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Robert Price: Tales of the Lovecraft Mythos

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Robert Price Tales of the Lovecraft Mythos

Tales of the Lovecraft Mythos: краткое содержание, описание и аннотация

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When H.P. Lovecraft first introduced his macabre universe in the pages of magazine, the response was electrifying. Gifted writers — among them his closest peers — added sinister new elements to the fear-drenched landscape. Here are some of the most famous original stories from the pulp era that played a pivotal role in reflecting the master’s dark vision. FANE OF THE BLACK PHARAOH by Robert Bloch: A man obsessed with unearthing dark secrets succumbs to the lure of the forbidden. BELLS OF HORROR by Henry Kuttner: Infernal chimes ring the promise of dementia and mutilation. THE FIRE OF ASSURBANIPAL by Robert E. Howard: In the burning Afghan desert, a young American unleashes an ancient curse. THE ABYSS by Robert A. W. Lowndes: A hypnotized man finds himself in an alternate universe, trapped on a high wire between life and death. AND SIXTEEN MORE TALES OF ICY TERROR

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"Most of the columns which form its facade are in ruins, thrusting up shattered stumps from worn bases, like the scattered and broken teeth of some grinning hag. The outer walls are crumbling, but the inner walls and the columns which support such of the roof as remains intact, seem good for another thousand years, as well as the walls of the inner chamber.

"The main chamber is a large circular affair with a floor composed of great squares of stone. In the center stands the altar, merely a huge, round, curiously carved block of the same material. Directly behind the altar, in the solid stone cliff which forms the rear wall of the chamber, is the sealed and hewn-out chamber wherein lay the mummy of the temple's last priest.

"I broke into the crypt with not too much difficulty and found the mummy exactly as is stated in the Black Book. Though it was in a remarkable state of preservation, I was unable to classify it. The withered features and general contour of the skull suggested certain degraded and mongrel peoples of lower Egypt, and I feel certain that the priest was a member of a race more akin to the Caucasian than the Indian. Beyond this, I can not make any positive statement.

"But the jewel was there, the chain looped about the dried-up neck."

From this point Tussmann's narrative became so vague that I had some difficulty in following him and wondered if the tropic sun had affected his mind. He had opened a hidden door in the altar somehow with the jewel-just how, he did not plainly say, and it struck me that he did not clearly understand himself the action of the jewel-key. But the opening of the secret door had had a bad effect on the hardy rogues in his employ. They had refused point-blank to follow him through that gaping black opening which had appeared so mysteriously when the gem was touched to the altar.

Tussmann entered alone with his pistol and electric torch, finding a narrow stone stair that wound down into the bowels of the earth, apparently. He followed this and presently came into a broad corridor, in the blackness of which his tiny beam of light was almost engulfed. As he told this he spoke with strange annoyance of a toad which hopped ahead of him, just beyond the circle of light, all the time he was below ground.

Making his way along dank tunnels and stairways that were wells of solid blackness, he at last came to a heavy door fantastically carved, which he felt must be the crypt wherein was secreted the gold of the ancient worshippers. He pressed the toad-jewel against it at several places and finally the door gaped wide.

"And the treasure?" I broke in eagerly.

He laughed in savage self-mockery.

"There was no gold there, no precious gems-nothing"-he hesitated-"nothing that I could bring away."

Again his tale lapsed into vagueness. I gathered that he had left the temple rather hurriedly without searching any further for the supposed treasure. He had intended bringing the mummy away with him, he said, to present to some museum, but when he came up out of the pits, it could not be found and he believed that his men, in superstitious aversion to having such a companion on their road to the coast, had thrown it into some well or cavern.

"And so," he concluded, "I am in England again no richer than when I left."

"You have the jewel," I reminded him. "Surely it is valuable."

He eyed it without favor, but with a sort of fierce avidness almost obsessional.

"Would you say that it is a ruby?" he asked.

I shook my head. "I am unable to classify it."

"And I. But let me see the book."

He slowly turned the heavy pages, his lips moving as he read. Sometimes he shook his head as if puzzled, and I noticed him dwell long over a certain line.

"This man dipped so deeply into forbidden things," said he, "I can not wonder that his fate was so strange and mysterious. He must have had some foreboding of his end-here he warns men not to disturb sleeping things."

Tussmann seemed lost in thought for some moments.

"Aye, sleeping things," he muttered, "that seem dead, but only lie waiting for some blind fool to awake them-I should have read further in the Black Book-and I should have shut the door when I left the crypt-but I have the key and I'll keep it in spite of hell."

He roused himself from his reveries and was about to speak when he stopped short. From somewhere upstairs had come a peculiar sound.

"What was that?" He glared at me. I shook my head and he ran to the door and shouted for a servant.

The man entered a few moments later and he was rather pale.

"You were upstairs?" growled Tussmann.

"Yes, sir."

"Did you hear anything?" asked Tussmann harshly and in a manner almost threatening and accusing.

"I did, sir," the man answered with a puzzled look on his face.

"What did you hear?" The question was fairly snarled.

"Well, sir," the man laughed apologetically, "you'll say I'm a bit off, I fear, but to tell you the truth, sir, it sounded like a horse stamping around on the roof!"

A blaze of absolute madness leaped into Tussmann's eyes.

"You fool!" he screamed. "Get out of here!" The man shrank back in amazement and Tussmann snatched up the gleaming toad-carved jewel.

"I've been a fool!" he raved. "I didn't read far enough-and I should have shut the door-but by heaven, the key is mine and I'll keep it in spite of man or devil."

And with these strange words he turned and fled upstairs. A moment later his door slammed heavily and a servant, knocking timidly, brought forth only a blasphemous order to retire and a luridly worded threat to shoot any one who tried to obtain entrance into the room.

Had it not been so late I would have left the house, for I was certain that Tussmann was stark mad. As it was, I retired to the room a frightened servant showed me, but I did not go to bed. I opened the pages of the Black Book at the place where Tussmann had been reading.

This much was evident, unless the man was utterly insane: he had stumbled upon something unexpected in the Temple of the Toad. Something unnatural about the opening of the altar door had frightened his men, and in the subterraneous crypt Tussmann had found something that he had not thought to find. And I believed that he had been followed from Central America, and that the reason for his persecution was the jewel he called the Key.

Seeking some clue in Von Junzt's volume, I read again of the Temple of the Toad, of the strange pre-Indian people who worshipped there, and of the huge, tittering, tentacled, hoofed monstrosity that they worshipped.

Tussmann had said that he had not read far enough when he had first seen the book. Puzzling over this cryptic phrase I came upon the line he had pored over-marked by his thumb nail. It seemed to me to be another of Von Junzt's many ambiguities, for it merely stated that a temple's god was the temple's treasure. Then the dark implication of the hint struck me and cold sweat beaded my forehead.

The Key to the Treasure! And the temple's treasure was the temple's god! And sleeping Things might awaken on the opening of their prison door! I sprang up, unnerved by the intolerable suggestion, and at that moment something crashed in the stillness and the death-scream of a human being burst upon my ears.

In an instant I was out of the room, and as I dashed up the stairs I heard sounds that have made me doubt my sanity ever since. At Tussmann's door I halted, essaying with shaking hand to turn the knob.

The door was locked, and as I hesitated I heard from within a hideous high-pitched tittering and then the disgusting squashy sound as if a great, jelly-like bulk was being forced through the window. The sound ceased and I could have sworn I heard a faint swish of gigantic wings. Then silence.

Gathering my shattered nerves, I broke down the door. A foul and overpowering stench billowed out like a yellow mist. Gasping in nausea I entered. The room was in ruins, but nothing was missing except that crimson toad-carved jewel Tussmann called the Key, and that was never found. A foul, unspeakable slime smeared the window-sill, and in the center of the room lay Tussmann, his head crushed and flattened; and on the red ruin of skull and face, the plain print of an enormous hoof.

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