Joel Arnold - Fetal Bait Apocalypse - 3 Collections in 1

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Fetal Bait Apocalypse: 3 Collections in 1: краткое содержание, описание и аннотация

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Fetal Bait Apocalypse • Bait and Other Stories
• Bedtime Stories for the Apocalypse
• Fetal Position and Other Stories
This one volume holds over 120,000 words of fiction that will haunt and terrify you for days on end.
Contains the award winning stories “Some Things Don’t Wash Off” and “Mississippi Pearl” as well as stories that have seen print in such venues as
,
,
,
and
. Six of these stories have received honorable mentions in The Years Best Fantasy & Horror.
In these three collections, you’ll meet:
A father whose intense longing for his dead son lead to disturbing consequences.
A group of college students tubing down a river through a burnt forest who encounter terrifying creatures.
A man seeking redemption for a sinful past through the skill of a tattoo artist.
A Cambodian-American teen who will fit in with the locals at any cost.
A woman who finds a bizarre solace in a rare pearl.
A self-absorbed husband monitoring the end of his existence over the internet.
A teenager digging his way through a deep crust of waste and bone to win his freedom.
A man whose work for the Khmer Rouge returns to haunt him.
A son who has an intensely strange relationship with his mother.
A student with a bizarre homework assignment.
A woman who has a macabre way to deal with bill collectors.
These stories and more will have you up late into the night, glancing over your shoulder and flinching at the slightest of noises.
“Joel Arnold is the real deal. He elicits a subtle element of terror and justice through his writing, delivered without a heavy hand. His exceptional imagery effects readers in a way that leaves them chilled and disturbed; causing the kind of behavior that will leave friends asking ‘what’s bothering you,’ for days afterwards.”
D.L. Russell, editor of
Magazine “Author Arnold has a deft touch with horror that will leave a chill in your spine, but without the violence and gore of much modern horror. The stories remind me of Ray Bradbury at his darkest with their ability to play on the difference between what we know might happen and what we want to happen. These are complex tales with layers below the surface enjoyment of a story well written.”
Armchair Interviews

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It had been painted white once, but the cancer of neglect and erosion had eaten at it, inside and out. There was a portion of wall missing and the profile of a stairway could be seen. It reminded him of a flap of skin pulled back from a jawbone, the teeth exposed in a fixed, grotesque grin.

He turned onto the overgrown driveway, gravel popping beneath his tires in a dissonant percussion. He got out of the car, taking a small flashlight from the glove compartment, and listened. The ticking of the Corolla’s engine could barely be heard over his own heart. There was the sound of wind blowing over the splintered wood of the house, the sound of dried leaves colliding with one another in a constant Sssshhhhhh. A light dusting of snow began to fall. He stepped toward the house.

There was something about this house. Something familiar. A strong sense of déjà vu, perhaps. He carefully stepped through the missing section of wall. There were rusty nails, shards of glass, the sharp teeth of broken boards. Holes were poked in the ceiling and floor. He bent down on all fours, getting as close to one of the holes in the floor as he dared. He shined the small flashlight beam in the hole, but the light was swallowed up by the darkness.

“Elaine,” he called. “Elaine?”

He suddenly couldn’t move, didn’t think he’d be ever able to move again as the certainty of her death overwhelmed him. He was too late. He knew it. Maybe she wasn’t even here, maybe she was already discarded like garbage in a lake somewhere, or buried in a gravel pit. He knew it. Felt it in the fresh numbness that spread from his head down his spine and out to all of his limbs.

He heard movement behind him.

“Hello, Steve.”

He froze. It was her voice. Elaine’s voice. Coming from behind him. But that couldn’t be. That wasn’t possible, was it?

He scrambled to get up.

“Elaine?”

It was her. Standing outside in the falling snow. Staring at him, her face unreadable, unfathomable.

“I’m glad you found your way out here,” she said. “Do you recognize the place?”

“Are you okay?” Relief rushed over him, yet he still felt something was not quite right.

“Surely you’ve seen pictures of it in our photo albums. I grew up here.” Flakes of snow landed on her and melted. Steve stepped outside of the house.

“You’re okay?” he asked again.

“I don’t know,” she said. “That depends.”

“On what?” He stepped forward and reached out for her, but she backed away. “I don’t understand,” he said. “I thought—”

She turned toward the Toyota. “I’m glad you recognized the license number,” she said. “I wasn’t so sure you’d figure that out.”

“What’s going on?” Steve asked.

“Do you have the keys?”

Steve pulled them from his pocket, stared at them for a moment as if they were some evil thing, and gently tossed them to his wife. “I thought you were—”

“I’m fine.” Elaine opened the driver’s side door, bent over and popped the trunk release. She went around to the back of the car where Steve couldn’t see her behind the open trunk.

It was an elaborate prank. A joke. What was the occasion? His birthday was still a month away.

“Who was the guy in the ski mask?” he asked. Then it hit him. “Your brother.”

Elaine didn’t seem to hear him. In fact, the next words from her mouth made no sense at all.

“She’s still alive,” she said.

“What are you talking about?”

She didn’t answer.

“Elaine?” The whirlwind of emotions going through Steve made it impossible to know how to feel. Relief? Surely relief, because his worst fear had been dispelled. Anger? Certainly anger for frightening him like this. But there was something else, something stemming from the tone of Elaine’s voice, of the way she stood hidden behind the open trunk of her car, of the words she had just uttered.

She’s still alive.

They began to sink in, the words like low voltage electricity crawling through his bones.

“Elaine?” He stepped slowly around the car and came to his wife’s side. He looked in the trunk. “My God.”

There was a woman bound and gagged inside. A woman he knew, a woman only minutes ago he was ready to curse for the death of his wife. His mouth fell open as if his jaw had become unhinged.

Elaine squeezed his arm. “I can’t live like this,” she said. “I can’t live with her in your life, so you have to choose. You have to choose between me and Tommy, or her.”

Had she been in the trunk this whole time?

Linda’s eyes slowly opened, and when she saw the two of them hovering over her, she began to squirm. But there was not much room for movement in the trunk. The gag was too tight to allow anything but the slightest of sounds to issue from her mouth.

“It’s you, of course,” Steve said, struggling to get enough air behind his words. “It’s always been you.”

Elaine backed away. She shook her head, dislodging a light dusting of snow, and pulled something from her pocket.

“I found this out back while I was waiting for you to arrive.” She held it up. It was an old steak knife, its wooden handle chipped and stained, the serrated edge dull and bleeding rust. “I don’t know how long it’s been there, but when I saw it, I knew it had been waiting for us. Waiting for just this moment.”

“What are you saying?”

“I need more than your word. I need to know for sure.”

Inside the trunk, Linda Janson had grown still. When Elaine handed Steve the old steak knife, her eyes bulged and she struggled against the ropes with a renewed vigor.

“I can’t,” Steve said, looking from the knife to Linda.

“It’s her or me.”

“You want me to—”

“Her or me.”

Elaine’s eyes locked on Steve’s. He saw forgiveness in them. Hopefulness.

He lifted the knife in the air. Snowflakes kissed his knuckles and melted on his skin. The sky looked full of swirling white ash. The farmhouse became a grinning skull. Steve took one last look at Linda as she lay bound in the trunk. The wildness, the danger, was gone.

He turned to Elaine and whispered, “I love you.”

A tear spilled down her cheek.

As he plunged the rusty knife into Linda’s throat, he could not take his eyes from his wife. Elaine placed her fingers over his, and together they cut into her, sawing and twisting the knife, the fresh blood an emulsion that bonded their hands. Steve kept his eyes on Elaine, watching the ferocity grow in her as they cut.

After they were finished, after they disposed of Linda’s body beneath the cold, loose soil of the nearby cornfield, the snow swirling about them like fevered ghosts, they made love on the hood of the old Corolla. All the while, it felt to Steve like they were blissfully falling, shards of glass winking all around them, twenty-five floors straight down to an eternity of hard pavement, of vows no longer broken.

He realized he did not have to choose between safety and danger, domesticity and passion. He knew that now.

He knew it.

Telephone

Jill Johnson inserted herself into the oval of six and seven-year olds standing at the front of her class. “You know how Telephone is played, don’t you?” she asked. She was met by nods of affirmation and a few dumbfounded stares. “I whisper something into someone’s ear, and that person whispers it into the next person’s ear, and so on until it gets to the end. Then we’ll see how much the words have changed. Okay?”

She leaned over and whispered into Benjamin Cale’s ruddy, wax-rich ear, “I like plums and apples.”

Benjamin knit his brows, then leaned over to Lydia Rathberger, cupping his hands over her strawberry blond hair. It went like that from person to person, around the entire class, until Bobby Blaisdell whispered into Gail Dupree’s ear, and Gail, directly to Mrs. Johnson’s left, nodded. Mrs. Johnson smiled at Gail, “Tell the class what you heard.”

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