Brian Hodge: Prototype

It’s us. We’re as much at fault as anyone.

Sarah fumbled blindly for her hand, ever intuitive, sensing that sudden failure in her. She took a step forward to pick up the slack.

“As long as you never see the sun,” she said, with a smile — if anyone could turn his awful pallor into a gentle joke it was Sarah — “would you like to come back with us as a consultant? I’ve got this wild idea for part of my thesis, I want to go looking for cave paintings in old shut-down factories, and you’re the only expert I know.”

Clay’s face softened, wistful, transported to another day. He looked almost hopeful. “Where are you going to start?”

Sarah shrugged. “South Dakota, maybe? If you think it’s worth the trip. I figure it’s worth a look.”

Adrienne didn’t immediately catch on. South Dakota? Then the memory fired: Where Erin went home to, and if Sarah was the one to talk Clay down from here instead of her, fine, more power to her, whatever worked. And it appeared that she really might, for he looked upon Sarah with as much trust as she had ever seen him grant.

None of which was lost on Valentine. He would look for these weaknesses as a rule. Soft underbellies were made to be torn.

“And what then, Clay, a week from now, a month?” he said. “Is she going to marry you? You think you’re going to set up some happy home in the mountains? Raise normal babies?”

Adrienne stared. Whatever’s passed between the two of them… Valentine doesn’t understand it at all. He can’t read it right because he’s probably never had a friend in his life.

“If you think anything even remotely like that is going to happen for you,” Valentine said, “you’re living in a fantasy world that’ll destroy you when you get burned out of it.”

Bristling, Sarah appeared to have had about enough. “You’re the last man on earth to lecture anyone on fantasy worlds,” she told him. “You’re the little man behind the curtain in Oz.”

Against the near wall, Ellie stuttered into laughter, and the other man — Adrienne wasn’t even sure which one this was — turned on her with alarm, Shut up, shut UP! in his taut features. Adrienne had almost made a similar observation, but to Sarah alone, discreetly. How ironic: All day Sarah had been the one to preach caution, to fret about Adrienne angering this Machiavellian tyrant.

“I’ll take my chances,” said Clay, and moved toward his coat.

Valentine nodded, muscles bunching in his jaw. “Chance is the stuff of life.”

It happened very abruptly.

Clay was halfway to his coat when Valentine went kinetic, empty hand plunging beneath his sweater and emerging full, mighty as Thor with a hammer. He swung out the revolver’s cylinder, and no one could have missed hearing the clicking metallic whir as he spun it. Pivoting then, slapping the cylinder back into place and raising his hand, he thrust the pistol forward as if he were launching a javelin, every motion so smooth and fluid that Adrienne was not so much frightened as insanely curious to know how often he had practiced this.

“Snake in the grass!” he shouted as the gun reached its apex, which made no sense to her at all. She met his eyes, and no one could have looked more surprised than Valentine when the gun blasted out a single devastating shot. At once he erupted with a triumphant whoop.

With every sense raw, unguarded, sensation became immense. The sound of bullet striking skin was orchestral; the blood that splashed her felt scalding. The hand clutching her arm was a fearsome claw, and she looked over, looked down, to see the side of Sarah’s throat.

Gone. Just gone.

Together they fell, Sarah’s weight dragging her down. Sarah began to choke before they hit the floor, her eyes gaping and glazed in disbelief. An anemic cry warbled past Adrienne’s lips as her hands trembled, then groped in a frantic attempt to staunch the flood from Sarah’s throat. It sprayed, it flowed. It pulsed and gushed.

Adrienne scrabbled to her knees beside Sarah, cradled her as the mad clawing desperation in Sarah’s fingers resigned to a tender stroking. They could say nothing to each other now. Words took time, and were imprecise at best, never enough to hold everything that must be said when they are needed most.

A falling shadow: Adrienne looked up in reflex — to defend Sarah’s last ragged breath? — but it was Clay falling along her other side. Coming not to steal this terminal moment but to share it. He reached, an arm sliding beneath Sarah as he helped bear the weight that had grown so slack. With his other hand he touched her face. Through the chill of shock she was aware of it, aggrieved eyes crinkling for a moment, and with a blood-slicked hand she reached for Clay’s cheekbone. He did not flinch.

He’s touching, Adrienne thought, the only lucid flicker in awareness that otherwise wailed. Then: Why does it take a catastrophe before it happens…?

Adrienne embraced Sarah, clutched her, felt the blood wash down her front and tried to impart her will even though it never work: Live, you, just another moment, just another lifetime, just long enough to hear me say I loved you. Live.

Adrienne raised her head, sacrificing a precious second to look about the room — could anything be done, could anyone help ? — but there was nothing for her beyond the sight of three others, immobile, doppelgangers all, watching someone die.

A moment that came too soon. By decades.

The silence was total, its own world as she clung to Sarah’s last bubbling breath, the final tremulous beat of her heart, the last pulse of blood. If anyone took these from her, she would show no mercy.

Ellie was first to break the silence, with a sickened cry that ripped free as if it had been trapped for minutes. She shook her head in denial, then lurched back to the bedroom, bathroom. It sounded as if she picked up speed as she went, and whether she retched or sobbed once there, it was not clear.

Like a broken appendage, her companion followed, backing out of the room while pulling off a pair of dark round lenses. Gone, then, and nothing else moved but Adrienne’s lowering head.

So it had come to this.

Clay fell aside, sitting heavily on his rump with elbows on knees, head in hands. His breath came swift and shallow, about to hyperventilate.

Is this what it’s like to be you? she wondered. With nothing left inside or out to go on?

How did he do it? How ever had he done it all these years?

Valentine had sat again, on the edge of his chair, so wholly absorbed in the moment that he appeared transported. His face bore the look of artists who have achieved the breakthrough to aesthetic perfection, who have transcended themselves and ride a moment that felt eternal. Adrienne knew that he would never again feel this alive.

Hate him? He was too alien to truly hate.

She fell inward again, the first real sob working its way up, scarcely aware that Clay had risen and walked from the room. He barely touched the floor, gliding, may have been gone a moment, maybe an hour, and when she glimpsed him again he had returned from the kitchen, flowing with smooth even purpose, a mongoose to the cobra.

She opened her mouth, mute, and what a mistake to think that she had no heart left to break.

His first slashing blow with the butcher knife caught Patrick Valentine across the forehead, opening a deep split that rained a sheet of blood across his eyes, blinding him. Two-handed, Clay plunged it down into the meat of one shoulder, then the other. The gun went thumping to the floor, and a moment later Valentine fell atop it, as Clay bore after him with a brutality primordial and relentless. His face was gone, replaced by the visage of carnivores that rolled in the spoor of their prey.