Kendare Blake - Anna Dressed in Blood

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Cas Lowood has inherited an unusual vocation: He kills the dead.
So did his father before him, until he was gruesomely murdered by a ghost he sought to kill. Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. Together they follow legends and local lore, trying to keep up with the murderous dead — keeping pesky things like the future and friends at bay.
When they arrive in a new town in search of a ghost the locals call Anna Dressed in Blood, Cas doesn't expect anything outside of the ordinary: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.
But she, for whatever reason, spares Cas's life.

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“Cas, don’t!” my mom shouts, trying to drag me back by one arm. She needs to knock it off. What does she think I’ve been doing all this time? Setting elaborate traps using springs, plywood, and a mouse on a wheel? This is hand-to-hand. This is what I know.

Meanwhile, Anna is pounding harder on the door. It must be giving her a migraine to be so close.

“It’s what you’re here for, boy,” he hisses, and takes a swing at me. It seems halfhearted; it misses by a mile. I don’t think he missed because of the whole stitched-over-eye thing. He’s just playing with me. Another clue is the fact that he’s laughing.

“I wonder how you’ll go,” I say. “I wonder if you’ll shrivel up, or if you’ll melt.”

“I won’t do either of those things,” he says, still smiling.

“And what if I cut off your arm?” I ask as I leap up the stairs, my knife retracted and then slicing out in a sharp arc.

“It will kill you on its own!”

He strikes me in the chest, and my mom and I fall head over ass down the steps. It hurts. A lot. But at least he’s not laughing anymore. Actually, I think I finally succeeded in pissing him off. I gather my mom up.

“Are you okay? Is anything broken?” I ask. She shakes her head. “Get to the door.” As she scrambles away, I stand up. He’s walking down the steps without any sign of that old ghostly stiffness. He’s as limber as any living, young man.

“You might just vaporize, you know,” I say, because I’ve never been able to keep my damned mouth shut. “But personally, I hope you explode.”

He takes a deep breath. And then another. And then another, and he’s not letting them back out. His chest is filling up like a balloon, stretching his ribcage. I can hear the sinews in there, ready to snap. Then, before I know what’s happening, his arms are thrust out toward me and he’s right in my face. It happened so fast I could barely see it. My knife hand is pinned against the wall and he’s got me by the collar. I’m hitting him in the neck and shoulder with my other hand, but it’s like a kitten swatting yarn.

He lets go of that breath, rolling out through his lips in thick, sweet smoke, passing over my eyes and into my nostrils, so strong and cloying that my knees buckle.

From somewhere behind me, I feel my mom’s hands. She’s screeching my name and pulling me away.

“You’ll give her to me, my son, or you’ll die.” And he lets me drop, back into my mother’s arms. “Your body’s filth will rot you. Your mind will drain out your ears.”

I can’t move. I can’t talk. I can breathe, but not much else, and I feel far away. Numb. Sort of confused. I can feel my mom yelp and lean over me as Anna finally blows the door off its hinges.

“Why don’t you take me yourself?” I hear her ask. Anna, my strong, terrifying Anna. I want to tell her to watch out, that this thing has tricks up its rotting sleeves. But I can’t. So my mother and I huddle in between this hissing match of the strongest spirits we’ve ever seen.

“Cross the threshold, beauty girl,” he says.

“You cross mine,” she says back. She’s straining against the barrier spell; her head must feel almost as tight as mine. A thin rivulet of black blood dribbles from her nose and over her lips. “Take the knife and come, coward,” Anna shouts. “Come out and let me off this leash!”

He’s seething. His eyes are on her and his teeth grind. “Your blood on my blade, or the boy will join us by morning.”

I try to tighten my grip on the knife. Only I can’t feel my hand. Anna is shouting something else, but I don’t know what it is. My ears feel stuffed with cotton. I can’t hear anymore.

CHAPTER TWENTY-TWO

The sensation is something like staying underwater for too long. I’ve foolishly used up all my oxygen, and even though I know the surface is just a few kicks away, I can barely get there through the suffocating panic. But my eyes open on a blurry world, and I take that first breath. I don’t know if I’m gasping. It feels like I am.

The face I see upon waking is Morfran’s, and it’s far too close. I instinctively try to sink farther into whatever it is that I’m lying on in order to keep that mossy beard at a safer distance. His mouth is moving but no sound is coming out. It’s completely silent, not even a buzz or a ringing. My ears haven’t come back online yet.

Morfran has stepped back, thank god, and is talking to my mom. Then suddenly there’s Anna, floating into view, settling down beside me on the floor. I try to turn my head to follow. She sweeps her fingers along my forehead but doesn’t say anything. There’s relief tugging at the edges of her lips.

My hearing comes back strangely. At first I can hear muffled noises, and then when they finally become clear, they don’t make sense. I think my brain figured it had been torn apart, and now it’s putting out its feelers slowly, grasping at nerve endings and shouting across synapse gaps, glad to find everything still there.

“What’s going on?” I ask, my brain-tentacle having finally located my tongue.

“Jesus, man, I thought you were toast,” Thomas exclaims, appearing at the side of what I can see now is the same antique sofa that they put me on when I got knocked out that first night at Anna’s. I’m in Morfran’s shop.

“When they brought you in…” Thomas says. He doesn’t finish, but I know what he means. I put my hand on his shoulder and give it a shake.

“I’m fine,” I say, and sit up a little with only a minimal struggle. “I’ve been in worse scrapes.”

Standing on the other side of his room with his back to all of us, acting like he’s got a lot more interesting things to be doing, Morfran gives a snort.

“Not likely.” He turns around. His wire specs have slid most of the way down his nose. “And you’re not out of this ‘scrape’ yet. You been Obeahed.”

Thomas, Carmel, and I all do that thing you do when someone is speaking another language: we look around at each other and then say, “Huh?”

“Obeahed, boy,” Morfran snaps. “West Indian voodoo magic. You’re just lucky that I spent six years on Anguilla, with Julian Baptiste. Now that was a real Obeahman.”

I stretch my limbs and sit up straighter. Except for a little tenderness in my back and side, plus the swimmy head stuff, I feel fine.

“I’ve been Obeahed by an Obeahman? Is this like how the Smurfs say they smurfing smurfed all the time?”

“Don’t joke, Cassio.”

It’s my mother. She looks awful. She’s been crying. I hate that.

“I still don’t know how he got into the house,” she says. “We were always so careful. And the barrier spell was working. It worked on Anna.”

“It was a great spell, Mrs. Lowood,” Anna responds gently. “I could never have crossed that threshold. No matter how much I would have liked to.” When she says this last part, her irises get three shades darker.

“What happened? What happened after I blacked out, or whatever?” I’m interested now. The relief of not being dead has worn off.

“I told him to come out and face me. He didn’t accept. He just smiled this terrible smile. Then he was gone. There was nothing but smoke.” Anna turns to Morfran. “What is he?”

“He was an Obeahman. What he is now, I don’t know. Any limitations he had left with his body. Now he’s only force.”

“What exactly is Obeah?” Carmel asks. “Am I the only one who doesn’t know?”

“It’s just another word for voodoo,” I say, and Morfran slams his fist into the wood corner of the counter.

“If you think that then you’re as good as dead.”

“What are you talking about?” I ask. I haul myself to my feet, unsteadily, and Anna takes my hand. This isn’t a conversation to have lying down.

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