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Karen Essex: Dracula in Love

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Karen Essex Dracula in Love

Dracula in Love: краткое содержание, описание и аннотация

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Karen Essex turns on the heat in this transporting and darkly haunting new tale of love and possession that puts forth the question: What if everything you knew about Dracula… was wrong? From the shadowy banks of the River Thames to the wild and windswept coast of Yorkshire, the quintessential Victorian virgin Mina Murray vividly recounts in the pages of her private diary the intimate details of what transpired between her and Count Dracula – the joys and terrors of a passionate affair and her rebellion against a force of evil that has pursued her through time. Mina's version of this timeless gothic vampire tale is a visceral journey into the dimly lit bedrooms, mist-filled cemeteries, and locked asylum chambers where she led a secret life, far from the chaste and polite lifestyle the defenders of her purity, and even her fiancé, Jonathan Harker, expected of her. Bram Stoker's classic novel was only one side of the story. Now, for the first time, Dracula's eternal muse reveals all. What she has to say is more sensual, more devious, and more enthralling than ever imagined. The result is a scintillating gothic novel that reinvents the tragic heroine Mina as a modern woman tortured by desire.

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This morning I felt like even more of an imposter as I faced my young and innocent students, who looked like little angels, dressed in their crisp white pinafores with fluffy sleeves gathered at the shoulders. What would they think if they had seen me just hours before struggling beneath my attacker?

We began as we did every morning with the students wearing boards across their backs, their arms looped through straps at the shoulders to perfect their posture. All the girls complained about this until I asked them to observe my own erect carriage, and how it enhanced both my figure and ladylike demeanor. Some of the girls immediately took to the lesson, intent upon developing a sense of graciousness, while others fidgeted, complained, and fought against their harnesses.

“It is no use resisting the board, young ladies, for the board will always win. Aunt Mina has yet to meet the girl who could crack the plank with her shoulders,” I said, eliciting giggles from the cooperative girls and sneers from the few angry ones.

“How ever does one get accustomed to being bridled like a horse, Aunt Mina?” A twelve-year-old looked at me with defiant eyes.

I did not answer her, and she thought that she had won a small victory over me. But my silence owed to a vision that came to me as I looked past her challenging face. I saw myself at seven years old, as Headmistress threaded my arms through rope loops. I remembered feeling humiliated, as if I were being put into the stocks. The board had jerked my shoulders back, and I hated the feeling of being harnessed and tamed. My temper rose, and the wild creature inside me wanted to run backward and crash myself into a wall to break the wood. I was about to try that very thing when I saw a man standing in the back of the room. He was tall and beautiful, with the long hair of a French dandy and the clothes to match, and he carried a walking stick with the head of a dragon. I remembered thinking that I knew him and that I was happy to see him. He smiled at me, slowly shaking one long, elegant finger at me. That calmed my spirits and inclined me to obey Headmistress so that she would let me speak with my visitor after the lesson.

“Be a good girl,” he mouthed with his full and preternaturally red lips. I heard the whisper of his words, but no one else in the room acknowledged him. I relaxed, letting the yoke settle across my back, and I began to walk around the room, following the other girls. I wanted him to see how proud and ladylike I could be if I tried. But as soon as I turned the corner to pass him, I looked up and he was gone.

I had buried that memory for many years and now it came rushing back to me. Was it the same man, or had I imagined it? Had I imagined them both? Were the episodes that had troubled my childhood coming back to haunt me again? I could not afford this to happen, not now, when I was about to embark on a new life with Jonathan.

The girl who had asked the question was looking at me, waiting for an answer. It took me a few moments to collect myself before I could reply with the stock reply we gave to troublesome girls. “Girls sent home from boarding school are forever marked and usually end up spinsters,” I said. “Let that be your incentive to cooperate with the lessons.” The words sounded hollow and forced, but perhaps this girl would find, as I had, that once she succumbed to docility, it would suit her. She sulked-they all did, at least for a time-but then went through her paces around the room without further complaint; and for the remainder of the lesson, the ghosts of my past stayed safely tucked away.

Relieved, I was better able to concentrate during the lesson in elocution, a subject that I was especially suited to teach. The school was known throughout England for eradicating any evidence of a country accent, and Headmistress admitted that I, with my thick Irish brogue, had been one of her most challenging cases. “Nothing is more detrimental to one’s marriage prospects than speech that gives away provincial origins,” she would say to parents as she recruited their daughters. “It is a shame and a waste that a father spend a fortune for his daughter’s dresses for the Season, but not a sou on polishing what comes out of her mouth.”

With her diligent efforts, and nary a slap or a spanking that other girls had received, a soft, feminine, lilting voice eventually replaced the accent of my childhood. Headmistress often called me forth as an example to other girls, or to parents considering placing their daughters in the school. “Wilhelmina came to us sounding like a chambermaid and now has the voice of an English angel,” she would say with pride. And then I would recite some lines of poetry and curtsy, and be rewarded with polite applause and gratuitous smiles.

After the elocution lesson, which passed without incident, we segued to the art of letter writing, so crucial to maintaining one’s social connections and to running a household. That a lady must be eloquent both in speech and on the page was another of the school’s tenets.

“Letters to tradesmen and other subordinates must be written strictly in the third person to maintain the proper distance between servant and mistress.” I said. “However, one must not forget to be cordial at all times. When corresponding on a social basis, remember that there is a proper way to accept an invitation and a proper way to decline it. Never, never must a lady be condescending in rejecting an invitation, even when good taste prevents her from accepting it.”

I set them to writing notes to imaginary staff, friends, relatives, and neighbors while I forced myself to remain awake until the teatime lesson, where we practiced how to pour tea, how to lift a teacup without rattling it (for no woman should rattle a man’s nerves), how to lower oneself into a chair (where the lessons of the boards became most apparent), and how to lower eyes slowly and gracefully when speaking to a gentleman, rather than dart them away like some embarrassed servant girl.

“There is a precise moment to dilute the tea with boiling water, young ladies, and one should not be so distracted by idle parlor chatter as to miss it.”

These banal lessons in decorum, repeated hundreds of times over the years, soothed me. I had not succumbed to this resurgence of what I thought of as my lower nature after all. I was still Aunt Mina Murray, who could preside over a roomful of girls, teaching them the ways of the drawing room that would net them the inevitable prize of a solid marriage.

At five o’clock in the afternoon, the day students went home, and the boarders and teachers took a light meal together at six. I was relieved when Jonathan sent a note of apology explaining that unforeseen business with a new client would keep him occupied until the next week’s end. I finished my supper quickly, having a difficult time holding my eyes open, and fled to my room at the soonest possible moment that would not arouse suspicion.

To prevent another incident like the one the night before, I barricaded myself in my room by pushing a small chest in front of the door. I opened the drawer where I had thrown my nightdress, which was still damp, a fresh reminder of that horrible event. I rolled it up and put it back, hoping that I could wash out the grass stains before I had to explain them to the laundress or, worse yet, to Headmistress.

2 July 1890

Meanwhile, quotidian life went on. In addition to my teaching duties, I sometimes helped my old school chum Kate Reed, now a lady journalist, organize her notes and research. Kate’s parents had sent their headstrong fifteen-year-old daughter to Miss Hadley’s to polish her for the matrimonial market, but their efforts had an adverse effect, creating an even more insubordinate girl. After graduation, while her parents thought she was devoting herself to charity work, Kate apprenticed herself to Jacob Henry, a journalist she had met while surreptitiously attending a meeting of the Fabian Society. She followed him around for the better part of a year, organizing his notes and proofreading his stories.

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