The late Richard Wagamese was a close friend and enormous support who kindly encouraged my writing. There is a long list of Indigenous authors and storytellers who have inspired and mentored me on this journey. They’ve blazed a trail for aspiring writers like me, and continue to create powerfully important works that are changing the world around us. One I’d like to acknowledge is Richard Van Camp, who offered some vital feedback after reading an advance copy of this book that resulted in the changing of a key detail. He’s also a hugely talented and wonderful human being!
Family is everything to me. In recent years we’ve lost three monumental loved ones who shaped my life around stories. My aunt Elaine Kelly was my first teacher and opened my eyes to the world of Indigenous literature. My grandmother Ruth Shipman was a master orator who made up stories on the spot. My grandmother Aileen Rice shared ancient Anishinaabe tales to build a foundation of culture. They are greatly missed and loved always.
Thanks and big love to my mother, Mona Joudry, my stepparents, grandfather, brothers, stepsiblings, cousins, aunts, uncles, extended family, and friends for their ongoing encouragement.
Finally, I’d like to acknowledge everyone in my life who told me stories and listened to me tell stories. Thanks to Lee Maracle for suggesting this simple yet important gratitude, and for her ongoing guidance and support.
Waubgeshig Riceis an author and journalist originally from Wasauksing First Nation. His first short story collection, Midnight Sweatlodge , was inspired by his experiences growing up in an Anishinaabe community, and won an Independent Publishers Book Award in 2012. His debut novel, Legacy , followed in 2014. He currently works as a multi-platform journalist for CBC in Sudbury. In 2014, he received the Anishinabek Nation’s Debwewin Citation for excellence in First Nation Storytelling. Waubgeshig now splits his time between Sudbury and Wasauksing.
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A profoundly moving exploration of our capacity to heal one another.
Ellie and Eric Nyland have moved their two sons back to Eric’s childhood farmhouse, hoping for a fresh start. But there’s no denying it, their family is falling apart, each one of them isolated by private sorrows, stresses, and missed signals. With every passing day, Ellie’s hopes are buried deeper in the harsh winter snows.
When Eric finds Hannah Finch, the girl across the road, wandering alone in the bitter cold, his rusty police instincts kick in, and he soon discovers there are bad things happening in the girl’s house. With nowhere else to send her, the Nylands reluctantly agree to let Hannah stay with them until she can find a new home after the Christmas holidays. But Hannah proves to be more balm than burden, and the Nylands discover that the only thing harder than taking Hannah in may be letting her go.
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Copyright © Waubgeshig Rice, 2018
Published by ECW Press
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This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Editor for the press: Susan Renouf
Cover design: Michel Vrana
Cover artwork: © David Caesar / www.davidcaesar.com
Author photo: Shilo Adamson
Library and Archives Canada Cataloguing in Publication
Rice, Waubgeshig, 1979-, author
Moon of the crusted snow : a novel / Waubgeshig Rice.
Issued in print and electronic formats.
ISBN 978-1-77041-400-6 (softcover).—
ISBN 978-1-77305-244-1 (HTML).—
ISBN 978-1-77305-245-8 (PDF)
I. Title.
PS8635.I246M66 2018 C813’.6 C2018-902543-3 C2018-902544-1
The publication of Moon of the Crusted Snow has been generously supported by the Canada Council for the Arts which last year invested $153 million to bring the arts to Canadians throughout the country, and by the Government of Canada. Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays. Ce livre est financé en partie par le gouvernement du Canada . We also acknowledge the Ontario Arts Council (OAC), an agency of the Government of Ontario, and the contribution of the Government of Ontario through the Ontario Book Publishing Tax Credit and the Ontario Media Development Corporation.