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John Wyndham: The Chrysalids

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John Wyndham The Chrysalids
  • Название:
    The Chrysalids
  • Автор:
  • Издательство:
    Carroll & Graf Publishers
  • Жанр:
  • Год:
    1998
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780786700417
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The Chrysalids: краткое содержание, описание и аннотация

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The Chyrsalids At first he does not question. Then, however, he realizes that the he too is out of the ordinary, in possession of a power that could doom him to death or introduce him to a new, hitherto unimagined world of freedom. The Chrysalids Perfect timing, astringent humour… One of the few authors whose compulsive readability is a compliment to the intelligence Spectator Remains fresh and disturbing in an entirely unexpected way Guardian Review Review “One of the most thoughtful post-apocalypse novels ever written. Wyndham was a true English visionary, a William Blake with a science doctorate.” — David Mitchell “Sometimes you just need a bit of soft-core sci-fi, and Wyndham’s 1950’s classic, newly back in print, fully delivers.” — “It is quite simply a page-turner, maintaining suspense to the very end and vividly conjuring the circumstances of a crippled and menacing world, and of the fear and sense of betrayal that pervade it. The ending, a salvation of an extremely dubious sort, leaves the reader pondering how truly ephemeral our version of civilization is…” — “[Wyndham] was responsible for a series of eerily terrifying tales of destroyed civilisations; created several of the twentieth century's most imaginative monsters; and wrote a handful of novels that are rightly regarded as modern classics.” — (London) “Science fiction always tells you more about the present than the future. John Wyndham's classroom favourite might be set in some desolate landscape still to come, but it is rooted in the concerns of the mid-1950s. Published in 1955, it's a novel driven by the twin anxieties of the cold war and the atomic bomb… Fifty years on, when our enemy has changed and our fear of nuclear catastrophe has subsided, his analysis of our tribal instinct is as pertinent as ever.” — (London) “[A]bsolutely and completely brilliant…The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.” — “John Wyndham’s novel is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference - in this case, of genetic mutations in the aftermath of nuclear war—finds its echoes in every society.” — “The Chrysalids comes heart-wrenchingly close to being John Wyndham's most powerful and profound work.” — SFReview.net “ was one of the first science fiction novels I read as a youth, and several times tempted me to take a piggy census. Returning to it now, more than 30 years later, I find that I remember vast parts of it with perfect clarity… a book to kindle the joy of reading science fiction.” — SciFi.com “A remarkably tender story of a post-nuclear childhood… It has, of course, always seemed a classic to most of its three generations of readers…It has become part of a canon of good books.” — , September 15, 2000

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The answer startled me. I was not aware that I had sent out the thought at large.

‘Let him be,’ came the severe, clear pattern from the Sealand woman. ‘Your work is to survive. Neither his kind, nor his kind of thinking will survive long. They are the crown of creation, they are ambition fulfilled — they have nowhere more to go. But life is change, that is how it differs from the rocks, change is its very nature. Who, then, were the recent lords of creation, that they should expect to remain unchanged?

‘The living form defies evolution at its peril; if it does not adapt, it will be broken. The idea of completed man is the supreme vanity: the finished image is a sacrilegious myth.

‘The Old People brought down Tribulation, and were broken into fragments by it. Your father and his kind are a part of those fragments. They have become history without being aware of it. They are determined still that there is a final form to defend: soon they will attain the stability they strive for, in the only form it is granted — a place among the fossils….’

Her patterns became less harsh and decisive. A kindlier shaping softened them, but, for all that, she seemed to be in a mood which required an oracular style of presentation, for she went on:

‘There is comfort in a mother’s breast, but there has to be a weaning. The attainment of independence, the severing of ties, is, at best, a bleak process for both sides; but it is necessary, even though each may grudge it and hold it against the other. The cord has been cut at the other end already; it will only be a futile entanglement if you do not cut it at your end, too.

‘Whether harsh intolerance and bitter rectitude are the armour worn over fear and disappointment, or whether they are the festival-dress of the sadist, they cover an enemy of the life-force. The difference in kind can be bridged only by self-sacrifice: his self-sacrifice, for yours would bridge nothing. So, there is the severance. We have a new world to conquer: they have only a lost cause to lose.’

She ceased, leaving me somewhat bemused. Rosalind, too, looked as if she were still catching up on it. Petra seemed bored.

Sophie regarded us curiously. She said:

‘You give an outsider an uncomfortable feeling. Is it something I could know?’

‘Well—’ I began, and paused, wondering how to put it.

‘She said we’re not to bother about my father because he doesn’t understand — I think,’ observed Petra. It seemed a pretty fair summary.

‘She…?’ Sophie inquired.

I remembered that she knew nothing of the Sealand people.

‘Oh, a friend of Petra’s,’ I told her, vaguely.

Sophie was sitting close to the entrance, the rest of us farther back, out of sight from the ground. Presently she looked out and down.

‘There are quite a lot of the men back now — most of them I should think. Some of them are collected round Gordon’s tent, most of the others are drifting that way. He must be back, too.’

She went on regarding the scene while she finished the contents of her bowl. Then she put it down beside her.

‘I’ll see what I can find out,’ she said, and disappeared down the ladder.

She was gone fully an hour. I risked a quick look-out once or twice, and could see the spider-man in front of his tent. He seemed to be dividing his men up into parties and instructing them by drawing diagrams in the bare earth.

‘What’s happening?’ I asked Sophie as she returned. ‘What’s the plan?’

She hesitated, looking doubtful.

‘For goodness sake,’ I told her, ‘we want your people to win, don’t we? But we don’t want Michael to get hurt, if it can be helped.’

‘We’re going to ambush them this side of the river,’ she said.

‘Let them get across?’

‘There’s nowhere to make a stand on the other side,’ she explained.

I suggested to Michael that he should hang back at the riverside, or, if he could not do that, he might fall off during the crossing and get carried away downstream. He said he’d bear the proposal in mind, but try to think of a less uncomfortable means of delay.

A few minutes later a voice called Sophie’s name from below. She whispered:

‘Keep back. It’s him,’ and sped across and down the ladder.

After that nothing happened for more than an hour, when the Sealand woman came through again:

‘Reply to me, please. We need a sharper reading on you now. Just keep on sending numbers.’

Petra responded energetically, as if she had been feeling left out of things lately.

‘Enough,’ the Sealand woman told her. ‘Wait a moment.’ Presently she added: ‘ Better than we hoped. We can cut that estimate by an hour.’

Another half hour went by. I sneaked a few quick glimpses outside. The encampment looked all but deserted now. There was no one to be seen among the shacks but a few older women.

‘In sight of the river,’ Michael reported.

Fifteen to twenty minutes passed. Then Michael again:

‘They’ve muffed it, the fools. We’ve spotted a couple of them moving on the top of the cliffs. Not that it makes a lot of difference, anyway — that cleft’s much too obvious a trap. Council of war now.’

The council was evidently brief. In less than ten minutes he was through again:

‘Plan. We retreat to cover immediately opposite the cleft. There, at a gap in the cover, we leave half a dozen men occasionally passing and repassing in view to give the impression of more, and light fires to suggest that we are held up. Rest of the force is splitting to make detours and two crossings, one upstream and one down. We then pincer-in behind the cleft. Better inform, if you can.’

The encampment was no great distance behind the river cliffs. It looked likely that we might be caught within the pincers. With so few about now, and only women, as far as I could see, we should very likely be able to get safely across the place and into the trees…. Or would that carry us into the path of one of the pincer forces? I looked out again, prospecting, and the first thing I noticed was that a dozen of the women now carried bows and were sticking arrows in the ground to be handy. I changed my mind about a sprint across the encampment.

Inform, Michael had said. And a good idea, too. But how? Even if I should risk leaving Rosalind and Petra I would stand an exceedingly poor chance of ever giving my information. For one thing there were standing orders from the spider-man to shoot me. Moreover, I was clearly, even at a distance, no Fringes man, which would of itself be plenty of reason for quick shooting, in the circumstances.

I very much wished Sophie would return: and went on wishing that for an hour or so.

‘We’re across the river downstream from you. No opposition,’ Michael told us.

We went on waiting.

Suddenly a gun went off somewhere in the woods, on the left. Three or four more shots followed, then silence, then another two.

A few minutes later a crowd of ragged men with quite a number of women among them came pouring out of the woods, leaving the scene of their intended ambush and making towards the firing. They were a woebegone, miserable lot, a few of them visibly deviants, but most of them looking simply the wrecks of normal human beings. I could not see more than three or four guns in all. The rest had bows, and a number had short spears scabbarded at their backs as well. The spider-man stood out among them, taller than the rest, and close beside him I could see Sophie, with a bow in her hand. Whatever degree of organization there may have been had clearly disintegrated.

‘What’s happening?’ I asked Michael. ‘Was that your lot shooting?’

‘No. That was the other party. They’re trying to draw the Fringes men across their way so that we can come in from the opposite side and take them in the rear.’

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