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John Wyndham: The Chrysalids

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John Wyndham The Chrysalids
  • Название:
    The Chrysalids
  • Автор:
  • Издательство:
    Carroll & Graf Publishers
  • Жанр:
  • Год:
    1998
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780786700417
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    4 / 5
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The Chrysalids: краткое содержание, описание и аннотация

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The Chyrsalids At first he does not question. Then, however, he realizes that the he too is out of the ordinary, in possession of a power that could doom him to death or introduce him to a new, hitherto unimagined world of freedom. The Chrysalids Perfect timing, astringent humour… One of the few authors whose compulsive readability is a compliment to the intelligence Spectator Remains fresh and disturbing in an entirely unexpected way Guardian Review Review “One of the most thoughtful post-apocalypse novels ever written. Wyndham was a true English visionary, a William Blake with a science doctorate.” — David Mitchell “Sometimes you just need a bit of soft-core sci-fi, and Wyndham’s 1950’s classic, newly back in print, fully delivers.” — “It is quite simply a page-turner, maintaining suspense to the very end and vividly conjuring the circumstances of a crippled and menacing world, and of the fear and sense of betrayal that pervade it. The ending, a salvation of an extremely dubious sort, leaves the reader pondering how truly ephemeral our version of civilization is…” — “[Wyndham] was responsible for a series of eerily terrifying tales of destroyed civilisations; created several of the twentieth century's most imaginative monsters; and wrote a handful of novels that are rightly regarded as modern classics.” — (London) “Science fiction always tells you more about the present than the future. John Wyndham's classroom favourite might be set in some desolate landscape still to come, but it is rooted in the concerns of the mid-1950s. Published in 1955, it's a novel driven by the twin anxieties of the cold war and the atomic bomb… Fifty years on, when our enemy has changed and our fear of nuclear catastrophe has subsided, his analysis of our tribal instinct is as pertinent as ever.” — (London) “[A]bsolutely and completely brilliant…The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.” — “John Wyndham’s novel is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference - in this case, of genetic mutations in the aftermath of nuclear war—finds its echoes in every society.” — “The Chrysalids comes heart-wrenchingly close to being John Wyndham's most powerful and profound work.” — SFReview.net “ was one of the first science fiction novels I read as a youth, and several times tempted me to take a piggy census. Returning to it now, more than 30 years later, I find that I remember vast parts of it with perfect clarity… a book to kindle the joy of reading science fiction.” — SciFi.com “A remarkably tender story of a post-nuclear childhood… It has, of course, always seemed a classic to most of its three generations of readers…It has become part of a canon of good books.” — , September 15, 2000

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‘They’re succeeding,’ I told him.

The sound of more firing came from the same direction as before. A clamour and shouting broke out. A few spent arrows dropped into the left-hand end of the clearing. Some men came running back out of the trees.

Suddenly there was a strong, clear question:

‘You’re still safe?’

We were all three lying on the floor in the front part of the cave now. We had a view of what was going on, and there was little enough chance of anyone noticing our heads, or bothering about us if he did. The way things were going was plain even to Petra. She loosed off an urgent, excited flash.

‘Steady, child, steady! We’re coming,’ admonished the Sealand woman.

More arrows fell into the left-hand end of the clearing, and more ragged figures appeared in rapid retreat. They ran back, dodging as they came, and took cover among the tents and hovels. Still more followed, with arrows spitting out of the woods after them. The Fringes men crouched behind their bits of cover, bobbing up now and then to take quick shots at figures scarcely visible between the trees.

Unexpectedly a shower of arrows flew in from the other end of the clearing. The tattered men and women discovered themselves to be between two fires, and started to panic. Most of them jumped to their feet and ran for the shelter of the caves. I got ready to push the ladder away if any of them should try to climb into ours.

Half a dozen horsemen appeared, riding out of the trees on the right. I noticed the spider-man. He was standing by his tent, bow in hand, watching the riders. Sophie, beside him, was tugging at his ragged jacket, urging him to run towards the caves. He brushed her back with his long right arm, never taking his eyes from the emerging horsemen. His right hand went back to the string, and held the bow half-drawn. His eyes kept on searching among the horsemen.

Suddenly he stiffened. His bow came up like a flash, bent to its full. He loosed. The shaft took my father in the left of his chest. He jerked, and fell back on Sheba’s hindquarters. Then he slithered off sideways and dropped to the ground, his right foot still caught in the stirrup.

The spider-man threw down his bow, and turned. With a scoop of his long arms he snatched up Sophie, and began to run. His spindly legs had not made more than three prodigious strides when a couple of arrows took him simultaneously in the back and side, and he fell.

Sophie struggled to her feet and ran on by herself. An arrow pierced right through her upper arm, but she held on, with it lodged there. Then another took her in the back of the neck. She dropped in mid-stride, and her body slid along in the dust….

Petra had not seen it happen. She was looking all round, with a bewildered expression.

‘What’s that?’ she asked. ‘What’s that queer noise?’

The Sealand woman came in, calm, confidence-inspiring.

‘Don’t be frightened. We’re coming. It’s all right. Stay just where you are.’

I could hear the voice now. A strange drumming sound, gradually swelling. One could not place it; it seemed to be filling everywhere, emanating from nowhere.

More men were coming out of the woods into the clearing, most of them on horseback. Many of them I recognized, men I had known all my life, all joined together now to hunt us down. Most of the Fringes people had bolted into the caves, and were shooting a little more effectively from their cover.

Suddenly one of the horsemen shouted and pointed upwards.

I looked up, too. The sky was no longer clear. Something like a bank of mist, but shot with quick iridescent flashes, hung over us. Above it, as if through a veil, I could make out one of the strange, fish-shaped craft that I had dreamt of in my childhood, hanging in the sky. The mist made it indistinct in detail, but what I could see of it was just as I remembered: a white, glistening body with something half-invisible whizzing round above it. It was growing bigger and louder as it dropped towards us.

As I looked down again I saw a few glistening threads, like cobwebs, drifting past the mouth of the cave. Then more and more of them, giving sudden gleams as they twisted in the air and caught the light.

The shooting fell off. All over the clearing the invaders lowered their bows and guns and stared upwards. They goggled incredulously, then those on the left jumped to their feet with shouts of alarm, and turned to run. Over on the right the horses pranced with fright, whinnied, and began to bolt in all directions. In a few seconds the whole place was in chaos. Fleeing men cannoned into one another, panic-stricken horses trampled through the flimsy shacks, and tripped on the guy-ropes of tents flinging their riders headlong.

I sought for Michael.

‘Here!’ I told him. ‘This way. Come along over here.’

‘Coming,’ he told me.

I spotted him then, just getting to his feet beside a prone horse that was kicking out violently. He looked up towards our cave, found us, and waved a hand. He turned to glance up at the machine in the sky. It was still sinking gently down, perhaps a couple of hundred feet above us now. Underneath it the queer mist eddied in a great swirl.

‘Coming,’ repeated Michael.

He turned towards us and started. Then he paused and picked at something on his arm. His hand stayed there.

‘Queer,’ he told us. ‘Like a cobweb, but sticky. I can’t get my hand…‘His thought suddenly became panicky. ‘It’s stuck. I can’t move it!’

The Sealand woman came in, coolly advising:

‘Don’t struggle. You’ll exhaust yourself. Lie down if you can. Keep calm. Don’t move. Just wait. Keep still, on the ground, so that it can’t get round you.’

I saw Michael obey the instruction, though his thoughts were by no means confident. Suddenly I realized that all over the clearing men were clawing at themselves, trying to get the stuff off, but where their hands touched it they stuck. They were struggling with it like flies in treacle, and all the time more strands were floating down on them. Most of them fought with it for a few seconds and then tried to run for shelter of the trees. They’d take about three steps before their feet stuck together, and they pitched on to the ground. The threads already lying there trapped them further. More threads fell lightly down on them as they struggled and thrashed about until presently they could struggle no more. The horses were no better off. I saw one back into a small bush. When it moved forward it tore the bush out by the roots. The bush swung round and touched the other hind leg. The legs became inseparable. The horse fell over and lay kicking — for a while.

A descending strand wafted across the back of my own hand. I told Rosalind and Petra to get back into the cave, I looked at the strand, not daring to touch it with my other hand. I turned the hand over slowly and carefully, and tried to scrape the stuff off on the rock. I was not careful enough. The movement brought the strand, and other strands, looping slowly towards me, and my hand was glued to the rock.

‘Here they are,’ Petra cried, in words and thoughts together.

I looked up to see the gleaming white fish-shape settling into the middle of the clearing. Its descent swirled the floating filaments in a cloud about it and thrust a waft of air outwards. I saw some of the strands in front of the cave-mouth hesitate, undulate, and then come drifting inwards. Involuntarily I closed my eyes. There was a light gossamer touch on my face. When I tried to open my eyes again I found I could not.

17

It needs a lot of resolution to lie perfectly still while you feel more and more sticky strands falling with a feathery, tickling touch across your face and hands: and still more when you begin to feel that those which landed first press on your skin like fine cords, and tug gently at it.

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