John O'Brien - Takedown

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Takedown: краткое содержание, описание и аннотация

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The Dice Are Cast… Death Watches and Waits The sanctuary walls were breached and through them poured screaming hordes of night runners. About to be overrun, the survivors formed a last stand against the thousands that threatened to end their existence. Inexplicably, the night runners, who were on the verge of taking one of the last vestiges of humanity, departed, carrying the limp body of Lynn with them.
Communications with the compound failed as Jack was out searching for additional survivors, leaving him unaware of what was happening at home. A tragedy sends him rushing back where he learns about the attack and Lynn being taken. Not knowing if she’s alive or dead, he sets off in search for her.
A mysterious image is sent setting forth a confrontation with Sandra, the female night runner responsible for the attack on the sanctuary. Is Lynn alive or is this some elaborate trap? Jack will put everything on the line in order to find out.
When logical reasoning fails… Insanity must be expected

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Fucking heartbreaking , Krandle thinks, shaking his head and walking away from the horrible scene of death. This exact thing must have been played out millions of times across the country…across the world .

They leave the downtown area and enter a residential district as they slowly head toward the police station marked on the map. It’s more of the same — broken windows and busted doors. They see a few more bodies lying in the taller grass of overgrown yards, in driveways, and porches.

In order to reach the station, they have to cross the river that bisects the town before it empties into the sea. Barricades have been set up across the road and multiple bodies lie before them. Upon closer inspection, Krandle sees these are fully clad with decayed skin still intact. Through the decay, several injuries are obvious. A few other bodies lie on the other side of the barriers but these are naked and have been stripped like the family at the car. Several handguns and shotguns lie near the desiccated and stripped bodies. The handguns have the bolts in the locked back position indicating empty mags. It definitely carries the look of a stand being taken and lost.

Crossing through the barrier, the team picks up the weapons and searches for ammo amongst the tattered clothing strewn about but without luck. The police station comes into view a few blocks later. The parking lot has a few cars and pickups parked haphazardly within it as if they pulled in quickly and the occupants rapidly disembarked. Looking to the department entrance, Krandle sees that the glass doors have been broken in. Like at the barriers, several clad, decayed bodies line the area in front.

Setting the team in a perimeter around the lot, Krandle steps around the bodies to the doorway. Just inside, lit by radiant light flowing in through the doors and windows lining the room, sits a small lobby with a glass-shielded reception area. Splashes of dried blood coat the walls and the glass covering the reception window. Two skeletal remains lie on a floor covered with glass shards. A hallway leads from the room extending farther into the building. A short distance down it, the light dims and fades into blackness. Dark smears streak the tiled floor leading down the corridor.

Krandle pauses for a few moments listening for anything within the structure. Hearing nothing, he calls out, “Anyone here?”

Stepping in quickly, he retrieves another handgun lying against one of the far walls. It too is empty but he pockets it along with one other he picked up at the barricade. This building too holds the scene of terror-filled moments leading to a last stand. It feels like the very walls breathe the memory of the night and wishes to tell the tale. It’s a story that will be carried by this place for a long while to come. Not wishing to relive the last moments of those within in his mind, he steps across the floor with glass crunching under his feet, and exits.

He relates his findings to the rest of the team. “You know, I’m with you whatever you decide, but do you think we really need to go to the hospital? It seems to me that we already have the evidence we searching for. This is a dead town,” Franklin says.

Krandle looks toward at the sun which lies almost directly overhead, casting a knifepoint shadow from the flagpole mounted near the station. The attached flag stirs occasionally as each breeze passes through. The fact that it is still up indicates that the madness started during the day and there was either no one around to take it down before sunset or they were too busy. There were obviously other priorities to attend to.

“We still have quite a bit of daylight left. It’s not that far, so let’s at least go take a look. You never know,” Krandle responds.

“Alright, let’s do it,” Franklin says.

The fact of the matter is, Krandle agrees with Franklin’s assessment, but he is having trouble wrapping his mind around the whole situation. He thinks seeing more of it will hopefully allow everything to settle in. He knows the parameters and new rules of the game but that is different than having his mind comprehend it. It’s eerie walking through an empty town. Well, that is empty of people. The event at the hotel showed that they aren’t exactly alone here. The Philippines, seeing the night runners running through the streets of Seattle, and now experiencing it close up truly brings home that they are living in a different world. The words of Captain Walker play in his mind and he sorts through each and every one of them trying to gain every ounce of knowledge he can as they walk through the hushed streets.

The trip through the rest of the town is much the same — broken windows and a few bodies of both night runners and the skeletal remains of people that Krandle suspects were eaten. The hospital itself presents an even more chaotic scene. The parking lots are filled with cars. In one lot, most of the cars are burned-out husks. The remains of a helicopter lie on its side in the midst of the pile with one of its rotors broken off and pointing skyward. A helipad sits nearby. To all appearances, it looks as if a life-flight helicopter crashed into the cars while either trying to land or take off.

Journeying warily around the building, he notices that several of the glass doors have been broken into like many of the other buildings they’ve visited. Remembering Walker’s words about night runner signs, he knows that the hospital has been overrun as well.

“Okay, ladies, we’ve seen enough now. Let’s go home,” Krandle says.

The team is silent as they make their way back through town. Although alert, they are all in their own thoughts. The reality of what the world is like now has been brought home and they each are dealing with it in their own way. The feeling is a melancholy one — almost depressing — as they trudge through this once summer vacation town. They pass the family in the car that almost made it — although for how long they would have, who knows.

At the beach, Krandle signals the sub that they are on their way. Leonard briefed them that he would remain at periscope depth with the radio antenna extended in case they ran into trouble and needed a quick extraction. The team grabs the Zodiac and reverses their process down to the water. The tide has come in a fair ways since they came ashore so the trek across the soft sand isn’t nearly as long.

They enter the water and Krandle takes a last look at the abandoned town. There isn’t much to see from his vantage point, mostly the retaining wall and beach. The volleyball nets hang limply, billowing with each breath of wind that blows through. The beach, which would normally be marred by thousands of footprints digging into the soft sand, is smooth with the exception of the two drag marks made by the Zodiac and the trails left by him and his men. Normally, they would have carried the Zodiac aloft and erased their tracks both in and out. However, they weren’t trying to hide their presence. Krandle knows that in a few more days, even those tracks will vanish with the wind and this town will be left solely to the night runners.

They push the rubber craft into deeper water and board. The motor is lowered and they are soon powering their way through the small surf for their rendezvous with the sub. The way out is a rougher ride as they have to go against the waves. The craft hits each rolling wave with a splash before riding up and over it. They are soon out of the surf and into the swells. As with the surf, going against the swells makes for a more turbulent ride, but the Zodiac manages it with ease. Ahead and slightly to the right, against the lowering sun, Krandle sees the conning tower of the sub rise out of the rolling waves. With water streaming from its surfaces, it rises higher until the lower deck is barely above the surface. They drive the Zodiac onto the deck, cutting off the motor and lifting it at the last moment.

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