Stephen Jones: Dark Terrors 3: The Gollancz Book of Horror

‘The story,’ the young man urged.

‘Eh?’

‘The story you were telling.’

‘Oh, the voice below? Well, I knew all the stones. Standing there I guessed that voice out of the ground was Henrietta Fremwell, fine girl, twenty-four years, played piano at the Elite Theatre. Tall, graceful, blonde. How did I know her voice? I stood where there was only men’s graves. Hers was the only woman’s. I ran to put my ear on her stone. Yes! Her voice, way down, screaming!

‘“Miss Fremwell!” I shouted.

‘“Miss Fremwell!” I yelled again.

‘Deep down I heard her, only weeping now. Maybe she heard me, maybe not. She just cried. I ran downhill so fast I tripped and split my head on a stone, got up, screamed myself! Got to the toolshed, all blood, dragged out the tools, and just stood there with one shovel. The ground was ice solid. I fell back against a tree. It would take three minutes to get back to her grave and eight hours to dig to her box. The ground was like glass. A coffin is a coffin; only so much space for air. Henrietta had been buried two days before the freeze, been asleep all that time, using up air, and it rained just before the cold spell and the earth over her, soaked with rainwater, now froze. I’d have to dig maybe eight hours. And the way she cried, there wasn’t another hour of air left.’

The old man’s pipe had gone out. He rocked in his chair, back and forth, back and forth, silently.

‘But,’ said the young man, ‘what did you do?’

‘Nothing,’ said the old man.

‘Nothing?’

Nothing I could do. That ground was solid. Six men couldn’t have dug that grave. No hot water near. And she might’ve been screaming hours before I heard, so..’

‘You did. nothing?’

‘Something. Put the shovel back in the toolshed, locked it, and went back to the house and built a fire and drank some hot chocolate, shivering and shivering. Would you have done different?’

‘I. ’

‘Would you have dug for eight hours in hard ice rock so’s to reach her when she was truly dead of exhaustion, cold, smothered, and have to bury her all over again? Then call her folks and tell them?’

The young man was silent. On the porch, the mosquitoes hummed about the naked light bulb.

‘I see,’ said the young man.

The old man sucked his pipe. ‘I think I cried all night because there was nothing I could do.’ He opened his eyes and stared about, surprised, as if he had been listening to someone else.

‘That’s quite a story,’ said the young man.

‘No,’ said the old man. ‘God’s truth. Want to hear more? See that big stone with the ugly angel? That was Adam Crispin’s. Relatives fought, got a writ from a judge, dug him up hoping for poison. Found nothing. Put him back, but by that time, the dirt from his grave mixed with other dirts. We shovelled in stuff from all around. Next plot, the angel with broken wings? Mary Lou Phipps. Dug her up to lug her off to Elgin, Illinois. More relatives. Where she’d been, the pit stayed open, oh, three weeks. No funerals. Meanwhile, her dirt got cross-shovelled with others. Six stones over, one stone north, that was Henry Douglas Jones. Became famous sixty years after no one paid attention. Now he’s planted under the Civil War monument. His grave lay wide two months, nobody wanted to utilize the hole of a Southerner, all of us leaning North with Grant. So his dirt got scattered. That give you some notion of what that “Free Dirt” sign means?’

The young man eyed the cemetery landscape. ‘Well,’ he said, ‘where is that dirt you’re handing out?’

The old man pointed with his pipe, and the stranger looked and, indeed, by a nearby wall was a sizeable hillock some ten feet long by about three feet high, loam and grass tufts of many shades of tan, brown, and burnt umber.

‘Go look,’ said the old man.

The young man walked slowly over to stand by the mound.

‘Kick it,’ said the old man. ‘See if it’s real.’

The young man kicked, and his face paled.

‘Did you hear that?’ he said.

‘What?’ said the old man, looking somewhere else.

The stranger listened and shook his head. ‘Nothing.’

’Well, now,’ said the old man, knocking out the ashes from his pipe. ‘How much free dirt you need?’

‘I hadn’t thought.’

‘Yes, you have,’ said the old man, ‘or you wouldn’t have driven your lightweight delivery truck up by the gate. I got cat’s ears. Heard your motor just when you stopped. How much?’

’Oh,’ said the young man uneasily. ‘My backyard’s eighty feet by forty. I could use a good inch of topsoil. So…?’

’I’d say,’ said the old man, ‘half of that mound there. Hell, take it. Nobody wants it.’

‘You mean. ’

‘I mean, that mound has been growing and diminishing, diminishing and growing, mixtures up and down, since Grant took Richmond and Sherman reached the sea. There’s Civil dirt there, coffin splinters, satin casket shreds from when Lafayette met the honour guards. Edgar Allan Poe. There’s funeral flowers, blossoms from ten hundred obsequies. Condolence card confetti for Hessian troopers, Parisian gunners who never shipped home. That soil is so laced with bone meal and casket corsages I should charge you to buy the lot. Grab a spade before I do.’

‘Stay right there.’ The young man raised one hand.

‘I’m not going anywhere,’ said the old man. ‘Nor is anyone else nearby.

The half-truck was pulled up by the dirt mound and the young man was reaching in for a spade, when the old man said, ‘No, I think not.’

The old man went on.

‘Graveyard spade’s best. Familiar metal, familiar soil. Easy digging, when like takes to like. So. ’

The old man’s head indicated a spade half-stuck in the dark mound. The young man shrugged and moved.

The cemetery spade came free with a soft whispering. Pellets of ancient mound fell with similar whispers.

He began to dig and shift and fill the back of his half-truck as the old man, from the corners of his eyes, observed, ‘It’s more than dirt, as I said. War of 1812, San Juan Hill, Manassas, Gettysburg, October flu epidemic 1918, all strewn from graves filled and evicted to be refilled. Various occupants leavened out to dust, various glories melted to mixtures, rust from metal caskets, coffin handles, shoelaces but no shoes, hairs long and short. Ever see wreaths made of hair saved to weave crowns to fix on mortal pictures? All that’s left of a smile or that funny look in the eyes of someone who knows she’s not alive any more, ever. Hair, epaulettes, not whole ones, but one strand of epaulettes, all there, along with blood that’s gone to silt.’

The young man finished, sweating, and started to thrust the spade back in the earth when the old man said:

‘Take it. Cemetery dirt, cemetery spade, like takes to like.’

‘I’ll bring it back tomorrow.’ The young man tossed the spade into the mounded truck.

‘No. You got the dirt, so keep the spade. Just don’t bring that free dirt back.’

‘Why would I do that?’

‘Just don’t,’ said the old man, but did not move as the young man climbed in his truck to start the engine.

He sat listening to the dirt mound tremble and whisper in the flatbed.

‘What’re you waiting for?’ asked the old man.

The flimsy half-truck ran towards the last of the twilight, pursued by the ever-encroaching dark. Clouds raced overhead, perturbed by the invisible. Back on the horizon, thunder sounded. A few drops of rain fell on the windshield, causing the young man to ram his foot on the gas and swerve into his home street even as the sun truly died, the wind rose, and the trees around his cottage bent and beckoned.