Ellen Datlow - The Best Horror of the Year. Volume 4

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The first three volumes of The Best Horror of the Year have been widely praised for their quality, variety, and comprehensiveness.
With tales from Laird Barron, Stephen King, John Langan, Peter Straubb, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect — and enjoy.

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When the time came, he drove a compliant Sandrine to his house in Harrison, where he explained that although he would not have sex with her until she was at least eighteen, there were many other ways they could express themselves. And although it would be years before they could be naked together, for the present they would each be able to be naked before the other. Fifteen-year-old Sandrine, who had been expecting to use all her arts of bad temper, insult, duplicity, and evasiveness to escape ravishment by this actually pretty interesting old guy, responded to these conditions with avid interest. Ballard announced another prohibition no less serious, but even more personal.

“I can’t cut myself any more?” she asked. “Fuck you, Ballard, you loved it when I showed you my arm. Did my father put you up to this?” She began looking frantically for her bag, which Ballard’s valet had already removed to the guest rooms.

“Not at all. Your father would try to kill me if he knew what I was going to do to you. And you to me, when it’s your turn.”

“So if I can’t cut myself, what exactly happens instead?”

I cut you,” Ballard said. “And I do it a thousand times better than you ever did. I’ll cut you so well no one ever be able to tell it happened, unless they’re right on top of you.”

“You think I’ll be satisfied with some wimpy little cuts no one can even see? Fuck you all over again.”

“Those cuts no one can see will be incredibly painful. And then I’ll take the pain away, so you can experience it all over again.”

Sandrine found herself abruptly caught up by a rush of feelings that seemed to originate in a deep region located just below her ribcage. At least for the moment, this flood of unnamable emotions blotted out her endless grudges and frustrations, also the chronic bad temper they engendered.

“And during this process, Sandrine, I will become deeply familiar, profoundly familiar with your body, so that when at last we are able to enjoy sex with each other, I will know how to give you the most amazing pleasure. I’ll know every inch of you, I’ll have your whole gorgeous map in my head. And you will do the same with me.”

Sandrine had astonished herself by agreeing to this program on the spot, even to abstain from sex until she turned eighteen. Denial, too, was a pain she could learn to savor. At that point Ballard had taken her upstairs to her the guest suite, and soon after down the hallway to what he called his “workroom.”

“Oh my God,” she said, taking it in, “I can’t believe it. This is real. And you, you’re real, too.”

“During the next three years, whenever you start hating everything around you and feel as though you’d like to cut yourself again, remember that I’m here. Remember that this room exists. There’ll be many days and nights when we can be here together.”

In this fashion had Sandrine endured the purgatorial remainder of her days at Dalton. And when she and Ballard at last made love, pleasure and pain had become presences nearly visible in the room at the moment she screamed in the ecstasy of release.

“You dirty, dirty, dirty old man,” she said, laughing.

Four years after that, Ballard overheard some Chinese bankers, clients of his firm for whom he had several times rendered his services, speaking in soft Mandarin about a yacht anchored in the Amazon Basin; he needed no more.

“I want to go off the boat for a couple of hours when we get to Manaus,” Sandrine said. “I feel like getting back in the world again, at least for a little while. This little private bubble of ours is completely cut off from everything else.”

“Which is why—”

“Which is why it works, and why we like it, I understand, but half the time I can’t stand it, either. I don’t live the way you do, always flying off to interesting places to perform miracles…”

“Try spending a rainy afternoon in Zurich holding some terminally anxious banker’s hand.”

“Not that it matters, especially, but you don’t mind, do you?”

“Of course not. I need some recuperation time, anyhow. This was a little severe.” He held up one thickly bandaged hand. “Not that I’m complaining.”

“You’d better not!”

“I’ll only complain if you stay out too late — or spend too much of your father’s money!”

“What could I buy in Manaus? And I’ll make sure to be back before dinner. Have you noticed? The food on this weird boat is getting better and better every day?”

“I know, yes, but for now I seem to have lost my appetite,” Ballard said. He had a quick mental vision of a metal cage from which something hideous was struggling to escape. It struck an oddly familiar note, as of something half-remembered, but Ballard was made so uncomfortable by the image in his head that he refused to look at it any longer.

“Will they just know that I want to dock at Manaus?”

“Probably, but you could write them a note. Leave it on the bed. Or on the dining room table.”

“I have a pen in my bag, but where can I find some paper?”

“I’d say, look in any drawer. You’ll probably find all the paper you might need.”

Sandrine went to the little table beside him, pulled open its one drawer and found a single sheet of thick, cream-colored stationery headed Sweet Delight . An Omas roller-ball pen, much nicer than the Pilot she had liberated from their hotel in Rio, lay angled atop the sheet of stationery. In her formal, almost italic handwriting, Sandrine wrote Please dock at Manaus. I would like to spend two or three hours ashore.

“Should I sign it?”

Ballard shrugged. “There’s just the two of us. Initial it.”

She drew a graceful, looping S under her note and went into the dining room, where she squared it off in the middle of the table. When she returned to the sitting room, she asked, “And now I just wait? Is that how it works? Just because I found a piece of paper and a pen, I’m supposed to trust this crazy system?”

“You know as much as I do, Sandrine. But I’d say, yes, just wait a little while, yes, that’s how it works, and yes, you might as well trust it. There’s no reason to be bitchy.”

“I have to stay in practice,” she said, and lurched sideways as the yacht bumped against something hard and came to an abrupt halt.

“See what I mean?”

When he put the book down in his lap, Sandrine saw that it was Tono-Bungay. She felt a hot, rapid flare of irritation that the book was not something like The Women’s Room , which could teach him things he needed to know: and hadn’t he already read Tono-Bungay ?

“Look outside, try to catch them tying us up and getting out that walkway thing.”

“You think we’re in Manaus already?”

“I’m sure we are.”

“That’s ridiculous. We scraped against a barge or something.”

“Nonetheless, we have come to a complete halt.”

Sandrine strode briskly to the on-deck door, threw it open, gasped, then stepped outside. The yacht had already been tied up at a long yellow dock at which two yachts smaller than theirs rocked in a desultory brown tide. No crewmen were in sight. The dock led to a wide concrete apron across which men of European descent and a few natives pushed wheelbarrows and consulted clipboards and pulled on cigars while pointing out distant things to other men. It looked false and stagy, like the first scene in a bad musical about New Orleans. An avenue began in front of a row of warehouses, the first of which was painted with the slogan MANAUS AMAZONA. The board walkway with rope handrails had been set in place.

“Yeah, okay,” she said. “We really do seem to be docked at Manaus.”

“Don’t stay away too long.”

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