William Hodgson - The House on the Borderland

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The House on the Borderland is a supernatural horror novel by William Hope Hodgson. He went beyond the existing ghost story and gothic molds, synthesizing a new cosmic horror that made a huge impact on later writers of weird tales, notably H. P. Lovecraft.
The two gentlemen Tonnison and Berreggnog head to a village in Ireland for a week's fishing. There they discover the ruins of a strange house and the diary of the house's former occupant, the words on its torn pages hinting at an evil far beyond anything that has existed in this world before. “The House on the Borderland (1908) — perhaps the greatest of all Mr. Hodgson’s works — tells of a lonely and evilly regarded house in Ireland which forms a focus for hideous otherworld forces and sustains a siege by blasphemous hybrid anomalies from a hidden abyss below. The wanderings of the Narrator’s spirit through limitless light-years of cosmic space and Kalpas of eternity, and its witnessing of the solar system’s final destruction, constitute something almost unique in standard literature. And everywhere there is manifest the author’s power to suggest vague, ambushed horrors in natural scenery.”
— H.P. Lovecraft

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3

NOTE.—The severest scrutiny has not enabled me to decipher more of the damaged portion of the MS. It commences to be legible again with the chapter entitled “The Noise in the Night.”—Ed.

4

The Recluse uses this as an illustration, evidently in the sense of the popular conception of a comet.—Ed.

5

Evidently referring to something set forth in the missing and mutilated pages. See Fragments, Chapter 14 —Ed.

6

No further mention is made of the moon. From what is said here, it is evident that our satellite had greatly increased its distance from the earth. Possibly, at a later age it may even have broken loose from our attraction. I cannot but regret that no light is shed on this point.—Ed.

7

Conceivably, frozen air.—Ed.

8

See previous footnote. This would explain the snow (?) within the room.—Ed.

9

I am confounded that neither here, nor later on, does the Recluse make any further mention of the continued north and south movement (apparent, of course,) of the sun from solstice to solstice.—Ed.

10

At this time the sound-carrying atmosphere must have been either incredibly attenuated, or—more probably—nonexistent. In the light of this, it cannot be supposed that these, or any other, noises would have been apparent to living ears—to hearing, as we, in the material body, understand that sense.—Ed.

11

I can only suppose that the time of the earth’s yearly journey had ceased to bear its present relative proportion to the period of the sun’s rotation.—Ed.

12

A careful reading of the MS. suggests that, either the sun is traveling on an orbit of great eccentricity, or else that it was approaching the green star on a lessening orbit. And at this moment, I conceive it to be finally torn directly from its oblique course, by the gravitational pull of the immense star.—Ed.

13

It will be noticed here that the earth was “ slowly traversing the tremendous face of the dead sun.” No explanation is given of this, and we must conclude, either that the speed of time had slowed, or else that the earth was actually progressing on its orbit at a rate, slow, when measured by existing standards. A careful study of the MS. however, leads me to conclude that the speed of time had been steadily decreasing for a very considerable period.—Ed.

14

See first footnote, Chapter 18 .

15

Without doubt, the flame-edged mass of the Dead Central Sun, seen from another dimension.—Ed.

16

NOTE.—From the unfinished word, it is possible, on the MS., to trace a faint line of ink, which suggests that the pen has trailed away over the paper; possibly, through fright and weakness.—Ed.

17

These stanzas I found, in pencil, upon a piece of foolscap gummed in behind the fly-leaf of the MS. They have all the appearance of having been written at an earlier date than the Manuscript.—Ed.

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