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Ben Marcus: The Flame Alphabet

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Ben Marcus The Flame Alphabet

The Flame Alphabet: краткое содержание, описание и аннотация

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In the most maniacally gifted writer of our generation delivers a work of heartbreak and horror, a novel about how far we will go, and the sorrows we will endure, in order to protect our families. A terrible epidemic has struck the country and the sound of children’s speech has become lethal. Radio transmissions from strange sources indicate that people are going into hiding. All Sam and Claire need to do is look around the neighborhood: In the park, parents wither beneath the powerful screams of their children. At night, suburban side streets become routes of shameful escape for fathers trying to get outside the radius of affliction. With Claire nearing collapse, it seems their only means of survival is to flee from their daughter, Esther, who laughs at her parents’ sickness, unaware that in just a few years she, too, will be susceptible to the language toxicity. But Sam and Claire find it isn’t so easy to leave the daughter they still love, even as they waste away from her malevolent speech. On the eve of their departure, Claire mysteriously disappears, and Sam, determined to find a cure for this new toxic language, presses on alone into a world beyond recognition. The Flame Alphabet

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I wished only that I could better see the world in front of me.

A point of light appeared, then throbbed, stretching into a dime-size window, through which I could see just enough to fight my way back to my woodpile, then up the slope north and along that last crumbling ledge to the clearing where my hut stands and everything, from what I could tell, seemed to be exactly as I had left it.

Except that when I went inside the hut Esther was not behind the cloth. Her cot was neatly arranged, the blankets folded as if another houseguest might be coming. She’d made the bed, stacked her dishes on the doorstep, even swept the daily soot from our sill.

At the hammered vent in the wall a fresh blast of heat rushed in, suggesting a newly fed fire outside.

I pictured Esther taking advantage of my absence to tidy the hut, arrange everything neatly, then gather her things and leave. What a hurry she must have been in, thinking that at any minute I’d be home.

She must have stopped to look from the glassless window, hoping I’d not come groping up the path. How relieved she must have been when she could finally leave with no sign of me and night coming on so strong.

I went outside. My field of vision was still limited. Around me hung a brownness, so cloudy I felt I should be able to rub it away. I pitched my head through every contortion to be sure I wasn’t overlooking Esther somewhere, slid my vision over the property and yard, because maybe she was bundled under a blanket on a log, enjoying the late morning hum, waiting for me to return so I could brew us some tea.

It was time for her to have healed, bounced out of bed, taking to the air so she could see where she’d been recuperating these last few weeks.

I told myself there was no reason to be concerned, but since when did I believe my own reassurances?

She must have only gone off on a short errand, perhaps a walk to stretch her legs. She would need to return soon, because she was not well, and she was not familiar with these woods. It was unwise for her to hike alone in an area where whole patches of ground can suddenly give way to a lava of salt. She would know that. She would be the first to be aware of how risky it was for her to travel abroad from me when she was so weak like this.

I sat down, held my breath, listened. This silence was for the best. If Esther was nearby, if she could hear me, such a sound, even the pretty sound of her name in the air, would not have been well received. Her name yelled out by me would have hurt her, stopped her progress through the woods. I withheld it from the air.

I heard nobody crawling, walking, running. I heard no one hiding behind a tree, breathing. When I tilted my head, all I could see, very high above me, was a bird. At least I think that’s what it was. It was hairless, its face so plain. What troubled me was that I could see the details of its wings too clearly, better than usual, and then I realized it was because the wings weren’t flapping, weren’t even moving. The bird, far aloft, was perfectly still, falling through the air.

Perhaps it had received a fright, high up in the air. Perhaps it saw something, suffered a shock, lost its powers, and started to fall.

I shut my eyes, waiting for the sound of impact.

57

I spent the morning outside the hut waiting for Esther to return. I could have ventured after her, but there were too many directions she could have taken and it seemed safer to wait, since she would be back soon, I was sure.

When the afternoon dimmed and grew cold, when I heard nothing stumbling out of the woods, I took a pull from my last remaining stash of assets, then risked everything and whispered her name. The word Esther was so cold in my mouth. I whispered it, then spoke it, but my mouth was too dry and I’m sure I said it wrong. If Esther was still out there she would have heard only a low moaning, something senseless from far away. Whatever I said was not her name. I should have practiced more. I should have been ready for this.

Now in the advancing darkness I can only wait for Esther to return. One does not simply leave a father when there are still so many terrible uncertainties to master.

I would have served as an escort on her outing. Had Esther desired, I would have even hung back so she would not have needed to see me. I do wish she had availed herself of my experience. It is very possible that I could have helped. Yet I understand that Esther must do things herself, always, on her own terms, and that gains made in my presence, with my help, to her do not look like gains at all. I understand this.

To be Esther’s father is to try with all my might not to get caught being her father. I can be that person for her. I will be.

When Esther returns, healthy and strong again, ready to take her place as my daughter, together we can sit at the hole in our hut and listen as one family, the two of us bending together into the old hole that might deliver our missing piece.

We will listen for the footsteps of Esther’s mother, who could be here soon. It is a difficult trip, but not impossible. If I could find my way here from Forsythe, groping along the orange cable, then so can Claire. She is stronger, smarter than I ever was, and she can zero in on us even blinded, even ill. She will find us here, it is really just a question of when. When Esther returns to me, we will wait for her mother together, as a family.

It may take days or weeks, but it will not matter, we will wait. And when Claire climbs through the hole, exhausted from her travels, caked in the filth of the tunnels, Esther and I will lead her to the outdoor shower, boil extra water for the cleansing. We’ll ready a little mountain of soft towels, and Esther will go inside to choose from the bright new clothes we pulled from the shelves in town.

While Claire showers, Esther and I will smile at each other, look down, draw nonsense signs in the dirt with a stick. We will be excited, but we will wait, give Claire her time.

When my family is together again I will not need to speak, to read, to write. What is there, anyway, to say? The three of us require no speech. We are fine in our silence. This is the world we prefer.

It will be enough to walk out, the three of us, along the high, scary ledge that lords over the creek and cuts up past the shadow of the Monastery into the wide-open field. We will not need to speak. Under our feet will be the vast, shifting salt deposits, just a residue of everything that’s ever been said. That’s all that’s left. We will walk through it into the clearing. We can have a quiet lunch on the rocks, then stretch out to rest in the sun.

I will wait for them here in my hut, and when Claire and Esther return, this is what we’ll do, as a family.

ACKNOWLEDGMENTS

For guidance and close reading I am grateful to Marty Asher, Heidi Julavits, Deb Olin Unferth, Sam Lipsyte, Denise Shannon, Andrew Carlson, Michael Chabon, and Jonathan Lethem.

Thanks to Ruchika Tomar and Sunil Yapa for research assistance.

For their generous support I am indebted to the American Academy of Arts and Letters, the Creative Capital Foundation, the Lannan Foundation, and the MacDowell Colony.

A NOTE ABOUT THE AUTHOR

Ben Marcus is the author of The Age of Wire and String and Notable American Women. His stories have appeared in Harper’s, The New Yorker, The Paris Review, Tin House, and Conjunctions. He is the recipient of a Whiting Writers’ Award, a National Endowment for the Arts fellowship, and awards from the Creative Capital Foundation and the American Academy of Arts and Letters. He lives in New York, where he is on the faculty at Columbia University.

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