Charles De Lint - The Ivory and the Horn

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The Ivory and the Horn: краткое содержание, описание и аннотация

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From Publishers Weekly: This fanciful and moving collection of 15 tales, some loosely related with common characters, probes deeply into the nature of art and artists and the souls of the poor and downtrodden. In the fictional city of Newford, a touch of enchantment can bring surcease from pain and lead to deeper self-knowledge. In "Mr. Truepenny's Book Emporium and Gallery," a lonely young girl called Sophie daydreams about a wonderful shop, only to find, years later, that it has its own reality. Sophie, now an adult and an artist, finds herself marooned in another dream world, a Native American one, in "Where Desert Spirits Crowd the Night." And "In Dream Harder, Dream True," an ordinary young man rescues a woman with a broken wing, maybe a fairy, maybe an angel; they become Sophie's parents before the woman disappears. "Bird Bones and Wood Ash" deals with monsters who prey on their children and gives a woman tools to destroy them and save their victims. In "Waifs and Strays," a young woman, little more than a stray herself, who saves abandoned dogs and other neglected creatures, helps the ghost of her first benefactor find peace and move on. De Lint's evocative images, both ordinary and fantastic, jolt the imagination.
From Booklist: De Lint's latest reprints 14 stories of the gates between Faerie and the imaginary Canadian city of Newford and offers one new piece. Published in 14 different places and read in them one at a time, the stories undoubtedly did not leave quite so overwhelming an impression of literary grunge as they do when read here as a batch. De Lint's writing is as good as ever, and his folkloric scholarship remains outstanding--facts that make it very difficult to argue that this volume that rescues the likes of "Dream Harder, Dream True" and "The Forest Is Crying" from the obscurity of limited editions doesn't deserve its place on many library shelves.  

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"You never said Macaulay was here with you."

Robbie shrugged.

She waited for him to elaborate, but Robbie simply stood beside her, face washed pale by the streetlight coming in from the mouth of the alley, thin shoulders stooped, one Dr. Marten kicking at the trash underfoot. His dirty-blonde hair was so short it was no more than stubble. He wouldn't meet her gaze.

Angel sighed. "All right," she said. "I'll bite. Why did Macaulay take the boots?"

"Well, you know what the homes are saying, Miz Angel. Man gets nined, you got to take away his shoes or he's gonna go walkin' after he s dead. He'll be lookin' for who took him down, usually, but Everett now— he's so mean I suppose anybody'd do."

With all her years of working with street people, dealing with the myriad superstitions that ran rampant through the tenements and squats, Angel thought she'd heard it all. But this was a new one, even on her.

"You don't believe that, do you?" she asked.

"No, ma'am. But I'd say Macaulay surely do."

Robbie spoke casually enough, but Angel could tell there was more to what had happened here tonight than he was letting on. He was upset— a natural enough reaction, considering the circumstances. Keeping Everett's corpse company until the police arrived had upset her as well. But the tension underlying Robbie's seeming composure spoke of more.

Before she could find just the right way to persuade him to open up to her, one of the sirens that could be heard at all hours of the day or night in this part of the city disengaged itself from the general hubbub of night, sounds and became more distinct. Moments later, a cruiser pulled up, blocking the mouth of the alley. The cherry-red lights of its beacons strobed inside the alley, turning the scene into a macabre funhouse. Backlit, the two officers who stepped out of the cruiser took on menacing shapes: shadows devoid of features.

At Angel's side, Robbie began to tremble, and she knew she wouldn't get anything from him now. Hands kept carefully in view, she went to meet the approaching officers.

***

Angelina Marceau ran a youth distress center on Grasso Street, from which she got her nickname, the Grasso Street Angel. She looked like an angel as well: heart-shaped face surrounded by a cascade of dark curly hair, deep warm eyes, next to no makeup because she didn't need it with her clear complexion. Her trim figure didn't sport wings, and she leaned more toward baggy pants, T-shirts and hightops than she did harps and white gowns, but that didn't matter to those living on the streets of Newford. So far as they were concerned, all she lacked was a visible halo.

Angel wasn't feeling particularly angelic by the time three A.M. rolled around that night, She sat wearily in her office, gratefully nursing a mug of coffee liberally spiked with a shot of whiskey, which Jilly had handed to her when she walked in the door.

"I appreciate your looking after the place while I was at the precinct," she said.

"It wasn't a problem," Jilly told her. "No one showed up."

Angel nodded. Word on the street moved fast. If the Grasso Street Angel was at the precinct, no one was going to keep his appointment and take the chance of running into one of the precinct bulls. The only one of her missed appointments that worried her was Patch. She'd spent weeks trying to convince him at least to look into the sponsorship program she administered, only to have this happen when she'd finally gotten him to agree. Patch was so frail now that she didn't think the boy would survive another beating at the hands of his pimp.

"So how'd it go?" Jilly asked.

It took Angel a moment to focus on what she'd been asked. She took a sip of her coffee, relaxing as the warmth from the whiskey reached her stomach.

"We were lucky," she said, "It was Lou's shift. He made sure they went easy on Robbie when they took our statements. They've got an APB out on Macaulay."

"Robbie. He's the skinny little peacenik that looks like a skinhead?"

Angel smiled. "That's one way of putting it. There's no way he could have killed Everett."

"How did Everett die?"

"He was stabbed to death— a half-dozen times at least."

Jilly shivered. "They didn't find the knife?"

"They didn't find the weapon and— I find this really odd— they didn't find Everett's boots either. Robbie says Macaulay took them so that Everett's ghost wouldn't be able to come after anyone." She shook her head. "I guess they just make them up when they haven't got anything better to do."

"Actually, it's a fairly old belief," Jilly said.

Angel took another sip of her whiskey-laced coffee to fortify herself against what was to come. For all her fine traits, and her unquestionable gifts as an artist, Jilly had a head filled with what could only charitably be called whimsy. Probably it was because she was an artist and had such a fertile imagination, Angel had eventually decided. Still, whatever the source, Jilly was ready to espouse the oddest theories at the drop of a hat, everything from Victorian-styled fairies living in refuse dumps to Bigfoot wandering through the Tombs.

Angel had learned long ago that arguing against them was a fruitless endeavor, but sometimes she couldn't help herself.

"Old," She said, "and true as well, I suppose."

"It's possible," Jilly said, plainly oblivious to Angel's lack of belief. "I mean, there's a whole literature of superstition surrounding footwear. The one you're talking about dates back hundreds of years and is based on the idea that shoes were thought to be connected with the life essence, the soul, of the person to whom they belonged. The shoes of murdered people were often buried separately to prevent hauntings. And sorcerers were known to try to persuade women to give them their left shoes. If the woman did, the sorcerer would have power over her."

"Sorcerers?" Angel repeated with a cocked eyebrow.

"Think what you want," Jilly told her, "but it's been documented in old witch trials."

"Really?"

"Well, it's been documented that they were accused of it," Jilly admitted.

Which wasn't quite the same thing as being true, Angel thought, but she kept the comment to herself.

Jilly put her feet up on a corner of Angel's desk and started to pick at the paint that freckled her fingernails. There always were smudges of paint on her clothes, or in her tangled hair, Jilly looked up to find Angel watching her work at the paint and shrugged unselfconsciously, a smile waking sparks of humor in her pale blue eyes that made them seem as electric as sapphires.

"So what're you going to do?" Jilly asked.

"Do? I'm not going to do anything. I'm a counselor, not a cop."

"But you could find Macaulay way quicker than the police could."

Angel nodded in agreement. "But what I do is based on trust— you know that. If I found Macaulay and turned him over to the police, even though it's just for questioning, who's going to trust me?"

"I guess."

"What I am going to do is have another talk with Robbie," Angel said. "He's taken all of this very badly."

"He actually liked Everett?"

Angel shook her head. "I don't think anyone liked Everett. I think it's got to do with finding the body. He's probably never seen a dead man before. I have, and I'm still feeling a little queasy."

She didn't mention that Robbie had seemed to be hiding something. That was Robbie's business, and even if he did share it with her, it would still be up to him who could know about it and who could not. She just prayed that he hadn't been any more involved in Everett's death than having stumbled upon the body.

"Actually," she said after a moment's hesitation, "there was another weird thing that happened tonight."

Although she knew she'd regret it, because it was putting a foot into the strange world Jilly inhabited, where fact mixed equally with fantasy, she told Jilly about her dream. As Angel had expected, Jilly accepted what she was told as though it were an everyday occurrence.

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