Christopher Buehlman - The Lesser Dead

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The Lesser Dead: краткое содержание, описание и аннотация

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The secret is, vampires are real and I am one. The secret is, I’m stealing from you what is most truly yours and I’m not sorry—
New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.
The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.
Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him… or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.
And neither are the rest of us.

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I’m open-minded, but not gay.

ROBERT PLANT AND THE MEXICAN CHICK

Except I am a little gay for Robert Plant.

I saw Led Zeppelin at Madison Square Garden a year or so ago, maybe four or five years, it goes so quick now. Anyway, I was really close to the stage, and there he was. Robert Plant. Long and lean, golden-curled like a woman but wolfy, his hairy belly snug in his jeans, the bacony smell of marijuana warm and close around me (when I remembered to breathe—I forgot for a good half an hour; I know I didn’t breathe at all during “No Quarter,” and that song went on so long three pearl divers in a row would have died. Plant was right at the peak, as good as he was ever going to get, nowhere to go but gray and fat, and that happens fast. I thought about turning him just to preserve that, the that that was Robert fucking Plant in 1970-whatever, but of course vampirism would kill his career, turn him into a talented bum like Billy Bang. More about him later. The undead don’t care about careers. Vampires are all retirees, happy enough to bend your ear about what they used to do, but their only passion is for a dark, warm liquid, and the only thing that satisfies them to the bones is getting more. It’s worse than heroin, believe me, and I’ve seen plenty of junkies.

But just thinking about sticking my nose in that big, honey-colored shag of hair on Robert Plant made me pop a boner. A really hard, uncomfortable one, and in my tight jeans, too. I tried to pretend it was for the foxy, spaced-out Mexican girl hip-grinding near me in her midriff shirt and turquoise rings, slinky and stinking of patchouli, but no dice. My dead pecker was hard for Robert Plant. I thought about leaving because I don’t think of myself that way, nothing against the gays, but Joseph Hiram Peacock is all about the trim. No way could I leave that concert. It was too good. I love the shit out of Robert Plant.

I wanted to try to get backstage, but even if I did, what was I going to do? Bite him? Wave my boner at him? Get him to sign it? When the music was finally done and everyone heaved for the exits, I saw the Mexican girl shouldering her way through the crowd with her friend, a helplessly ordinary brown-haired waitress type with glow-in-the-dark blue eye shadow. That was where my night was going. I followed them out.

Down into the subway, which I think of as my front porch (yes, the whole thing) and all the way to the East Village via Union Square. Blue eye shadow lived there, above a rock-and-roll bar, and I was afraid my new girlfriend would go up with her, but she didn’t. She kept going, past Tompkins Park, all the way to grimey, crimey Alphabet City, and I followed her, thinking, Don’t take a cab don’t take a cab don’t take a cab, I’ll protect you .

I saw her go into a moldy-looking brownstone with a big bloodshot eye spray-painted on the side along with a jungle of names and letters in all colors. Bottles in paper sacks in the alley, an egg carton, a warped shopping cart turned over and shot through with weeds. Third-floor light came on, backlighting a balconeta with a little garden of potted plants. I skinnied up the brick wall and tapped on the glass. She let me in. They always let me in. It helps that I was turned when I was fourteen, baby face, big blue eyes, thank God I was mostly through puberty. My voice can go either way, which is useful, I’ve trained it. Before all this started, I had only ever met one little-boy vampire with a permanently high voice, and he made me uncomfortable. I have always felt that whoever turns anyone less than thirteen needs to be taken sunbathing.

So there I was on her third-floor iron balcony, the smell of the iron making me horny for blood, smiling at her where she peeped around the curtain and saying, “You need to water your coriander,” through a cracked pane. She understood the third time and smiled back and absolutely should not have opened the French door but did. I mean, there wasn’t a fire escape on that side, how did I get up there?

People don’t think when they see something they like.

And we’re all hypnotists anyway, vampires I mean. We get what we want.

So she cracked the door of her own free will and that was all the invitation I needed. In came my little white hand, pushing the curtain aside, pushing her back, but playfully. Not really, but it seemed like it to her because I was smiling. Her cat was the smartest thing in the room. He didn’t like me. He didn’t scream and shit himself like they do sometimes, but he decided now was a great time to go in the closet, up on the towels. Fine by me, kitty. Stay out of my way.

“Do you want tea?” she said. Did I want tea! “It’s chamomile. I just put the water on.” Trace of an accent, like she came to America when she was eleven or twelve. “Or I’ve got beer.” The thought of beer in my empty, black stomach made my empty, black stomach turn. I hadn’t fed in days and it was getting urgent. So I charmed her hard.

“My earlobe tastes like cinnamon.”

“Mentiroso,” she said, glass-eyed, her lips staying open after the final o . I always remembered that word. I asked Cvetko about it years later and he said, “That means ‘liar,’” which is about what I guessed. Cvetko was Slovenian, spoke like eight languages and read even more, but I’ll get to him in a minute.

“You don’t have to take my word for it,” I said, so she leaned in, openmouthed, and I saw her teeth. Dark fillings in the back ones. And she never had braces; her bottom teeth formed a kind of slack W and she had tiny crooked canines sharper than normal. Not sharp like mine, and certainly not as long, but she couldn’t see mine because I was charming her not to. You can’t see a vampire’s fangs unless he wants you to, or unless something startles him good, but it’s got to be something big. Terrifying. Then all those unconscious charms go right out the window and you see him just as he is, which isn’t so pretty, especially as we get older. But you know what we don’t do unconsciously? Blink. When we’re around you guys, we have to remember to blink, another reason we like sunglasses.

The Mexican fox leaned close, first sucking then sharply nibbling my earlobe. She giggled and said, “Canela,” licking her lips, and now it was my turn. I tasted her earlobes and she shivered. Then she wrinkled her nose. Goddamn it, I had forgotten to breathe on the way here so now my breath smelled like a dead dog in a Dumpster. I poured on the charm.

“My breath smells like cinnamon, too.”

She unwrinkled her nose and smiled, nodding in agreement, a little bit of drool falling from the corner of her mouth. I was drooling, too, but not because I’d been charmed slack-jawed. I was getting ravenous. I licked her neck. Just once. It was rank with psilocybin, bitter with patchouli, but the salt shone through it all like a nickel in a mud puddle. I got hard again, glad Robert Plant had nothing to do with it. Her jugular vein pulsed delicately, but I was feeling naughtier than that.

“Take your jeans down,” I said.

She raised one eyebrow. I like people who can do that; I taught myself how when I was a kid, before all this.

“Take your jeans and panties down,” I commanded. She drooled and complied.

She was hairy, but had shaved her thighs at least. Not that I minded hair. Cvetko hated hair. I’ll get to Cvetko.

Now I put my nose in the corner where her leg met her hip, Christ-awfully aware of the mother lode of dark, soupy blood coursing in her femoral artery. I licked there, just at the juncture. She moaned a little, then tried to maneuver my head so I could lick her slit. Normally I might have, but I was too hungry. I scratched her thigh with the pricks of my fangs, noticed her cat looking at me from its perch on the towels. Keeping eye contact with the cat, I jammed my fangs into the femoral. The blood jetted around my teeth, flooded my mouth, hot and ambrosial, and now I moaned. My hand was spidered flat on her belly, the tip of my ring finger in her navel. She squealed and squirmed while I drank. She came, I think. I made myself stop at what felt like a pint, took care not to backwash in her. Not that I thought she was going to die—death plus backwash equals new vampire. A pint isn’t going to kill anybody, just ask the Red Cross.

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