Daniel Wilson - Robopocalypse

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Robopocalypse: краткое содержание, описание и аннотация

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They are in your house. They are in your car. They are in the skies… Now they’re coming for you. In the near future,
Archos
assumes control
most are unaware
When the Robot War ignites—at a moment known…

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“There’s plenty of food left over,” I say. “In the cities. With the reduced population, I’m sure they can make our leftovers last for years.”

“Great,” says poncho boy. “This is just fucking great, man.”

I notice the armored car has slowed down. The turret has quietly turned to face us. I shut up. These people are not my goal. My goals are nine and twelve years old and they are waiting for their mother.

I continue walking, alone.

* * *

I slip away while the others are being processed. A couple of patched-up Big Happys watch and play prerecorded commands while the line of people ditch their clothes and suitcases in a pile. I remember this: the shower, coveralls, bunk assignment, work assignment. And at the end, we were all marked.

My mark is still with me.

There is a subdermal tag the size of a grain of rice embedded deep in my right shoulder. After we’re inside the camp and everyone has thrown off their belongings, I simply walk away. A Big Happy follows me as I cross the field toward the big metal building. But my mark identifies me as compliant. If I were out of compliance, the machine would crush my windpipe with its bare hands. I’ve seen it happen.

The detectors all over the camp seem to recognize my tag. No alarms are set off. Thank god they didn’t blacklist my number after dumping me off in that field. The Big Happy retreats as I skirt around the camp toward the work barn.

The instant I walk through the door, a light on the wall begins to flash. Shit. I’m not supposed to be here now. My work detail isn’t scheduled for today, or ever.

That Big Happy will be coming back.

I take it all in. This is the room I remember most. Clean-swept pavement under a huge metal roof, as long as a football field. When it rains outside, this room sounds like an auditorium filled with gentle applause. Row after row of fluorescent lights hang over waist-high conveyor belts, stretching off into the distance. There are hundreds of people in here. They wear blue coveralls and paper face masks and stand alongside the belts, taking pieces from bins and connecting them to what’s on the conveyor belt and then pushing them down the rollers.

It’s an assembly line.

Moving fast, I jog up the line where I used to work. I glance down to see that today they’re building what we called tanklets. They look sort of like the big four-legged mantis but are the size of a small dog. We didn’t know what they were at all until one day a new guy, an Italian soldier, said that these things—tanklets—hang on to the bellies of mantises and drop off during battle. He said that sometimes broken ones could be rewired and used as emergency equipment. Said they called them ticklers.

The door I just came through slides open. A Big Happy steps inside. All the people stop moving. The conveyor belts have stopped. No one makes a move to help me. They stand as still and silent as blue statues. I don’t bother to call for help. I know if I were in their place I wouldn’t do anything either.

The Big Happy closes the door behind it. A boom echoes through the huge room as the bolts to all the doors slam shut. I’m trapped in here now, until I’m killed.

I jog along the assembly line, panting, leg throbbing. The Big Happy stalks toward me. It moves one careful step at a time, silent except for the soft grinding of motors. As I move down the line, I see the tanklets evolve from small black boxes to almost fully complete machines.

At the other end of the long building, I reach the door that leads to the dorms. I grab it and yank, but it’s made of thick steel and locked tight. I spin around, back against the door. Hundreds of people watch, still holding their tools. Some are curious, but most are impatient. The harder you work, the faster the day goes. I am an interruption. And not that uncommon a one. Soon, my windpipe will be crushed and my body removed and these people will get back to what is left of their lives.

Mathilda and Nolan are on the other side of this door and they need me, but instead I’m going to die in front of all these broken people in paper masks.

I sink to my knees, out of strength. With my forehead pressed to the cool pavement, I hear only the steady click, click of the Big Happy walking toward me. I am so tired. I think that it will be a relief when it happens. A blessing to finally sleep.

But my body is a liar. I have to ignore the pain. I have to find the way out of this.

Pushing my hair out of my face, I frantically look around the room for something. An idea comes to me. Wincing from my injured thigh, I haul myself up and stagger down the tanklet assembly line. I feel out each tanklet, looking for one that’s at just the right stage. The people I get near step away from me.

The Big Happy is five feet away when I find the perfect tanklet. This one is just four spindly legs hanging from a teapot-sized abdomen. The power supply is attached, but the central nervous system is a few steps away. Instead, raw connector wires sprout from an open cavity in the thing’s back.

I snatch up the tanklet and turn. The Big Happy is a foot away, arms out. Stumbling backward, I fall just out of reach and then limp toward the steel door. With shaking hands, I pull each tanklet leg out and press the abdomen against the door. My left arm quivers with the effort of holding up the solid hunk of metal. With my free hand I reach into the tanklet’s back and cross the wires.

Reflexively, the tanklet pulls its barbed legs into itself. With a wrenching squeal, they catch on the door and claw through the metal. I let go and the tanklet clanks to the ground, arms grasping a six-inch hunk of solid steel door. A ragged hole gapes where the doorknob and lock used to be. My arms are dead tired now, useless. The Big Happy is inches away, hand out, grippers splayed and ready to clamp down on whatever part of my body is closest.

With a kick, I send the mangled door flying open.

On the other side, haunted eyes stare at me. Old women and children are crowded into the dormitory. Wooden bunk beds stretch up to the ceiling.

I duck inside and slam the door shut behind me, pressing my back against it as the Big Happy tries to push its way in. Luckily, the machine can’t get enough traction on the polished concrete floor to shove the door open right away.

“Mathilda!” I shout. “Nolan!”

The people stand in place, watching me. The machines know my ID number. They can track wherever I go and they won’t stop until I’m dead. Now is the only chance I’ll ever have to save my family.

And suddenly, there he is. My quiet little angel. Nolan stands in front of me, his dirty black hair ruffled. “Nolan,” I exclaim. He runs to me and I grab him up and hug him. The door jumps into my back as the machine keeps pushing. More are surely coming.

Wrapping my hands around Nolan’s delicate little face, I ask him, “Where’s your sister, Nolan? Where’s Mathilda?”

“She got hurt. After you left.”

I swallow my fear, for Nolan. “Oh no, baby, I’m sorry. Where did she go? Take me there.”

Nolan says nothing. He points.

With Nolan on my hip, I shove through the people and hurry down a hallway to the infirmary. Behind me, a couple of older women calmly push against the rattling door. There is no time to thank them, but I will remember their faces. I will pray for them.

I’ve never been in this long wooden room before. A narrow central walkway is partitioned off with hanging curtains on each side. I stride down the middle, yanking the curtains away to find my daughter. Each yank of a curtain reveals some new horror, but my brain doesn’t register any of it. There is only one thing I will recognize now. One face.

And then I see her.

My baby lies on a gurney with a monster hovering over her head. It’s some kind of surgery machine mounted on a metal arm, with a dozen plastic legs descending. Each robot leg is wrapped in sterile paper. At the tip of each leg is a tool: scalpels, hooks, soldering irons. The whole thing is moving in a blur—precise, jerky movements—like a spider weaving her web. The machine works on Mathilda’s face without stopping or seeming to notice my presence.

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