Brian Evenson - Immobility

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Immobility: краткое содержание, описание и аннотация

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When you open your eyes things already seem to be happening without you. You don’t know who you are and you don’t remember where you’ve been. You know the world has changed, that a catastrophe has destroyed what used to exist before, but you can’t remember exactly what did exist before. And you’re paralyzed from the waist down apparently, but you don’t remember that either.
A man claiming to be your friend tells you your services are required. Something crucial has been stolen, but what he tells you about it doesn’t quite add up. You’ve got to get it back or something bad is going to happen. And you’ve got to get it back fast, so they can freeze you again before your own time runs out.
Before you know it, you’re being carried through a ruined landscape on the backs of two men in hazard suits who don’t seem anything like you at all, heading toward something you don’t understand that may well end up being the death of you.
Welcome to the life of Josef Horkai…. Review

’s bleak landscape and doubting yet relentless protagonist display Brian Evenson, one of our best and bravest novelists, at his most probing and mordant. The book might almost be the product of a collaboration between the younger Samuel Beckett and the mid-career Buster Keaton. No one else in America is writing like this, and no one but he possesses Evenson’s ravishing, diamond-like focus.”
—Peter Straub,
bestselling author of
“Evenson is stunning, a postapocalyptic Dashiell Hammett, in this blistering tale. I read *Immobility* from cover to cover without stirring from my chair, and I imagine most readers will share that fate.”
—Jesse Ball, Plimpton Prize–winning author of
“Brian Evenson is one of the treasures of American story writing.”
—Jonathan Lethem,
bestselling author of
“There is not a more intense, prolific or apocalyptic writer of fiction in America than Brian Evenson.”
—George Saunders,
bestselling author of
“Brian Evenson is one of the most distinguished, probing, and courageous writers of his generation.”
—Bradford Morrow, O. Henry Prize–winning author of

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Horkai stared down into the darkness, trying to discern him, but made out little more than the feeble outline of his hood. “All right,” he said. “We don’t have to talk anymore.”

He felt Qatik nod once through the hood, and then they moved on.

* * *

QATIK’S EASY MOTION was making him sleepy. At times he felt himself beginning to fall, beginning to drop off, and once Qatik had to reach up and hold him in place. Finally, when it kept happening, Qatik reached round and pulled him down, held him instead in his arms like a baby.

The suit was cool against his face, the material strange, not like anything he was familiar with. It smelled of dust and stuck gently to his cheek. He lay there, gently rocking with Qatik’s motion. Eventually, he fell asleep.

* * *

HE DREAMT THAT HE WAS IN the storage tank, just going under, waiting there with the tubes in his mouth and his eyes closed for the storage to begin. He opened his eyes, and a face on the other side of the glass—a technician of some sort, maybe someone he knew—admonished, “Keep your eyes closed. If they stay open, they might be injured.” He nodded, closed them again. He could hear, muffled and as if at a distance, the sound of the technician moving around. When will it happen? he wondered. He parted his eyelids just slightly and through veiled eyes watched the technician. He was standing there, his back to the machine, looking at something, and when he turned around, his face had on it a look of mixed fear and surprise, and it seemed, for just a moment, to be directed at him.

Horkai scrutinized the face, pretending to keep his eyes closed. Did the face look familiar? Was it someone he knew? Maybe, but in the dream, just as in life, it was hard to be certain of what he did and did not know.

And then suddenly he felt fluid flood into his mouth. His eyes opened wide and there was a hissing sound, incredibly loud, and he watched ice branch over the glass. He tried to close his eyes but they wouldn’t close and he couldn’t move. He should have been unconscious now, he knew, his existence blacked out, but he was still there, frozen but still there, still thinking. Help me, he thought. Through the glass he could hear the technician pacing back and forth, back and forth, back and forth.

11

WHEN HE AWOKE, the sun hadn’t risen yet but the sky had started to turn light, the haze streaked through with paler shades. He moved and stretched. When Qatik realized he was awake, he stopped, gestured to Qanik. Qanik nodded, quickly took the pack off his chest then the pack off his back, leaving them lying in the dirt. He lifted Horkai onto his shoulders and set off.

“I can tell you how much time has passed,” said Qanik. “A night and a day.”

“Are we close?” asked Horkai.

“We are getting close,” admitted Qanik.

They had left the freeway at some point. Horkai could see it a mile or two behind them, assuming it was the same freeway. They were heading east now, toward the rising sun, toward the mountains.

“How did you know where to turn?”

“We looked for the crater,” said Qanik.

“And did you find it?”

Qanik nodded. “And then we turned.”

“How did you know it was the right crater?”

“It was described to us. It was sung to us in detail by someone who saw it who was older than we. He was bleeding already when he sung it to us. He sung it to us and then he died.”

Sung? he wondered, but decided not to ask.

The road was large, maybe four lanes across, but not as big as the freeway. It was devastated in places, but someone had pulled the rubble off, arranging it in neat piles to one side. This seemed to make the mules nervous. They came to a place where the road curved south again and climbed, and the mules argued about whether they had taken the right road after all. But eventually, after perhaps half a mile, it wound back east again and straightened out.

They passed a ruined mall surrounded by a huge parking lot, now heaped with piles of dust. A doll’s head, Horkai saw, had been placed on the top of a stack of rubble beside the road.

“You’re sure there’s nobody out here?” asked Horkai. But neither mule answered.

Another parking lot and across from it an old hospital, the central building intact. Not only intact, but someone had covered the windows of the ground floor over with sheets of tin. Behind a window on the second floor came a flash of movement.

“I think I—,” he started to say, and then felt incredible pain in his chest. Only afterwards, as he was falling, did he realize he’d heard a shot. He hit the ground hard, suddenly couldn’t breathe. His vision blurred and dimmed, then came back. He reached down to touch his chest where the bullet had gone in, found the hole as big as his finger, perhaps even bigger. He moved his hand back where he could see it, stared at the blood on his fingers.

Qanik was shouting, bellowing. Horkai raised his head a little, saw him running in one direction, Qatik in the other. More shots rang out, a little puff of dust rising beside his head. He’s still shooting at me, he thought. He’s trying to kill me. He looked at his bloody fingers again and thought, Maybe he already has.

Another shot hit him, but since it was in the leg, he couldn’t feel it; he knew he had been hit only because he saw the leg jump and then the fabric of his pants go red with blood. I should try to crawl away, he thought, but he couldn’t move. He let his head fall back. He closed his eyes, heard another shot, then another, and then he lost count.

12

HE COULDN’T MOVE, couldn’t breathe. The world all around him didn’t exist, simply wasn’t there. The only thing around him was darkness and more darkness, and nothing he could see or feel. He was both there and not there, suspended in a void, his eyes open; he was pretty sure anyway his eyes were open, though he couldn’t blink, couldn’t manage anything.

He stayed there unmoving, trying to move his eyes, trying to move his fingers, trying to see something. How long have I been like this? he wondered. How long will I be like this?

* * *

A FIGURE IN A BLACK HAZARD suit was crouching over him, staring at him through a glass faceplate, repeating his name over and over. It took him a moment to realize it was one of the mules. Qanik or Qatik? He wasn’t sure. It hurt to breathe, was hard to think.

“He’s dead now,” said the mule, and for just a moment Horkai thought they were talking about him. “Qatik found him and took care of him. Just one,” he said. “Just a rogue living in the hospital. Had made himself a makeshift suit out of all the X-ray aprons he could find, but it was not a very good suit. He probably wouldn’t have lasted much longer.”

“I’m dead, too,” Horkai said to Qanik, his voice very low.

Qanik just laughed. “You do not know how to die,” he said. He reached down and started to gather Horkai in his arms.

Horkai felt a tremendous pressure in his chest and screamed, Qatik stopped, and instead he stood, grabbed him by the foot, and began to drag him.

It hurt like hell but was better than being carried somehow. The sound of his head scraping along the ruined asphalt echoed deep within his skull. He imagined a swath of blood unfurling behind him. He tried not to pass out.

And then Qatik was there, too, asking Qanik what was wrong with him, was he crazy?

“I couldn’t pick him up,” said Qanik. “It was the best I could do.”

They argued back and forth, Horkai watching helplessly from below. He was choking on something and coughed and could tell from the taste in his mouth that it was his own blood. And then, without transition, they were bending over him again, solicitous. One of the mules was taking hold of his hands, the other his feet.

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