Adam Nevill - Banquet for the Damned

After progressing no more than a few steps inside the shop, she suddenly stops and closes her eyes for a moment. Her composure unravels. It is right there, the confirmation of her fears in black and white, on the front page of the Herald :

POLICE FIND MYSTERY REMAINS ON WEST SANDS

In a young life inexplicably filled with terror, there is no such thing as coincidence. Every screech from a hungry gull is a reminder of the dreams; every placard commemorating the death of a Protestant martyr is a sign; every newspaper's report of a death is connected. Kerry pulls the paper off the bottom shelf and hurries up to the counter. She slaps a pound coin down and races out of the shop. The girl behind the counter raises a quizzical face. As she drifts back into the sunlight, Kerry's eyes race across the opening paragraph on the rustling newspaper:

Police officers responded to an emergency call from the West Sands yesterday. A local woman, Beatrice Hay, found part of a human body washed up on the shoreline. 'I have been walking on that beach for thirty years but I've never seen anything like it before. This was awful, a terrible thing to see.'

A police spokesman issued a statement late last night, indicating a belief that the grisly body-part — still unspecified as to which limb or organ — had been washed ashore from the channel. 'It could have come from the sea,' Sergeant Lindsay declared. 'But we are not ruling out suspicious circumstances.'

Suddenly remembering the strength of the night terror and the power in its hard fingers, Kerry feels Doctor Miller's shaky assurances vaporise. Breaking into a run, she bumps into a couple of men with long hair. She knocks them apart and rushes away, unable to apologise, thinking only of a phone call, a suitcase, and the safety of home.

Thin trails of perfume, left behind by Kerry, make Hart melancholy. After a long shake of his grizzled head, he takes another slug from the second fifth of Laphroaig. He's been sitting alone and still for a long time after Kerry's departure, drinking and going through every possible angle and explanation he knows of to explain away her story, until coherence has begun to fragment and his theories have become jumbled. But instinct tells him her confession and reaction are genuine.

In a way, he should be elated. If what she has just recounted is true, and he can think of few reasons to disbelieve her story, then his work could continue in St Andrews in dramatic style. Night terrors might just be the beginning — the first telltale ripples before the contagion spreads. Everything he's studied so far has always been after the fact — hearsay, folklore, the incoherent ramblings of witnesses. But today, in the Kingdom of Fife, it is possible he's landed in the thick of something extraordinary.

It is ironic. He should be whooping with delight at the find. But when something creates so much anguish in a young and faultless girl, when her sanity and perhaps even her life are in danger, he cannot rejoice. Staring at the tape recorder, he moistens his lips and begins to mutter to himself. 'You're afraid, buddy. No wonder you swallow so much wine. Maybe you looked too hard.'

Waiting for the slight judder to vanish from his vision, Hart forces himself to stand up and to remove the image of Kerry's tear-stained face from his mind. Sweeping up his Dictaphone, he checks the battery light and begins pacing about the lounge, murmuring his initial observations into the tiny microphone:

'My first interviewee has experienced a classic night-terror situation. Is it metachoric? Is her visual field hallucinatory on waking when there is such defined evidence of a physical manifestation in her immediate environment? It is still unclear, however, why the apparition has begun to appear in her room. A previous adolescent trauma suggests a reactive vision, but there is much evidence to the contrary.

She is struck dumb with aphasia upon waking and also confesses to acute paralysis. This state lasts too long for the conditions of a false awakening.

'The manifestation is particularly profound, as recorded in a number of case studies. She engages in a tactile, auditory, and visual experience. Temperature, smell, touch, hearing and sight are all affected during the visitation. I would like to observe her further and carry out REM tests, but, as I have advised, it is best she desert the locale and reintegrate herself into a familiar environment. If these experiences fit my research and are more than just bad dreams, I can only hope she takes my advice.'

Hart stops the recording, places the Dictaphone on the coffee table and presses REWIND. Wearily, he slumps across the couch. No sooner has he made himself comfortable than Kerry's scent, and the troubled air she left behind, surrounds him again. The tape stops rewinding with a loud clunk, which makes him flinch, and he upends the bottle of Laphroaig. But, before he is able to gulp his way any further into the whisky, the phone rings. He crosses the room, unsteady on his feet, and raises the receiver. 'Hey now, Hart Miller speaking.'

'Hello, Dr Miller. My name is Mike Bowen. I saw your flyer this morning concerning nightmares and think I have something for you. Can I arrange an appointment?'

'Sure. Are you having the nightmares?'

'Afraid so.'

'Is tomorrow good for you?'

'Yes. I'd appreciate your thoughts. I need to get this thing resolved.'

Hart clears his throat and shakes some clarity back into his fuddled mind. 'Let's say after one.'

'That's great,' Mike replies.

Hart hangs up and mutters, 'This is crazy.' He'd expected one or two calls stretched over a month, but two on the first day following the posting of his flyer is incredible. Night terrors are usually isolated to one individual before the remote chance of a gradual spread.

After he's pushed a sandwich around his plate for half an hour, the phone rings again. A girl, who introduces herself as Maria, wants advice and an interview. Does she know someone called Kerry? he asks. Yes, she answers, and he can tell immediately the girl is doing her best to maintain a steady voice and not crack up. Hart books her in for an interview after Mike Bowen, hangs up, and then drifts back to his favourite window overlooking Market Street. It is almost too much too soon. And he only has a month to gather his data. He needs to think and process the information, authenticate the stories, check out this Coldwell character, and find out how a beautiful Scottish university town can be afflicted with night terrors. But what he needs more than anything else is another drink. So he has one.

They form a triangle, divided by a heavy silence in a room made red by the ox-blood leather of the furniture they sit upon, and by the crimson velvet curtains that droop, half closed, over large windows facing inland. Smoke from a cigarette hangs in skeins above their heads, where a myriad of dust particles falls through a beam of sunlight shining through the partition in the drapes.

'Eliot must go.' The long and frustrating silence is broken by Harry Wilson, the University Proctor. Seated behind his orderly desk, with his protruding jaw set fast on a thin face that looks increasingly worn as each week of the summer passes, Harry pronounces sentence on the friend he's known for thirty years. Slowly, his grey eyes move from one guest to another, to assess their reactions.

In the antique chairs, usually occupied by doctoral students with thesis propositions or problems, Arthur Spencer, Hebdomidar, adjusts his position in his chair when it requires no adjustment, and Janice Summers, Administrative Supervisor, Divinity, lights another cigarette. 'Harry…' Arthur begins and then stops. His smooth pink face tightens. One of his plump hands rises from the armrest of his chair and hovers before descending again to paw at the wood.