Charles Stross: Equoid

“I would, but I’m afraid he’d sting me,” she said. “The sting of a daddy-snail is mortal harsh, so ’tis said.”

“Really?” I leaned closer to see this prodigy for myself. “Who says?”

“Those families as raise the virgin missy-horses to ride or hunt,” she replied. “Will you help me?” She asked with imploring eyes & prayerful hands, to such effect as only a thirteen-year-old girl can have on the heart-strings of a pigeon-chested boy of fourteen who has been watching her from afar and is eager to impress.

“Certainly I shall help!” I agreed, nodding violently. “But because it stings, I must take precautions. Would you wait here and stand vigilant watch over our escaped prisoner? I shall have to fetch suitable tools with which to fetter the suspect while we escort him back to jail.”

She nodded her leave & I departed in haste, rushing up the lane towards home to borrow certain appurtenances from our own out-building. I fetched heavy gloves & fireplace tongs, the better with which to grasp a snake-tongued tentacular horror; and looking-glass, paper, & pencils with which to record it. Then I rushed back to the graveyard & arrived quite out of breath to find Hetty waiting complaisantly near our target, who had moved perhaps a foot in the intervening quarter-hour.

I wasted no time at all in plucking the blasphemous mollusk from its stony plinth with tongs and gloves. As I lifted it, the creature stabbed out with a sharp red spike which protruded from the point of its shell: I was heartily glad for my foresight. “Where do you want me to take it?” I asked my muse. I gave the cone a sharp shake & the red spike retracted, sullen at being foiled.

Hetty clapped delightedly. “Follow me!” she sang, & skipped away between the gravestones.

Of course I knew the front of her parents’ house on Waterman Street, but I felt it unwise to show any sign of this. I allowed Hetty to lead me through the boneyard & along a grassy path between ancient drystone walls to the alley abutting the back of her family home. There was a tall wooden gate, and beyond it a yard and stables. I was preoccupied with carrying the cone-shell at arm’s length, for its homicidal rage had not escaped my attention. Periodically it shivered & shuddered, like a pot close to boiling over. Being thus distracted I perhaps paid insufficient attention to the warning signs: the flies, the evident lack of labour applied to cleaning the back stoop, & above all the sickly-sweet smell of rotting meat. “Come inside,” Hetty said coyly, producing a key to the padlock that secured the gate. “Bring Peter with you!”

She opened the gate & nipped inside the yard. I followed, barely noticing as she secured the portal behind me with hasp & cunning padlock. “Come to the stable,” she sang, dancing across the cobbles despite the pervasive miasma of decay that hung heavy over the yard like the fetid caul of loathsome exudate that hovers above the body of a week-dead whale bloating in Nantucket sound during the summer months. “Let me show you my darling, my one true love!” As she said it, the cone in my tongs gave a quiver, as of rage—or mortal terror. As it did so I gagged at the stench inside the yard, & my grip loosened inadvertently. The snail-thing gave another ferocious jerk, then slipped free! It caught the end of my tongs with one sucker-tipped tentacle, uncoiled to lower itself to the decaying straw-strewn cobbles below, then let go before I could respond. Hetty gave a little shriek of dismay: “Oh, the poor little man! Now the others will eat him alive!”

For what happened next I can only cite my callow youth & inexperience in exculpation. I panicked a little, tightening my grip on my tool as the deadly giant snail turned around as if assessing the arena in which it found itself. I took a step backwards. “What is going on?” I demanded.

The singular snail reared, point uppermost, as if tasting the sour & dreadful air. A host of small tentacles appeared around its open end, and it began to haul itself on suckers across the decay-slicked stones, proceeding in the direction of the stable doors & the darkness that I could even then sense lurking within.

Hetty smiled—a horrid, knowing expression, unfit to grace the visage of a member of the fairer sex. “The daddy-snails and the missy-horses dance together & dine, and those that survive join in matrimonial union to become a mummy-horse,” she intoned in a sing-song way, as if reciting a nursery rhyme plucked from the cradles of hell. “ My mummy-horse rests yonder,” she said, gesturing at the decaying stable doors, slicked with nameless dark fluids that had been allowed to dry, staining the wood. “Would you like to see my mummy?”

I felt faint, for I knew even then that something terrible born of an unfathomable madness had happened here. Heartbroken—for there is no heartbreak like that of a fourteen-year-old lad whose muse reveals feet not of clay but of excrement—I nevertheless gathered my courage and stood my ground. “Your mummy,” I said. “You do not speak of Mrs. van t’Hooft, in this case?”

She shook her head. “My mother —” she pronounced the word strangely—“is sleeping in the stable with mummy-horse. Would you like to see her?” A horrid glow of anticipation crept into her cheeks, as if she could barely conceal her eagerness to cozen me within.

I wound up the reins of my bravery to the breaking-point & tightened my grip on the fire-tongs. They felt flimsy & intangible in my grasp: oh for the shield and sword of a Knight of the Round Table! My kingdom for a charger & a lance, or even the cleansing flare of a dragon’s hot breath! “Show me to your mummy-horse,” I told Hetty, thinking myself brave & manly & willing to face down monsters for a young man’s apprehension of love: thinking that whatever this monster was, I should have the better of it.

More fool I!

They do things differently in East Sussex, or so I gather. My informant in this matter is Greg Scullery, and the nature of the difference is a leisurely lunch at a country pub in place of a hasty sandwich break snatched at one’s office desk in Central London.

I am initially worried about Greg’s willingness to down a pint before lunch, but by the time our food arrives and we’ve cleaned our plates my worries evaporate—assisted by Greg’s smooth transition onto lemonade and soda, albeit replaced by new worries about what we’re going to find down on Edgebaston farm. Because Greg has got that disturbing snail-shell, and with the fresh context provided by the Lovecraftian confessional in the EQUESTRIAN RED SIRLOIN dossier, I’m going to have a hard time sleeping tonight unless I successfully lay that particular ghost to rest.

“It’s not a horse, let’s get that straight,” Greg explains between bites of a disturbingly phallic sausage. “It’s not Equus ferus caballus . It might look like one at certain points in its life cycle, but that’s simple mimicry. Not Batesian mimicry, where a harmless organism imitates a toxic or venomous one to deter predators, much as hoverflies mimic the thoracic coloration of wasps, but rather the kind of mimicry a bolas spider uses to lure its prey—using pheromonal lures and appearance to make itself attractive to its next meal. It’s an equoid not an equus, in other words.”

I suppress a shudder. “How do you tell a female unic—equoid—from a real horse?” I ask.

“Come along to Edgebaston Farm and I’m sure I’ll be able to show you,” he says, setting aside the plate holding what’s left of his bangers and mash as he rises to his feet. “Have you read the backgrounder I sent your people? Or the infestation control protocol?”

“All I’ve read is H. P. Lovecraft’s deathbed confession,” I admit.