Koji Suzuki - Loop

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Loop: краткое содержание, описание и аннотация

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Learn the final truth about the Ring!
In this much-awaited conclusion of the
, everything you thought you knew about the story will have to be put side. In
, the killer mimics both AIDS and cancer in a deadly new guise. Kaoru Futami, a youth mature beyond his years, must hope to find answers in the deserts of New Mexico and the Loop project, a virtual matrix created by scientists. The fate of more than just his loved ones depends on Kaoru's success.
Loop
Ring
Spiral
Koji Suzuki was born in 1957 in Hamamatsu, southwest of Tokyo. He attended Keio University where he majored in French. After graduating he held numerous odd jobs, including a stint as a cram school teacher. Also a self-described jock, he holds a first-class yachting license and crossed the U.S., from Key West to Los Angeles, on his motorcycle.
The father of two daughters, Suzuki is a respected authority on childrearing and has written numerous works on the subject. He acquired his expertise when he was a struggling writer and househusband. Suzuki also has translated a children's book into Japanese,
by the crime novelist Simon Brett.
In 1990, Suzuki's first full-length work, Paradise won the Japanese Fantasy Novel Award and launched his career as a fiction writer.
, written with a baby on his lap, catapulted him to fame, and the multi-million selling sequels
and
cemented his reputation as a world-class talent. Often called the "Stephen King of Japan," Suzuki has played a crucial role in establishing mainstream credentials for horror novels in his country. He is based in Tokyo but loves to travel, often in the United States.
is his sixth novel to appear in English.
Review
About the Author “
is a Suzuki masterpiece and will shake you to your core whether you like it or not.”
— 
(Japan) “[Suzuki] does not disappoint…
satisfies better than the original or its sequel when you want real answers.”
— bookslut.com “High-flying science-fictional redefinition of reality… [Suzuki] is more interested in separating your head from your body philosophically than physically.”
— 

Loop — читать онлайн ознакомительный отрывок

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The room was perfectly sealed off, with no windows. There was a rectangular grating in one corner of the ceiling, most likely a vent for the climate control system. That had to be what kept the room at such a steady, comfortable temperature.

There were two cracks in the walls, each tracing the shape of a rectangle. Doors, of course, but since they were exactly the same colour as the walls he wouldn't have noticed them had it not been for the cracks. One had a sturdy-looking doorknob. He guessed this door connected to a hallway. The other door only had a little handle, and looked like it couldn't be locked from either side; probably it led to a bathroom or something.

The walls were covered not with wallpaper but with leather. At first he'd thought they were white, but as his eyes got used to what they were seeing he realized the walls were actually a light beige.

Over the course of these observations, Kaoru was able to confirm that his consciousness was in good working order. He was still alive, or so it seemed.

Still lying on his back, he stopped looking at things for a while, instead concentrating on each part of his body in turn. He commanded his chest to move, then his belly, his arms, his legs, and finally his fingers and toes. He was relieved to note that he could feel them all move.

It was easy enough to explain to himself the situation in which he'd been placed. He was in a little room with leather-covered walls, lying on a bed. It was that simple. Kaoru was the only person in the room.

Naturally, he was put in mind of hospital rooms, which made it even harder to figure out where he was.

He'd travelled to America alone and ridden a motorcycle to a point in the desert-or had he? Had he done all that in reality, or in a dream? He wasn't sure he could say. At the moment it would have been easier for him to believe he was in his father's hospital room, and that the whole thing had been a dream.

He'd been walking along the ridge in search of the cavern containing the long-lived ones, along the way glimpsing rock-paintings done by ancient Indians on the walls of little caves, illustrations that created an irresistible sense of mystery and perhaps foreshadowed the underground space that he believed was soon to manifest itself to him. But then had come the rainstorm, casting him into the depths of terror, pummelling him half to death.

His head still echoed with the sound he'd heard at dawn, just before the sun came out. That thunderous roar, that strangely out-of-place object hovering in space. An ultramodern jet helicopter painted gunmetal black. It seemed to him now that he'd lost consciousness just as it had flown up and away, showing him its underside.

He could string together the recollections, alright, but there was no way of verifying them. Reality and virtuality had become so confused that he didn't trust his memories.

The only way to confirm things would be to wait for the testimony of a third party. But he'd been awake for an hour now, and he'd been left alone the whole time.

Maybe I'd better get up and leave the room on my own… Kaoru sat up slowly. He felt no pain, but the difficulty with which he managed to raise himself told him that his body was still exhausted. He sat there on the bed trying to bring his breathing under control-he felt a rasp in the back of his throat. Sitting up was one thing. Moving around was another thing altogether.

He looked down to find a pair of sandals waiting for him beside the bed. They didn't belong to him. Somebody had put them there. Huge sandals. They'd dwarf his feet.

In the end it seemed that those sandals were urging him into action. He summoned all his willpower and lowered his feet over the side of the bed and into the sandals. They felt just as oversized as they looked, and they were heavy as well.

He tried walking across the room in them. He made for the room's single point of interface with the outside: the door.

But his feet were tired, and the footgear was bulky and heavy. His feet dragged. The hem of his white gown parted and he saw his thighs. He suddenly realized that he was wearing no underwear beneath the gown. He was buck naked except for this flimsy white gown he'd been dressed in.

The door was right in front of him now. He had no idea where he'd go once he opened it; he just wanted to know where he was. That was his only motive. What kind of place was this? He wanted to see what was outside. And if there was somebody, anybody, there, he wanted to hear what they had to say.

Kaoru placed a hand on the doorknob. Up until that moment it hadn't occurred to him that the door might be locked, but as he touched the knob, his intuition told him that it was. He turned the knob, pushed and pulled, but the door wouldn't budge.

So now Kaoru had achieved a deeper understanding of the situation into which he'd been placed. He'd been confined.

Even standing up was tough. He felt he'd better give up on going out and go back to bed instead. He released his hold on the doorknob and turned around.

At that moment, though, he sensed somebody on the other side of the door. Kaoru froze in place and listened to the click as the door unlocked.

He took a couple of steps backward and waited for it to open. He'd been denied any information about the person or thing about to appear. The person could walk through that door and introduce himself as a Martian and Kaoru wouldn't have been surprised.

The door opened quietly. He'd been expecting to see someone standing there. Instead, he saw someone sitting there: an old man in a wheelchair, staring straight ahead.

"I see you're awake," the man said in English. Kaoru nodded reflexively.

"You're Kaoru Futami. A pleasure to make your acquaintance. My name is Cristoph Eliot."

The old man held out his hand for Kaoru to shake. Kaoru glanced at the hand: it was abnormally large.

As were the feet that stuck out in front of the wheels of the wheelchair. Even seated as the man was, Kaoru got a good idea of his size. Overall, he was on the small side for a foreigner, but his hands and feet were disproportionately big.

Kaoru then wondered at himself and the way he was remarking on the irregularity of this man Eliot's body. Shouldn't he be in shock right about now? Why does this old man know my name? All of his identification, all his papers, had been lost with the rucksack.

He shook the man's hand, observing him closely. He had a head like an egg: not a single hair grew on it. His skin was porcelain white and lustrous. Judging by the hue of his skin, it was probably unfair to think of him as an old man. At the same time, he had a dark spot on his neck and left cheek, the kind of mark peculiar to old age. It contrasted sharply with his pale skin.

From Eliot's grip, Kaoru realized the man bore him no ill will, so he decided to ask the question that had been on his mind.

"What is this place?"

Eliot's greyish eyes narrowed and a smile played over his lips.

"The place you were trying to get to."

But the place Kaoru had been trying to get to was supposed to be a huge cavern with a village of very long-lived people in it.

He looked around the room with new eyes. The little sealed room, the beige leather walls- no, it couldn't be. This was too different from what he'd imagined.

Eliot seemed to pick up on Kaoru's perplexed expression. He raised one great finger and asked a question of his own.

"What do you think is above us?"

The ceiling, and beyond that-what? How was Kaoru to know?

Seeing he couldn't answer, Eliot answered for him.

"A thick layer of water." Not a "tank". A "layer of water".

Kaoru couldn't figure out what he meant. Was he using some sort of symbolic expression for rain? After his experiences of the last few days, Kaoru found that idea plausible.

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