Brian Evenson - Immobility

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Immobility: краткое содержание, описание и аннотация

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When you open your eyes things already seem to be happening without you. You don’t know who you are and you don’t remember where you’ve been. You know the world has changed, that a catastrophe has destroyed what used to exist before, but you can’t remember exactly what did exist before. And you’re paralyzed from the waist down apparently, but you don’t remember that either.
A man claiming to be your friend tells you your services are required. Something crucial has been stolen, but what he tells you about it doesn’t quite add up. You’ve got to get it back or something bad is going to happen. And you’ve got to get it back fast, so they can freeze you again before your own time runs out.
Before you know it, you’re being carried through a ruined landscape on the backs of two men in hazard suits who don’t seem anything like you at all, heading toward something you don’t understand that may well end up being the death of you.
Welcome to the life of Josef Horkai…. Review

’s bleak landscape and doubting yet relentless protagonist display Brian Evenson, one of our best and bravest novelists, at his most probing and mordant. The book might almost be the product of a collaboration between the younger Samuel Beckett and the mid-career Buster Keaton. No one else in America is writing like this, and no one but he possesses Evenson’s ravishing, diamond-like focus.”
—Peter Straub,
bestselling author of
“Evenson is stunning, a postapocalyptic Dashiell Hammett, in this blistering tale. I read *Immobility* from cover to cover without stirring from my chair, and I imagine most readers will share that fate.”
—Jesse Ball, Plimpton Prize–winning author of
“Brian Evenson is one of the treasures of American story writing.”
—Jonathan Lethem,
bestselling author of
“There is not a more intense, prolific or apocalyptic writer of fiction in America than Brian Evenson.”
—George Saunders,
bestselling author of
“Brian Evenson is one of the most distinguished, probing, and courageous writers of his generation.”
—Bradford Morrow, O. Henry Prize–winning author of

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Brian Evenson

IMMOBILITY

For Peter Wessel Zapffe and Thomas Ligotti; and for Greb, always

And for Kristen Tracy

In the true movement of community what is at stake is never humanity, but always the end of humanity.

—Jean-Luc Nancy

It is the desire and goal of the Church to gather and preserve copies of the world’s genealogical information recorded through the ages into one central storage area where they will be safe from the ravages of nature and the destructions of man…. The magnificent machinery is in motion, and in an efficient, businesslike manner, page by page and book by book these records are being stored as priceless treasures, securely protected in the tops of the mountains.

—Brother Sidney B. Sperry

Infinite emptiness will be all around you, all the resurrected dead of all the ages wouldn’t fill it, and there you’ll be like a little bit of grit in the middle of the steppe.

—Samuel Beckett, Endgame

PART ONE

A SENSATION OF COMING BACK alive again, only not quite that, half life maybe. Still utter darkness, though perhaps a faint hint of light on the horizon. Scraps and bits of sound caught somewhere between brain and ears and slowly unthawing to become words, trickling slowly in, but in such a way that it is hard to be sure if they are words from now or words remembered from an earlier time, things imagined or things actually heard. The word food, or perhaps brood. Dying out or crying out, something of the sort, hard to say which exactly, if either. Claps? No, not that exactly, but Claps still sparked something, was close to something else. Clasp? Lapse?

The darkness bedappled now, but still nothing visible, figures not yet sufficiently separated from the ground to become distinct. A dripple, a strange sensation, intimations of shape and form and movement. Almost like being alive again.

And then, suddenly, sentences. Murky but comprehensible and properly sequenced—probably real for once rather than imagined. This:

* * *

“WELL, WE’LL HAVE TO USE HIM, then.”

A male voice, hoarse and loud.

“Do you think that’s a good idea?”

Another man, this one perhaps younger. The voice, at the very least smoother, more quiescent.

“Do we have any other choice?”

“How do we manage the situation?”

“I’ll come up with something.”

“What?” The voices getting softer now, slipping down in pitch, starting to fade.

“I don’t know.” A long silence. “I’ll figure something out. We’ll just do the best we can.”

“So, you want me to wake him?”

A hesitation so long that the conversation seemed over. And then finally:

“Yes, wake him.”

* * *

SLOW SHIFT TO WHITE NOISE. Probably a remembered conversation rather than something he was actually hearing, but from when? And who was speaking? Were they even talking about him? If they were talking about him and he was asleep, how could he have heard them? And if they weren’t, why did he continue to have the impression that they were?

Strange the things that seep their way down to you while you are dead, part of him thought. Or is it just my imagination? another part wondered. A story he was telling himself, a dream he was dreaming.

And who exactly do I mean by he ? he wondered. Don’t I mean I ? Who do I mean?

And then came a light so bright that, despite just having begun to find himself, he was lost again.

1

WHEN THEY FIRST WOKE HIM, he had the impression of the world becoming real again and he himself along with it. He did not remember having been stored. He could remember nothing about what his life had been before the Kollaps, and the days directly before they had stored him were foggy at best, little more than a few frozen images. He remembered tatters of the Kollaps itself, had a fleeting glimpse of himself panting and in flight, riots, gunfire, rubble. He remembered a bright blast, remembered awakening to find himself burned and naked as a newborn—or perhaps even more naked, since all the hair had been singed from his body or had simply fallen out. He remembered feeling amazed to be alive, but, well, he was alive, it was hard to question that, wasn’t it?

And then what? People: he had found them, or they had found him, hard to say which. A few men banded together, acting “rationally” instead of “like animals,” as one of them must have put it, attempting to found a new society, attempting to start over.

Not having learned better, he thought grimly, the first time.

Was it all coming back to him? He wasn’t sure. And how much of what was coming back was real?

What was his name again?

* * *

AT FIRST HE COULDN’T FEEL his body at all. He heard noise around him, the low rumble of ordinary mortals muttering to one another, the scuff of feet against a floor around what must be his receptacle. He tried to move his mouth and found he couldn’t, that he couldn’t even feel it, that he wasn’t even completely certain that he had a mouth. It made him nervous. He tried to lick his lips, but either nothing happened or something happened that he couldn’t feel.

His eyelids were closed, but there was the slightest gap between them. He could just see out, could see light, a slight blurriness of semi-differentiated figures, nothing more. He tried to will his eyes open further, failed. Nor could he move the eyes themselves: they stayed staring, fixed, his mind very clumsily processing the thin slit of reality available to them.

He tried to swallow, but couldn’t move his throat. Am I breathing? he wondered, but figured that no, he was in storage, he wasn’t breathing, wouldn’t breathe until he was fully awake. Assuming he understood the process properly, he was still frozen. He shouldn’t be experiencing anything at all yet, shouldn’t even be able to think. Why could he?

Horkai, he thought suddenly. Josef Horkai. That was his name. It came, flashing back and forth and painfully through him. He tried to keep hold of the name, tried to wrap it around himself and tie it in place with something else, some other fact, anything.

Horkai, he thought. Occupation? Before the Kollaps? Now?

Nothing came. Be patient, he told himself. Let things come as they will.

And then the name flopped away, vanished in darkness. He tried again to blink, and one eyelid closed fully and held there. The other remained as it was, slit open, but the pupil behind it began to slide, smearing away the little bit of blurred vision he had and coming to rest against the backlit inside of the lid.

He sensed something on the horizon, in the vague redness, coming toward him. His eyelid slid open a little, but he couldn’t tell if he had done it or if it had been done to him.

And then there was a roaring and what was coming arrived and turned out to be pain, madly beating its wings. He hurt like hell, every part of him, and since he could not tell where he ended and the rest of the world began, it felt like the entire world was awash in fire. And still he couldn’t move, couldn’t cry out, couldn’t take air into his lungs, nothing. It was terrible, as terrible as anything he had ever felt.

And then slowly it receded, melted away, leaving in its wake a slow twisting and turning of naked sensation that refused to drain off. He could feel parts of himself now, though those parts still felt awkward and dampened, as if wrapped in gauze. One of his eyes sprang open and he could see a blurred thumb and forefinger sheathed in latex holding the eyelids apart. Behind and past them, an arm and vague shapes, several of them, that he guessed to be human. Similar to human, anyway. And then suddenly a blazing circle of light.

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