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Robert Price: Tales of the Lovecraft Mythos

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Robert Price Tales of the Lovecraft Mythos

Tales of the Lovecraft Mythos: краткое содержание, описание и аннотация

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When H.P. Lovecraft first introduced his macabre universe in the pages of magazine, the response was electrifying. Gifted writers — among them his closest peers — added sinister new elements to the fear-drenched landscape. Here are some of the most famous original stories from the pulp era that played a pivotal role in reflecting the master’s dark vision. FANE OF THE BLACK PHARAOH by Robert Bloch: A man obsessed with unearthing dark secrets succumbs to the lure of the forbidden. BELLS OF HORROR by Henry Kuttner: Infernal chimes ring the promise of dementia and mutilation. THE FIRE OF ASSURBANIPAL by Robert E. Howard: In the burning Afghan desert, a young American unleashes an ancient curse. THE ABYSS by Robert A. W. Lowndes: A hypnotized man finds himself in an alternate universe, trapped on a high wire between life and death. AND SIXTEEN MORE TALES OF ICY TERROR

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I will admit that I was astounded at this, and realized that if the matter meant so much to Tussmann that he was willing to make such concessions, it must indeed be of the utmost importance. I answered that I considered that I had sufficiently refuted his charges in the eyes of the world and had no desire to put him in a humiliating position, but that I would make the utmost efforts to procure him what he wanted.

He thanked me abruptly and took his leave, saying rather vaguely that he hoped to find a complete exposition of something in the Black Book which had evidently been slighted in the later edition.

I set to work, writing letters to friends, colleagues and book-dealers all over the world, and soon discovered that I had assumed a task of no small magnitude. Three months elapsed before my efforts were crowned with success, but at last, through the aid of Professor James Clement of Richmond, Virginia, I was able to obtain what I wished.

I notified Tussmann and he came to London by the next train. His eyes burned avidly as he gazed at the thick, dusty volume with its heavy leather covers and rusty iron hasps, and his fingers quivered with eagerness as he thumbed the time-yellowed pages.

And when he cried out fiercely and smashed his clenched fist down on the table I knew that he had found what he hunted.

"Listen!" he commanded, and he read to me a passage that spoke of an old, old temple in a Honduras jungle where a strange god was worshipped by an ancient tribe which became extinct before the coming of the Spaniards. And Tussmann read aloud of the mummy that had been, in life, the last high priest of that vanished people, and which now lay in a chamber hewn in the solid rock of the cliff against which the temple was built. About that mummy's withered neck was a copper chain, and on that chain a great red jewel carved in the form of a toad. This jewel was a key, Von Junzt went on to say, to the treasure of the temple which lay hidden in a subterranean crypt far below the temple's altar.

Tussmann's eyes blazed.

"I have seen that temple! I have stood before the altar. I have seen the sealed-up entrance of the chamber in which, the natives say, lies the mummy of the priest. It is a very curious temple, no more like the ruins of the prehistoric Indians than it is like the buildings of the modern Latin-Americans. The Indians in the vicinity disclaim any former connection with the place; they say that the people who built that temple were a different race from themselves, and were there when their own ancestors came into the country. I believe it to be a remnant of some long-vanished civilization which began to decay thousands of years before the Spaniards came.

"I would have liked to have broken into the sealed-up chamber, but I had neither the time nor the tools for the task. I was hurrying to the coast, having been wounded by an accidental gunshot in the foot, and I stumbled on to the place purely by chance.

"I have been planning to have another look at it, but circumstances have prevented-now I intend to let nothing stand in my way! By chance I came upon a passage in the Golden Goblin edition of this book, describing the temple. But that was all; the mummy was only briefly mentioned. Interested, I obtained one of Bridewall's translations but ran up against a blank wall of baffling blunders. By some irritating mischance the translator had even mistaken the location of the Temple of the Toad, as Von Junzt calls it, and has it in Guatemala instead of Honduras. The general description is faulty, but the jewel is mentioned and the fact that it is a 'key.' But a key to what, Bridewall's book does not state. I now felt that I was on the track of a real discovery, unless Von Junzt was, as many maintain, a madman. But that the man was actually in Honduras at one time is well attested, and no one could so vividly describe the temple-as he does in the Black Book-unless he had seen it himself. How he learned of the jewel is more than I can say. The Indians who told me of the mummy said nothing of any jewel. I can only believe that Von Junzt found his way into the sealed crypt somehow-the man had uncanny ways of learning hidden things.

"To the best of my knowledge only one other white man has seen the Temple of the Toad besides Von Junzt and myself-the Spanish traveller Juan Gonzalles, who made a partial exploration of that country in 1793. He mentioned, briefly, a curious fane that differed from most Indian ruins, and spoke skeptically of a legend current among the natives that there was 'something unusual' hidden under the temple. I feel certain that he was referring to the Temple of the Toad.

"Tomorrow I sail for Central America. Keep the book; I have no more use for it. This time I am going fully prepared and I intend to find what is hidden in that temple, if I have to demolish it. It can be nothing less than a great store of gold! The Spaniards missed it, somehow; when they arrived in Central America, the Temple of the Toad was deserted; they were searching for living Indians from whom torture could wring gold; not for mummies of lost peoples. But I mean to have that treasure."

So saying Tussman took his departure. I sat down and opened the book at the place where he had left off reading, and I sat until midnight, wrapt in Von Junzt's curious, wild and at times utterly vague expoundings. And I found pertaining to the Temple of the Toad certain things which disquieted me so much that the next morning I attempted to get in touch with Tussmann, only to find that he had already sailed.

Several months passed and then I received a letter from Tussmann, asking me to come and spend a few days with him at his estate in Sussex; he also requested me to bring the Black Book with me.

I arrived at Tussmann's rather isolated estate just after nightfall. He lived in almost feudal state, his great ivy-grown house and broad lawns surrounded by high stone walls. As I went up the hedge-bordered way from the gate to the house, I noted that the place had not been well kept in its master's absence.

Weeds grew rank among the trees, almost choking out the grass. Among some unkempt bushes over against the outer wall, I heard what appeared to be a horse or an ox blundering and lumbering about. I distinctly heard the clink of its hoof on a stone.

A servant who eyed me suspiciously admitted me and I found Tussmann pacing to and fro in his study like a caged lion. His giant frame was leaner, harder than when I had last seen him; his face was bronzed by a tropic sun. There were more and harsher lines in his strong face and his eyes burned more intensely than ever. A smoldering, baffled anger seemed to underlie his manner.

"Well, Tussmann," I greeted him, "what success? Did you find the gold?"

"I found not an ounce of gold," he growled. "The whole thing was a hoax-well, not all of it. I broke into the sealed chamber and found the mummy-"

"And the jewel?" I exclaimed.

He drew something from his pocket and handed it to me.

I gazed curiously at the thing I held. It was a great jewel, clear and transparent as crystal, but of a sinister crimson, carved, as Von Junzt had declared, in the shape of a toad. I shuddered involuntarily; the image was peculiarly repulsive. I turned my attention to the heavy and curiously wrought copper chain which supported it.

"What are these characters carved on the chain?" I asked curiously.

"I can not say," Tussmann replied. "I had thought perhaps you might know. I find a faint resemblance between them and certain partly defaced hieroglyphics on a monolith known as the Black Stone in the mountains of Hungary. I have been unable to decipher them."

"Tell me of your trip," I urged, and over our whiskey-and-sodas he began, as if with a strange reluctance.

"I found the temple again with no great difficulty, though it lies in a lonely and little-frequented region. The temple is built against a sheer stone cliff in a deserted valley unknown to maps and explorers. I would not endeavor to make an estimate of its antiquity, but it is built of a sort of unusually hard basalt, such as I have never seen anywhere else, and its extreme weathering suggests incredible age.

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