Морин Макхью - Wastelands - The New Apocalypse

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The new post-apocalyptic collection by master anthologist John Joseph Adams, featuring never-before-published stories and curated reprints by some of the genre’s most popular and critically-acclaimed authors.
In WASTELANDS: THE NEW APOCALYPSE, veteran anthology editor John Joseph Adams is once again our guide through the wastelands using his genre and editorial expertise to curate his finest collection of post-apocalyptic short fiction yet. Whether the end comes via nuclear war, pandemic, climate change, or cosmological disaster, these stories explore the extraordinary trials and tribulations of those who survive.
Featuring never-before-published tales by: Veronica Roth, Hugh Howey, Jonathan Maberry, Seanan McGuire, Tananarive Due, Richard Kadrey, Scott Sigler, Elizabeth Bear, Tobias S. Buckell, Meg Elison, Greg van Eekhout, Wendy N. Wagner, Jeremiah Tolbert, and Violet Allen—plus, recent reprints by: Carmen Maria Machado, Carrie Vaughn, Ken Liu, Paolo Bacigalupi, Kami Garcia, Charlie Jane Anders, Catherynne M. Valente, Jack Skillingstead, Sofia Samatar, Maureen F. McHugh, Nisi Shawl, Adam-Troy Castro, Dale Bailey, Susan Jane Bigelow, Corinne Duyvis, Shaenon K. Garrity, Nicole Kornher-Stace, Darcie Little Badger, Timothy Mudie, and Emma Osborne.

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I sang a song from school to the sun and the matchsticks. It’s an ask-and-answer song, so I had to sing both parts myself, which feels very odd when you have always had a twin to do the asking or the answering, but I didn’t mind.

Who liked it hot and hated snow?
The Fuckwits did! The Fuckwits did!
Who ate up every thing that grows?
The Fuckwits did! The Fuckwits did!
Who drowned the world in oceans blue?
The Fuckwits did! The Fuckwits did!
Who took the land from me and you?
The Fuckwits did, we know it’s true!
Are you Fuckwits, children dear?
We’re GARBAGETOWNERS, free and clear!
But who made the garbage, rich and rank?
The Fuckwits did, and we give thanks.

The Lawn stretched out below me, full of the grass clippings and autumn leaves and fallen branches and banana peels and weeds and gnawed bones and eggshells of the fertile Fuckwit world, slowly turning into the gold of Garbagetown: soil. Real earth. Terra bloody firma. We can already grow rice in the dells. And here and there, big, blowsy flowers bang up out of the rot: hibiscus, African tulips, bitter gourds, a couple of purple lotuses floating in the damp mucky bits. I slept next to a blue-and-white orchid that looked like my brother’s face.

“Orchid, what do you want to be when you grow up?” I whispered to it. In real life, it didn’t say anything back. It just fluttered a little in the moonlight and the seawind. But when I got around to dreaming, I dreamed about the orchid, and it said: a farm .

3. Murdercunt

In Garbagetown, you think real hard about what you’re gonna eat next, where the fresh water’s at, and where you’re gonna sleep. Once all that’s settled you can whack your mind on nicer stuff, like gannets and elephant seals and what to write next on the Bitch of Candle Hole’s door. (This morning I melted MURDERCUNT off the back wall of my house. Big Bargains flopped down next to me and watched the blocky red painted letters swirl and fade into the Buttercream Birthday Cake wax. Maybe I’ll name my hibiscus flower Murdercunt. It has a nice big sound.)

When I remember hunting my name, I mostly remember the places I slept. It’s a real dog to find good spots. Someplace sheltered from the wind, without too much seawater seep, where no-one’ll yell at you for wastreling on their patch or try to stick it in you in the middle of the night just because you’re all alone and it looks like you probably don’t have a knife.

I always have a knife.

So I slept with St. Oscar the Grouch for my pillow, in the shadow of a mountain of black chess pieces in Gamegrange, under a thicket of tabloids and Wall Street Journals and remaindered novels with their covers torn off in Bookbury, snuggled into a spaghetti-pile of unspooled cassette ribbon on the outskirts of the Sound Downs, on the lee side of a little soggy Earl Grey hillock in Teagate. In the morning I sucked on a few of the teabags and the dew on them tasted like the loveliest cuppa any Fuckwit ever poured his stupid self. I said my prayers on beds of old microwaves and moldy photographs of girls with perfect hair kissing at the camera. St. Oscar, keep your mighty lid closed over me. Look grouchily but kindly upon me and protect me as I travel through the infinite trashcan of your world. Show me the beautiful usefulness of your Blessed Rubbish. Let me not be Taken Out before I find my destiny .

But my destiny didn’t seem to want to find me. As far as I walked, I still saw people I knew. Mr. Zhu raking his mushroom garden, nestled in a windbreak of broken milk bottles. Miss Amancharia gave me one of the coconut crabs out of her nets, which was very nice of her, but hardly a name. Even as far away as Teagate, I saw Tropicana Sita welding a refrigerator door to a hull-metal shack. She flipped up her mask and waved at me. Dammit! She was Allsorts Sita’s cousin, and Allsorts drank with my mother every Thursday at the Black Wick.

By the time I walked out of Teagate I’d been gone eight days. I was getting pretty ripe. Bits and pieces of Garbagetown were stuck all over my clothes, but no tidying up. Them’s the rules. I could see the blue crackle of Electric City sparkling up out of the richie-rich Coffee Bean ’Burbs. Teetering towers of batteries rose up like desert hoodoo spires—AA, AAA, 12 Volt, DD, car, solar, lithium, anything you like. Parrots and pelicans screamed down the battery canyons, their talons kicking off sprays of AAAs that tumbled down the heights like rockslides. Sleepy banks of generators rumbled pleasantly along a river of wires and extension cords and HDMI cables. Fields of delicate lightbulbs windchimed in the breeze. Anything that had a working engine lived here. Anything that still had juice . If Garbagetown had a heart, it was Electric City. Electric City pumped power. Power and privilege.

In Electric City, the lights of the Fuckwit world were still on.

4. Goodnight Garbagetown

“Oi, Tetley! Fuck off back home to your darkhole! We’re full up on little cunts here!”

And that’s how I got my name. Barely past the battery spires of Electric City, a fat gas-huffing fucksack voltage jockey called me a little cunt. But he also called me Tetley. He brayed it down from a pyramid of telephones and his friends all laughed and drank homebrew out of a glass jug and went back to not working. I looked down—among the many scraps of rubbish clinging to my shirt and pants and backpack and hair was a bright blue teabag wrapper with TETLEY CLASSIC BLEND BLACK TEA written on it in cheerful white letters, clinging to my chest.

I tried to feel the power of my new name. The me -ness of it. I tried to imagine my mother and father when they were young, waking up with some torn out page of Life or Time magazine stuck to their rears, not even noticing until someone barked out their whole lives for a laugh. But I couldn’t feel anything while the volt-humpers kept on staring at me like I was nothing but a used-up potato battery. I didn’t even know then that the worst swear word in Electric City was dark . I didn’t know they were waiting to see how mad I’d get ’cause they called my home a darkhole. I didn’t care. They were wrong and stupid. Except for the hole part. Candle Hole never met a dark it couldn’t burn down.

Maybe I should have gone home right then. I had my name! Time to hoof it back over the river and through the woods, girl. But I’d never seen Electric City and it was morning and if I stayed gone awhile longer maybe they’d miss me. Maybe they’d worry. And maybe now they’d love me, now that I was a person with a name. Maybe I could even filch a couple of batteries or a cup of gasoline and turn up at my parents’ door in turbo-powered triumph. I’d tell my brother all my adventures and he’d look at me like I was magic on a stick and everything would be good forever and ever amen.

So I wandered. I gawped. It was like being in school and learning the Fuckwit song only I was walking around inside the Fuckwit song and it was all still happening right now everywhere. Electric City burbled and bubbled and clanged and belched and smoked just like the bad old world before it all turned blue. Everyone had such fine things! I saw a girl wearing a ballgown out of a fairy book, green and glitter and miles of ruffles and she wasn’t even going anywhere. She was just tending her gasoline garden out the back of her little cottage, which wasn’t made out of candles or picturebooks or cat food cans, but real cottage parts! Mostly doors and shutters and really rather a lot of windows, but they fit together like they never even needed the other parts of a house in the first place. And the girl in her greenglitter dress carried a big red watering can around her garden, sprinkling fuel stabilizer into her tidy rows of petrol barrels and gas cans with their graceful spouts pointed toward the sun. Why not wear that dress all the time? Just a wineglass full of what she was growing in her garden would buy almost anything else in Garbagetown. She smiled shyly at me. I hated her. And I wanted to be her.

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