Brian Evenson - Immobility

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Immobility: краткое содержание, описание и аннотация

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When you open your eyes things already seem to be happening without you. You don’t know who you are and you don’t remember where you’ve been. You know the world has changed, that a catastrophe has destroyed what used to exist before, but you can’t remember exactly what did exist before. And you’re paralyzed from the waist down apparently, but you don’t remember that either.
A man claiming to be your friend tells you your services are required. Something crucial has been stolen, but what he tells you about it doesn’t quite add up. You’ve got to get it back or something bad is going to happen. And you’ve got to get it back fast, so they can freeze you again before your own time runs out.
Before you know it, you’re being carried through a ruined landscape on the backs of two men in hazard suits who don’t seem anything like you at all, heading toward something you don’t understand that may well end up being the death of you.
Welcome to the life of Josef Horkai…. Review

’s bleak landscape and doubting yet relentless protagonist display Brian Evenson, one of our best and bravest novelists, at his most probing and mordant. The book might almost be the product of a collaboration between the younger Samuel Beckett and the mid-career Buster Keaton. No one else in America is writing like this, and no one but he possesses Evenson’s ravishing, diamond-like focus.”
—Peter Straub,
bestselling author of
“Evenson is stunning, a postapocalyptic Dashiell Hammett, in this blistering tale. I read *Immobility* from cover to cover without stirring from my chair, and I imagine most readers will share that fate.”
—Jesse Ball, Plimpton Prize–winning author of
“Brian Evenson is one of the treasures of American story writing.”
—Jonathan Lethem,
bestselling author of
“There is not a more intense, prolific or apocalyptic writer of fiction in America than Brian Evenson.”
—George Saunders,
bestselling author of
“Brian Evenson is one of the most distinguished, probing, and courageous writers of his generation.”
—Bradford Morrow, O. Henry Prize–winning author of

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He had brushed the eyelids closed, then covered the face with the hood, turning the faceplate around until it served as a support for the back of the head. And then he set about cutting through the seam sealant over the chest and belly. He opened the Velcro, undid the zipper beneath until he could reach his hand in and feel around the dead man’s sodden waist and slowly extract the Very pistol and the cartridge belt it was buckled onto. Six one-inch firing flares, plus the three fusees left in the backpack: not much.

He rolled the belt up and put it, the flares, and the Very pistol into the backpack. He undid the backpack’s shoulder straps and used them to bind the backpack to his foot, so he could drag it along.

A meaningless death, thought Horkai hours later, covered with sweat and wincing from pain, his arms throbbing as he slowly inched along the freeway, after a meaningless life. A man raised to think of himself as having one purpose in life, his whole life leading to and preparing for it. Raised knowing that when the time came for him to fulfill his so-called purpose, the moment of his death would come hand-in-hand along with it. And his purpose? To carry someone somewhere and then carry him back again. To be little more than a beast of burden, hardly even human—something his leader couldn’t resist pointing out by calling him a mule.

He reached a tear in the road, a disruption that he couldn’t drag himself over and had to concentrate on getting around it.

But, then again, he thought, supposedly I’m not human myself. And my death, when it catches up with me, in a few minutes, a few hours, will be just as meaningless.

Here he was, alone, in the middle of nowhere, engaged in a task for people who, assuming he did once know them, he did not remember now. And why? Because he wanted to know something about who he was, gain some knowledge that he suspected they might have. Was he committed to some sort of cause? No. Was he opposed to Rasmus and his community? No, not really. Did he side with them? No. He was lukewarm, neither one thing or the other. He didn’t feel like he belonged in Granite Mountain any more than he felt he belonged in Rasmus’s hive.

But where, then, did he belong?

They don’t think of me as an animal, as a mule, he thought . For them, either I’m an angel or a devil. Maybe a little of both.

He stopped and wiped the sweat off his face, was sorry he did so when it made his hands sting. He gently patted his hands dry against his shirt, feeling the glove still tucked within it. He took a moment to look around, back at where he had come from. For a long time he had been able to see Qatik’s corpse, growing steadily smaller, slowly reduced to a black dot, but now even that had been lost. He looked all around, saw on all sides of him no living thing, not even a cockroach, nothing but wrack and ruin, the ruined monuments of the dead, destruction, marks of calamity, terror, distress. Nothing but him and the Kollaps.

And perhaps they’re not wrong, he thought. Maybe I am a monster.

And with that, wincing, he stretched his hands behind him and began dragging himself along again.

* * *

JUST ME, HE THOUGHT. I’m the only one left alive. And indeed, with the sun setting and the lake glittering with a dull red haze, it felt that way. He had left the freeway, was going slowly up a steep hill, past the wreckage of a university, past an old church. The going was tough, almost impossible, and he felt alternately a strange sense of euphoria and exhaustion so intense that at moments his vision dimmed and threatened to die for good. He kept going, kept on, hauling himself up the slope, watching, when his vision wasn’t too dim, the sun slowly sinking behind the mountains, darkness slowly gathering itself around him.

* * *

WHEN HE CAME CONSCIOUS AGAIN, it was completely dark. He wasn’t certain where he was, why he was sitting up rather than lying down, why he was outside. And then his body took over, continuing the motions it had been making before he lost awareness of himself, his arms throwing themselves out behind him and taking anchor, then dragging his body along. He felt it happening, like he was watching it from somewhere else rather than controlling the body that was doing it, and then, slowly, he felt consciousness bleed away again until he was unsure where he was or what was happening, and whether his body was moving or not, whether he was outside or instead inside, whether he was living and breathing or frozen, in storage, waiting impatiently to come back to life.

* * *

WHEN HE CAME CONSCIOUS AGAIN, it was still dark. Was it the same night or another? Was there any way to tell? This time he was lying down, his face pressed against a chunk of rock.

He tried to sit up, found himself too weak and dizzy to manage it. He put his head back down and lay there, gathering his breath, feeling the world slowly starting to spin underneath him, threatening to throw him off its edge.

He clenched his teeth, felt the world briefly stabilize again. Very slowly, he managed to roll over onto his side. He pulled himself around with his arms until he could reach his leg, then pulled it flopping toward him.

Head spinning again, he felt along the leg for the straps of the backpack. Where were they? They weren’t there, he was sure of it. Had he lost it? But then suddenly, yes, there they were, his hands had been moving over them the whole time; how had he not noticed?

It took him a long time to figure out how to free the straps, even longer to pull the backpack toward him until it was close enough to open it. He passed out with his hand thrust down the backpack’s throat, came conscious again wondering how much time had passed. Why wasn’t it daylight yet? Unless he had passed through daylight already and it simply was another night. What is in my hands? he wondered, and then realized that he was grasping the grip of a gun.

He pulled it out, felt out the hammer, the trigger. The barrel was short and thicker than he expected, the opening big enough that he could slip his finger into it.

And then it came flooding back. Very pistol, he thought, flare gun. He groped again in the backpack until he found the belt, the lumps of the flares studded along it. He forced one out with his fingers but couldn’t keep hold of it; it fell somewhere deep into the pack. He started to search for it and then gave up, forcing another flare out of the belt, keeping hold of it this time.

He tugged on the gun’s barrel, feeling all around it until he found the breech lock. He levered it open. He tried to force the flare in, but it wouldn’t go, and momentarily he thought Qatik had brought the wrong ammunition. But then he turned it over in his fingers and it slid in perfectly.

He closed the breech. The world was starting to feel like it was shifting again, dissolving underneath him. He tried to raise his arm, but found his elbow remained planted against the ground, unwilling to leave it. The gun felt heavy in his hand. Just drop it, part of him was saying. There’s no point anyway.

He managed to take a deep breath. Elbow still planted, he straightened his wrist until he thought it must be pointing straight up. Or straight enough anyway. Raising his head slightly, he pulled the trigger.

The recoil, small though it was, was enough to tear the pistol from his hand, the flash enough to blind him. The flash ran in a slow pattern across his vision, gradually fading as he blinked, and then he saw it, the red glow of the flare far above him, climbing, climbing, and then falling, suddenly going out.

He let his head fall back. He stared up into the blankness. At least momentarily it was less blank, strange flashes of light and blurs of motion started to cross and burst in his vision. The afterimage of the flare, but more than that, too: his mind trying to see in the near total darkness. Not real, he told himself, not real, and closed his eyes. But they kept on coming, becoming more textured, more real, congealing into abstracted patterns, and then suggestive forms, and finally into faces. Mahonri was there above him, staring down, smiling. And there was Qanik, his face difficult to see behind his faceplate, but also smiling. And, finally, Qatik, pale and dead, but smiling as well.

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