bought with Thai money before boarding a California-bound jet and bidding farewell to his sodden homeland, most likely for ever. He’d had to travel a long way from Patpong Road to get them, but he didn’t know whether one could buy magical amulets in America. Apparently one could: attached to his Mardi Gras beads had once been a round medallion stamped with an exaggerated Negro face and the word zulu. He’d lost the medallion on a night of drunken revelry, which was as it should be. Mai pen rai. No problem.

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