Stephen King - The Dark Tower

They came upon a number of other corpses; all looked like suicides to Susannah. She asked Nigel if he could tell — by their smells, or something — but he claimed he could not.

“How many are still here, do you think?” she asked. Her blood had had time to cool a little, and now she felt nervous.

“Not many, madam. I believe that most have moved on. Very likely to the Derva.”

“What’s the Derva?”

Nigel said he was dreadfully sorry, but that information was restricted and could be accessed only with the proper password. Susannah tried chassit, but it was no good. Neither was nineteen or, her final try, ninety-nine . She supposed she’d have to be content with just knowing most of them were gone.

Nigel turned left, into a new corridor with doors on both sides. She got him to stop long enough to try one of them, but there was nothing of particular note inside. It was an office, and long-abandoned, judging by the thick fall of dust. She was interested to see a poster of madly jitterbugging teenagers on one wall. Beneath it, in large blue letters, was this:

SAY, YOU COOL CATS AND BOPPIN’ KITTIES!

I ROCKED AT THE HOP WITH ALAN FREED!

CLEVELAND, OHIO, OCTOBER 1954

Susannah was pretty sure that the performer on stage was Richard Penniman. Club-crawling folkies such as herself affected disdain for anyone who rocked harder than Phil Ochs, but Suze had always had a soft spot in her heart for Little Richard; good golly, Miss Molly, you sure like to ball. She guessed it was a Detta thing.

Did these people once upon a time use their doors to vacation in various wheres and whens of their choice? Did they use the power of the Beams to turn certain levels of the Tower into tourist attractions?

She asked Nigel, who told her he was sure he did not know. Nigel still sounded sad about the loss of his eyes.

Finally they came into an echoing rotunda with doors marching all around its mighty circumference. The marble tiles on the floor were laid in a black-and-white checkerboard pattern Susannah remembered from certain troubled dreams in which Mia had fed her chap. Above, high and high, constellations of electric stars winked in a blue firmament that was now showing plenty of cracks. This place reminded her of the Cradle of Lud, and even more strongly of Grand Central Station. Somewhere in the walls, air-conditioners or — exchangers ran rustily. The smell in the air was weirdly familiar, and after a short struggle, Susannah identified it: Comet Cleanser. They sponsored The Price Is Right, which she sometimes watched on TV if she happened to be home in the morning. “I’m Don Pardo, now please welcome your host, Mr. Bill Cullen! ” Susannah felt a moment of vertigo and closed her eyes.

Bill Cullen is dead. Don Pardo is dead. Martin Luther King is dead, shot down in Memphis. Rule Discordia!

O Christ, those voices, would they never stop?

She opened her eyes and saw doors marked SHANGHAI/FEDIC and BOMBAY/FEDIC and one marked DALLAS (NOVEMBER 1963)/FEDIC. Others were written in runes that meant nothing to her. At last Nigel stopped in front of one she recognized.

All of this Susannah recognized from the other side, but below VERBAL ENTRY CODE REQUIREDwas this message, flashing ominous red:

“What would you like to do next, madam?” Nigel asked.

“Set me down, sugarpie.”

She had time to wonder what her response would be if Nigel declined to do so, but he didn’t even hesitate. She walk-hopped-scuttled to the door in her old way and put her hands on it. Beneath them she felt a texture that was neither wood nor metal. She thought she could hear a very faint hum. She considered trying chassit —her version of Ali Baba’s Open, sesame —and didn’t bother. There wasn’t even a doorknob. One-way meant one-way, she reckoned; no kidding around.

( JAKE! )

She sent it with all her might.

No answer. Not even that faint ( wimeweh ) nonsense word. She waited a moment longer, then turned around and sat with her back propped against the door. She dropped the extra ammo clips between her spread knees and then held the Walther PPK up in her right hand. A good weapon to have with your back to a locked door, she reckoned; she liked the weight of it. Once upon a time, she and others had been trained in a protest technique called passive resistance. Lie down on the lunchroom floor, cover your soft middle and softer privates. Do not respond to those who strike you and revile you and curse your parents. Sing in your chains like the sea. What would her old friends make of what she had become?

Susannah said: “You know what? I don’t give shit one. Passive resistance is also dead.”

“Madam?”

“Nothing, Nigel.”

“Madam, may I ask—”

“What I’m doing?”

“Exactly, madam.”

“Waiting on a friend, Chumley. Just waiting on a friend.”

She thought that DNK 45932 would remind her that his name was Nigel, but he didn’t. Instead, he asked how long she would wait for her friend. Susannah told him until hell froze over. This elicited a long silence. Finally Nigel asked: “May I go, then, madam?”

“How will you see?”

“I have switched to infrared. It is less satisfying than three-X macrovision, but it will suffice to get me to the repair bays.”

“Is there anyone in the repair bays who can fix you?” Susannah asked with mild curiosity. She pushed the button that dropped the clip out of the Walther’s butt, then rammed it back in, taking a certain elemental pleasure in the oily, metallic SNACK! sound it made.

“I’m sure I can’t say, madam,” Nigel replied, “although the probability of such a thing is very low, certainly less than one per cent. If no one comes, then I, like you, will wait.”

She nodded, suddenly tired and very sure that this was where the grand quest ended — here, leaning against this door. But you didn’t give up, did you? Giving up was for cowards, not gunslingers.

“May ya do fine, Nigel — thanks for the piggyback. Long days and pleasant nights. Hope you get your eyes back. Sorry I shot em out, but I was in a bit of a tight and didn’t know whose side you were on.”

“And good wishes to you, madam.”

Susannah nodded. Nigel clumped off and then she was alone, leaning against the door to New York. Waiting for Jake. Listening for Jake.

All she heard was the rusty, dying wheeze of the machinery in the walls.

The threat that the low men and the vampires might kill Oy was the only thing that kept Jake from dying with the Pere. There was no agonizing over the decision; Jake yelled (OY, TO ME!) with all the mental force he could muster, and Oy ran swiftly at his heel. Jake passed low men who stood mesmerized by the turtle and straight-armed a door marked EMPLOYEES ONLY. From the dim orange-red glow of the restaurant he and Oy entered a zone of brilliant white light and charred, pungent cookery. Steam billowed against his face, hot and wet, ( the jungle ) perhaps setting the stage for what followed, ( the mighty jungle ) perhaps not. His vision cleared as his pupils shrank and he saw he was in the Dixie Pig’s kitchen. Not for the first time, either. Once, not too long before the coming of the Wolves to Calla Bryn Sturgis, Jake had followed Susannah (only then she’d have been Mia) into a dream where she’d been searching some vast and deserted kitchen for food. This kitchen, only now the place was bustling with life. A huge pig sizzled on an iron spit over an open fire, the flames leaping up through a food-caked iron grate at every drop of grease. To either side were gigantic copper-hooded stoves upon which pots nearly as tall as Jake himself fumed. Stirring one of these was a gray-skinned creature so hideous that Jake’s eyes hardly knew how to look at it. Tusks rose from either side of its gray, heavy-lipped mouth. Dewlapped cheeks hung in great warty swags of flesh. The fact that the creature was wearing foodstained cook’s whites and a puffy popcorn chef’s toque somehow finished the nightmare, sealed it beneath a coat of varnish. Beyond this apparition, nearly lost in the steam, two other creatures dressed in whites were washing dishes side by side at a double sink. Both wore neckerchiefs. One was human, a boy of perhaps seventeen. The other appeared to be some sort of monster housecat on legs.