Морин Макхью - Wastelands - The New Apocalypse

By afternoon I was bound for London-town, so hungry I could’ve slurped up every eel the Thames ever had. There’s no food lying around in Electric City. In Candle Hole I could’ve grabbed candy or a rice ball or jerky off any old midden heap. But here everybody owned their piece and kept it real neat, mercilessly neat, and they didn’t share. I sat down on a rusty Toyota transmission and fished around in my backpack for crumbs. My engine sat on one side of a huge cyclone fence. I’d never seen one all put together before. Sure, you find torn-off shreds of wire fences, but this one was all grown up, with proper locks and chain wire all over it. It meant to Keep You Out. Inside, like hungry dogs, endless barrels and freezers and cylinders and vats went on and on, with angry writing on them that said HAZMAT or BIOHAZARD or RADIOACTIVE or WARNING or DANGER or CLASSIFIED.

“Got anything good in there?” said a boy’s voice. I looked round and saw a kid my own age, with wavy black hair and big brown eyes and three little moles on his forehead. He was wearing the nicest clothes I ever saw on a boy—a blue suit that almost, almost fit him. With a tie .

“Naw,” I answered. “Just a dry sweater, an empty can of Cheez Whiz, and Madeline Brix’s Superboss Mixtape ’97 . It’s my good luck charm.” I showed him my beloved mixtape. Madeline Brix made all the dots on her i’ s into hearts. It was a totally Fuckwit thing to do and I loved her for it even though she was dead and didn’t care if I loved her or not.

“Cool ,” the boy said, and I could tell he meant it. He didn’t even call me a little cunt or anything. He pushed his thick hair out of his face. “Listen, you really shouldn’t be here. No one’s gonna say anything because you’re not Electrified, but it’s so completely dangerous. They put all that stuff in one place so it couldn’t get out and hurt anyone.”

“Electrified?”

“One of us. Local.” He had the decency to look embarrassed. “Anyway, I saw you and I thought that if some crazy darkgirl is gonna have a picnic on Hazmat Heath, I could at least help her not die while she’s doing it.”

The boy held out his hand. He was holding a gas mask. He showed me how to fasten it under my hair. The sun started to set rosily behind a tangled briar of motherboards. Everything turned pink and gold and slow and sleepy. I climbed down from my engine tuffet and lay under the fence next to the boy in the suit. He’d brought a mask for himself too. We looked at each other through the eye holes.

“My name’s Goodnight Moon,” he said.

“Mine’s…” And I did feel my new name swirling up inside me then, like good tea, like cream and sugar cubes, like the most essential me. “Tetley.”

“I’m sorry I called you a darkgirl, Tetley.”

“Why?”

“It’s not a nice thing to call someone.”

“I like it. It sounds pretty.”

“It isn’t. I promise. Do you forgive me?”

I tugged on the hose of my gas mask. The air coming through tasted like nickels. “Sure. I’m aces at forgiving. Been practicing all my life. Besides…” My turn to go red in the face. “At the Black Wick they’d probably call you a brightboy and that’s not as pretty as it sounds, either.”

Goodnight Moon’s brown eyes stared out at me from behind thick glass. It was the closest I’d ever been to a boy who wasn’t my twin. Goodnight Moon didn’t feel like a twin. He felt like the opposite of a twin. We never shared a womb, but on the other end of it all, we might still share a grave. His tie was burgundy with green swirls in it. He hadn’t tied it very well, so I could see the skin of his throat, which was very clean and probably very soft.

“Hey,” he said, “do you want to hear your tape?”

“What do you mean hear it? It’s not for hearing, it’s for luck.”

Goodnight Moon laughed. His laugh burst all over me like butterfly bombs. He reached into his suit jacket and pulled out a thick black rectangle. I handed him Madeline Brix’s Superboss Mixtape ’97 and he hit a button on the side of the rectangle. It popped open; Goodnight Moon slotted in my tape and handed me one end of a long wire.

“Put it in your ear,” he said, and I did.

A man’s voice filled up my head from my jawbone up to the plates of my skull. The most beautiful and saddest voice that ever was. A voice like Candle Hole all lit up at twilight. A voice like the whole old world calling up from the bottom of the sea. The man on Madeline Brix’s tape was saying he was happy, and he hoped I was happy, too.

Goodnight Moon reached out to hold my hand just as the sky went black and starry. I was crying. He was, too. Our tears dripped out of our gas masks onto the rusty road of Electric City.

When the tape ended, I dug in my backpack for a match and a stump of candle: dark red, Holiday Memories scent. I lit it at the same moment that Goodnight Moon pulled a little flashlight out of his pocket and turned it on. We held our glowings between us. We were the same.

Allsorts Sita came to visit me today. Clicked my knocker early in the morning, early enough that I could be sure she’d never slept in the first place. I opened for her, as I am required to do. She looked up at me with eyes like bullet holes, leaning on my waxy hinges, against the T in BRIGHTBITCH, thoughtfully scrawled in what appeared to be human shit across the front of my hut. BRIGHTBITCH smelled, but Allsorts Sita smelled worse. Her breath punched me in the nose before she did. I got a lungful of what Diet Sprite down at the Black Wick optimistically called “cognac”: the thick pinkish booze you could get by extracting the fragrance oil and preservatives out of candles and mixing it with wood alcohol the kids over in Furnitureford boiled out of dining sets and china cabinets. Smells like flowers vomited all over a New Car and then killed a badger in the backseat. Allsorts Sita looked like she’d drunk so much cognac you could light one strand of her hair and she’d burn for eight days.

“You fucking whore,” she slurred.

“Thank you, Auntie, for my instruction,” I answered quietly.

I have a place I go to in my mind when I have visitors who aren’t seals or gannet birds or hibiscus flowers. A little house made all of doors and windows, where I wear a greenglitter dress every day and water my gascan garden and read by electric light.

“I hate you. I hate you. How could you do it? We raised you and fed you and this is how you repay it all. You ungrateful bitch.”

“Thank you, Auntie, for my instruction.”

In my head I ran my fingers along a cyclone fence and all the barrels on the other side read LIFE and LOVE and FORGIVENESS and UNDERSTANDING.

“You’ve killed us all,” Allsorts Sita moaned. She puked up magenta cognac on my stoop. When she was done puking she hit me over and over with closed fists. It didn’t hurt too much. Allsorts is a small woman. But it hurt when she clawed my face and my breasts with her fingernails. Blood came up like wax spilling and when she finished she passed out cold, halfway in my house, halfway out.

“Thank you, Auntie, for my instruction,” I said to her sleeping body. My blood dripped onto her, but in my head I was lying on my roof made of two big church doors in a gas mask listening to a man sing to me that he’s never done bad things and he hopes I’m happy, he hopes I’m happy, he hopes I’m happy.

Big Bargains moaned mournfully and the lovely roof melted away like words on a door. My elephant seal friend flopped and fretted. When they’ve gone for my face she can’t quite recognize me and it troubles her seal-soul something awful. Grape Crush, my gannet bird, never worries about silly things like facial wounds. He just brings me fish and pretty rocks. When I found him, he had a plastic six-pack round his neck with one can still stuck in the thing, dragging along behind him like a ball and chain. Big Bargains was choking on an ad insert. She’d probably smelled some ancient fish and chips grease lurking in the headlines. They only love me because I saved them. That doesn’t always work. I saved everyone else, too, and all I got back was blood and shit and loneliness.