Charles De Lint - The Ivory and the Horn

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The Ivory and the Horn: краткое содержание, описание и аннотация

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From Publishers Weekly: This fanciful and moving collection of 15 tales, some loosely related with common characters, probes deeply into the nature of art and artists and the souls of the poor and downtrodden. In the fictional city of Newford, a touch of enchantment can bring surcease from pain and lead to deeper self-knowledge. In "Mr. Truepenny's Book Emporium and Gallery," a lonely young girl called Sophie daydreams about a wonderful shop, only to find, years later, that it has its own reality. Sophie, now an adult and an artist, finds herself marooned in another dream world, a Native American one, in "Where Desert Spirits Crowd the Night." And "In Dream Harder, Dream True," an ordinary young man rescues a woman with a broken wing, maybe a fairy, maybe an angel; they become Sophie's parents before the woman disappears. "Bird Bones and Wood Ash" deals with monsters who prey on their children and gives a woman tools to destroy them and save their victims. In "Waifs and Strays," a young woman, little more than a stray herself, who saves abandoned dogs and other neglected creatures, helps the ghost of her first benefactor find peace and move on. De Lint's evocative images, both ordinary and fantastic, jolt the imagination.
From Booklist: De Lint's latest reprints 14 stories of the gates between Faerie and the imaginary Canadian city of Newford and offers one new piece. Published in 14 different places and read in them one at a time, the stories undoubtedly did not leave quite so overwhelming an impression of literary grunge as they do when read here as a batch. De Lint's writing is as good as ever, and his folkloric scholarship remains outstanding--facts that make it very difficult to argue that this volume that rescues the likes of "Dream Harder, Dream True" and "The Forest Is Crying" from the obscurity of limited editions doesn't deserve its place on many library shelves.  

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"Has this ever happened to you before?" she asked.

Angel shook her head. "And I hope it never happens again. It's a really creepy feeling."

Jilly seemed to be only half-listening to her. Her eyes had narrowed thoughtfully. Chewing at her lower lip, she cocked her head and studied the ceiling. Angel didn't know what Jilly saw up there, but she doubted it was the cracked plaster that anybody else would see.

"I wonder what he wanted from you," Jilly finally said. Her gaze dropped and focused on Angel's. "There has to be a reason he sent his spirit to you."

Angel shook her head. "Haven't you ever dreamed that someone you know died?"

"Well, sure. But what's that—"

"And did they turn out to be dead when you woke?"

"No, but—"

"Coincidence," Angel said. "That's all it was. Plain and simple coincidence."

Jilly looked as though she was ready to argue the point, but then she simply shrugged.

"Okay," she said, swinging her feet down from the desk. "But don't say you weren't warned when Everett's spirit comes back to haunt you again. He wants something from you and the thing with ghosts is they can be patient forever. He'll keep coming back until you figure out what he wants you to do for him and you do it."

"Of course. Why didn't I think of that?"

"I'm serious, Angel."

Angel smiled. "I'll remember."

"I just bet you will," Jilly said, returning her smile. She stood up. "Well, I've got to run. I was in the middle of a new canvas when you called."

Angel rose to her feet as well. "Thanks for filling in."

"Like I said, it was no problem. The place was dead." Jilly grimaced as the word came out of her mouth. "Sorry about that. But at least a building doesn't have shoes to lose, right?"

After Jilly left, Angel returned to her desk with another spiked coffee. She stared out the window at Grasso Street where the first touch of dawn was turning the shadows to grey, unable to get Everett's stockinged feet out of her mind. Superimposed over it was an image of Everett in the rain, holding out a shadowed bundle towards her.

One real, one from a dream. Neither made sense, but at least the dream wasn't supposed to. When it came to Everett's boots, though...

She disliked the idea of someone believing superstitions almost as much as she did the superstitions themselves. Taking a dead man's shoes so he wouldn't come back seeking revenge. It was so patently ludicrous.

But Macaulay had believed enough to take them.

Angel considered Jim Macaulay. At nineteen, he was positively ancient compared to the street kids such as Robbie whose company he kept, though he certainly didn't look it. His cherubic features made him seem much younger. He'd been in and out of foster homes and juvie hall since he was seven, hut the experiences had done little to curb his minor criminal ways, or his good humor. Macaulay always had a smile, even when he was being arrested.

Was he good for Everett's murder? Nothing in Macaulay's record pointed to it. His crimes were always nonviolent: B&Es, minor drug dealing, trafficking in stolen goods. Nothing to indicate that he'd suddenly upscaled to murder. And where was the motive? Everett had carried nothing of value on his person— probably never had— and everyone knew it. And while it was true he'd been a royal pain in the ass, the street people just ignored him when he got on a rant.

But then why take the boots?

If Macaulay believed the superstition, why would he be afraid of Everett coming after him unless he had killed him?

Too tired to go home, Angel put her head down on the desk and stared out the window. She dozed off, still worrying over the problem.

***

Nothing has changed in her dream.

The rain continues to mist. Everett approaches her again, no less graceful, while she remains trapped in the weight of her flesh. The need is still there in Everett's eyes, the mysterious bundle still cradled against his chest as he comes up to her. But this time she finds enough of her voice to question him.

Why is he here in her dream?

"For the children," he says.

It seems such an odd thing for him to say: Everett, who's never had a kind word for anyone, so far as Angel knows.

"What do you mean?" she asks him.

But then he tries to hand the bundle to her and she wakes up again.

***

Angel sat up with a start. She was disoriented for a long moment— as much by her surroundings as from the dream— before she recognized the familiar confines of her office and remembered falling asleep at her desk.

She shook her head and rubbed at her tired eyes. Twice in the same night. She had to do something about these hours, but knew she never would.

The repetition of the dream was harder to set aside. She could almost hear Jilly's voice, I-told-you-so plain in its tone.

Don't say you weren't warned when Everett's spirit comes back to haunt you again.

But it had been just a dream.

He wants something from you, and the thing with ghosts is they can be patient forever.

A disturbing dream. That shadowed bundle Everett kept trying to hand to her and his enigmatic reply, "For the children."

He'll keep coming back until you figure out what it is he wants you to do for him and you do it.

She didn't need this, Angel thought. She didn't want to become part of Jilly's world, where the rules of logic were thrown out the door and nothing made sense anymore. But this dream... and Macaulay taking those damn boots...

She remembered Jilly asking her what she was going to do and what her own reply had been. She still didn't want to get involved. Her job was helping the kids, not playing cop. But the image of the dream-Everett flashed in her mind, the need in his eyes and what he'd said when she'd asked him why he was there in her dream.

For the children.

Whether she wanted it or not, she realized that she was involved now. Not in any way that made sense, but indiscriminately, by pure blind chance, which seemed even less fair. It certainly wasn't because she and Everett had been friends. For God's sake, she'd never even liked Everett.

For the children.

Angel sighed. She picked up her mug and looked down at the cold mixture of whiskey and coffee. She started to call Jilly, but hung up before she'd finished dialing the number. She knew what Jilly would say.

Grimacing, she drank what was left in her mug, then left her office in search of an answer.

Macaulay had a squat in the same abandoned tenement where Robbie lived, just a few blocks north of Angel's office on the edge of the Tombs. Angel squinted at the building, then made her way across the rubble-strewn lot that sided the tenement. The front door was boarded shut, so she went around the side and climbed in through a window the way the building's illegal inhabitants did. Taking a moment to let her eyes adjust to the dimmer light inside, she listened to the silence that surrounded her. Whoever was here today, was obviously asleep.

She knew Macaulay's squat was on the top floor, so she found the stairwell by the boarded-up entrance and climbed the two flights to the third floor. She looked in through the doorways as she passed by the rooms, heart aching with what she saw. Squatters, mostly kids, were curled up in sleeping bags, under blankets or in nests of newspaper. What were they going to do when winter came and the coolness of late summer nights dropped below the freezing mark?

Macaulay's room was at the end of the hall, but he wasn't in. His squat had a door, unlike most of the other rooms, but it stood ajar. Inside it was tidier than Angel had expected. Clean, too. There was a mattress in one corner with a neatly-folded sleeping bag and pillow on top, Beside it was an oil lamp, sitting on the wooden floor, and a tidy pile of spare clothes. Two crates by the door held a number of water-swelled paperbacks with their covers removed. On another crate stood a Coleman stove, a frying pan and some utensils. Inside the crate was a row of canned goods while a cardboard box beside it served to hold garbage.

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