Adam Nevill - Banquet for the Damned

Students are vanishing, limbs are being washed ashore from the German Sea, and after Jason's story about the visitation in Fife Park Hart has stopped sleeping. Something has been seen in St Andrews; it is corporeal, its manifestation tangible, whole in its horror, complete in its intent. He shifts in his seat; it is like some huge and rising indigestion is making his skin too tight for his body. It passes, and leaves him dizzy and cold and unable to form a thought or do anything but stare at a thin blue pen mark on the laminated surface of the cubicle desk. For a while he holds his head in his hands and it all seems unbelievable, utterly preposterous. He then makes another attempt to read the book open before him. But on the page the words swim, and he is more conscious of the smell emitted from the old bindings than he is of the meaning of the sentences.

Concentration is too difficult to summon. Thoughts of the people he has met, like Mike Bowen, or the youngsters he has talked with recently, like Rick and Maria, pop into his head. They are not dead. How can they be? To be taken by something not of the same world that he is now sitting, breathing, and thinking in? It is absurd. 'No, no, no,' he says to himself, to cut through the pandemonium of impressions, emotions, and confusion that swirls inside of him.

In the next cubicle, a man with a podgy face and a goatee beard hears his muttering. He looks across and smiles at Hart, as if to acknowledge a kinship with another struggling student, who has waited for too long to begin his thesis and now sits, stunned, before the heavy thought of where to begin. Hart smiles back, knowing his face is white with anxiety, and then turns back to the book he no longer even sees. Droplets of sweat fall from the hair in his armpits. He takes his jacket off and wants to hang from the window until he is dry.

No, no, no ; the idea of an aberrant spirit operating in this town is preposterous. There has to be another explanation. As he sits on an ordinary chair in a library where computer screen savers click on, and where pages are turned and chairs are occasionally and discordantly scraped about him, he tries to convince himself of it. But a contradictory idea soon strikes him: the ordinariness of life about him, with its distractions and monotony and routine, has allowed others to overlook the first suggestion of the shadow that now creeps through their town.

He closes his eyes and tries to empty his head of the clamour in there. He manages to steer his thoughts off and into the emptiness of inner places where thoughts haven't even begun to form yet. He stays like this until his body relaxes and the sweat dries on his back. Hart opens his eyes. He begins reading again.

But after three hours, the utter randomness of his reading pays dividends in an even greater frustration. His concentration is barely active and he takes in little of what he reads. He knows it's unlikely he'll even secure a gist of what is happening in the town by sitting in the library stabbing at certain chapters of randomly selected books. It takes an hour to read a chapter of one of the larger books, and will involve a day's labour to finish a book in its entirety. Will he happen across something significant by quickly turning half-read pages? Skim reading is rarely of any use and, for some, it has taken a lifetime of study to chronicle the occult, before any synthesis of its occurrences in these haunted isles was achieved. But what else can he do? He is only here because of his desperate desire to improve his understanding of the problem. The trip to the library is an attempt to stay active. And if he is honest, he has nothing else to do. After Rick, no other student has made contact for an interview, and with the first wave of students he interviewed now missing, there is little for him to do with his time other than sit around the flat drinking. And still, he has no idea how many people have come into contact with Eliot in the first place, and whether they have been affected, and if not, why certain members are selected by the night terrors while others have walked free. There is at least one active apparition, but he knows little else. If the Frenchman Laforgue is right, an infestation of one malign influence can spread its influence like a plague, until the aperture from which it has entered is slammed shut. Are people suffering right now who have not seen his flyers? Kerry said Eliot's group was popular with lots of people, but if they fail to call him how will he know of them? It seems unlikely that records were ever kept of a membership, and if such deeds exist, who owns them? It would take official pressure to uncover information like that.

Returning his attention to another of the twelve books on Scottish witchcraft, Hart glances at the docket detailing its loan history inside the front cover. It has not been withdrawn from the library in ten years. He sighs.

After another two hours, he ascertains that many people have been tried as witches in the northeast of Scotland, tortured, and then horribly disposed of, but little else. He suspects their deaths were the result of accusations made through fear or envy, sanctioned by religious intolerance, and that the hapless individuals were all innocent of the charges brought against them. That is the tone of every book; the authors disbelieve in the existence of any supernatural basis to the stories. The last story he reads is concerned with an old and solitary woman accused of witchery, who is stuffed into a barrel by an enraged mob, which is then covered in tar, ignited, and finally rolled into a river so she will both suffocate and burn. Her imagined helplessness, confusion and terror in the moments leading to such an inhuman punishment depress him. He wants to flee this, and all of the books, and all of his questions, with another drink.

Restless, he scrapes his nails on the underside of his chair until his cuticles hurt. What he needs is a definitive guide. And as every clue in the town leads to one man, he has to be found. Even if it carries the risk of arrest, Eliot Coldwell must be hunted down and forced into confessing what he knows. Hart closes the book. All he can do here, he has done.

He stands up. 'Stakeout,' he says to his neighbour with the goatee beard.

At five in the afternoon, Hart is still watching the School of Divinity from inside the castle grounds. It has begun to rain — the first sign of winter since he arrived in town — so everything is now wet. What little sunlight penetrates the faded grey of sky turns the concrete and stone to the colour of his own despair.

For a two-pound admission, he's been able to stay inside the castle for hours. With his arms folded on a wall, he stares across the moat and the Scores beyond it, and into the first-floor window of the School of Divinity. He can see the top half of a blonde woman's head, bent over a keyboard. It is Janice Summers, who turned him away on his first two visits to the Divinity faculty. And if she catches him in the building again, knowing full well he is not a student and is probably harassing Coldwell, she has every right to phone campus security or the police.

The same feeling of futility that overwhelmed him in the library returns. 'This is twentieth-century Scotland, for Christ's sake,' Hart mutters. Despite his academic background, when it comes to confronting a figure of authority, or a representative of reason, he suffers diffidence. Anything he says to them about his studies into night terrors, by way of explanation, always sounds preposterous. It's why he prefers to work in the developing world, where there isn't an innate inability to fully comprehend a connection between chants, trances and sacrifices and the notion of night terrors. He'd be wasting his time here, telling them his suspicions.