R. Lafferty - The 7th Ghost Story Megapack

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Welcome to The Seventh Ghost Story MEGAPACK®! Once more we have a wide-ranging assortment of supernatural fiction, with setting across the world — Europe, the Americas, Asia — and across the centuries. You will note that we have a larger than normal number of "Anonymous" stories. No, the authors weren't embarrassed by their contributions. Victorian-era literary magazines and newspapers often ran fiction without crediting the author, or with only vague terms like "A Lady," initials, or humorous pseudonyms (as with the story by "Q.E.D." in this volume). Authors later collected their stories in books, and that's when readers discovered who had actually written what. If a story never got reprinted, its author remained a mystery. Modern scholars are still researching these anonymous stories, but many authors will never be properly identified.

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“This way they must have:come,” said Seaforth; “I wish with all my heart I had caught them!”

“Och! the kittens!” sighed Mr Barney Maguire.

But the mystery was yet as far from being solved as before. True, there was the “other door;” but then that, too, on examination, was even more firmly-secured than the one which opened on the gallery,—two heavy bolts on the inside effectually prevented any coup de main on the lieutenant’s bivouac from that quarter. He was more puzzled than ever; nor did the minutest inspection of the walls and floor throw any light upon the subject! one thing only was clear,—the breeches were gone! “It is very singular,” said the lieutenant.

* * *

Tappington (generally called Tapton) Everard is an antiquated but commodious manor-house in the eastern division of the county of Kent. A former proprietor had been High-sheriff in the days of Elizabeth, and many a dark and dismal tradition was yet extant of the licentiousness of his life, and the enormity of his offences. The Glen, which the keeper’s daughter was seen to enter, but never known to quit, still frowns darkly as of yore; while an ineradicable bloodstain on the oaken stair yet bids defiance to the united energies of soap and sand. But it is with one particular apartment that a deed of more especial atrocity is said to be connected. A stranger guest—so runs the legend—arrived unexpectedly at the mansion of the “Bad Sir Giles.” They met in apparent friendship; but the ill-concealed scowl on their master’s brow told the domestics that the visit was not a welcome one; the banquet, however, was not spared; the wine-cup circulated freely,—too freely, perhaps,—for sounds of discord at length reached the ears of even the excluded serving-men as they were doing their best to imitate their betters in the lower hall. Alarmed, some of them ventured to approach the parlour; one, an old and favoured retainer of the house, went so far as to break in upon his master’s privacy. Sir Giles, already high in oath, fiercely enjoined his absence, and he retired; not, however, before he had distinctly heard from the stranger’s lips a menace that “There was that within his pocket which could disprove the knight’s right to issue that or any other command within the walls of Tapton.”

The intrusion, though momentary, seemed to have produced a beneficial effect; the voices of the disputants fell, and the conversation was carried on thenceforth in a more subdued tone, till, as evening closed in, the domestics, when summoned to attend with lights, found not only cordiality restored, but that a still deeper carouse was meditated. Fresh stoups, and from the choicest bins, were produced; nor was it till at a late, or rather early hour, that the revellers sought their chambers.

The one allotted to the stranger occupied the first floor of the eastern angle of the building, and had once been the favourite apartment of Sir Giles himself. Scandal-ascribed this preference to the facility which a private staircase, communicating with the grounds, had afforded him, in the old knight’s time, of following his wicked courses unchecked by parental observation; a consideration which ceased to be of weight when the death of his father left him uncontrolled master of his estate and actions. From that period Sir Giles had established himself in what were called the “state apartments;” and the “oaken chamber” was rarely tenanted, save on occasions of extraordinary festivity, or when the yule log drew an unusually large accession of guests around the Christmas hearth.

On this eventful night it was prepared for the unknown visitor, who sought his couch heated and inflamed from his midnight orgies, and in the morning was found in his bed a swollen and blackened corpse. No marks of violence appeared upon the body; but the livid hue of the lips, and certain dark-coloured spots visible on the skin, aroused suspicions which those who entertained them were too timid to express. Apoplexy, induced by the excesses of the preceding night, Sir Giles’s confidential leech pronounced to be the cause of his sudden dissolution; the body was buried in peace; and though some shook their heads as they witnessed the haste with which the funeral rites were hurried on, none ventured to murmur. Other events arose to distract the attention of the retainers; men’s minds became occupied by the stirring politics of the day, while the near approach of that formidable armada, so vainly arrogating to itself a title which the very elements joined with human valour to disprove, soon interfered to weaken, if not obliterate, all remembrance of the nameless stranger who had died within the walls of Tapton Everard.

Years rolled on: the “Bad Sir Giles” had—himself long since gone to his account, the last, as it was believed, of his immediate line; though a few of the older tenants were sometimes heard to speak of an elder brother, who had disappeared in early life, and never inherited the estate. Rumours, too, of his having left a son in foreign lands were at one time rife: but they died away, nothing occurring to support them: the property passed unchallenged to a collateral branch of the family, and the secret, if secret there were, was buried in Denton churchyard, in the lonely grave of the mysterious stranger. One circumstance alone occurred, after a long-intervening period, to revive the memory of these transactions. Some workmen employed in grubbing an old plantation, for the purpose of raising on it site a modern shrubbery, dug up, in the execution of their task, the mill-dewed remnants of what seemed to have been once a garment. On more minute inspection, enough remained of silken slashes and a coarse embroidery to identify the relics as having once formed part of a pair of trunk hose; while a few papers which fell from them, altogether illegible from damp and age, were by the unlearned rustics conveyed to the then owner of the estate.

Whether the squire was more successful in deciphering them was never known; he certainly never alluded to their contents; and little would have been thought of the matter but for the inconvenient memory of one old woman, who declared she heard her grandfather say that when the “stranger guest” was poisoned, though all the rest of his clothes were there, his breeches, the supposed repository of the supposed documents, could never be found. The master of Tapton Everard smiled when he heard Dame Jones’s hint of deeds which might impeach the validity of his own title in favour of some unknown descendant of some unknown heir; and the story was rarely alluded to, save by one or two miracle-mongers, who had heard that others had seen the ghost of old Sir Giles, in his night-cap, issue from the postern, enter the adjoining copse, and wring his shadowy hands in agony, as he seemed to search vainly for something hidden among the evergreens. The stranger’s death-room had, of course, been occasionally haunted from the time of his decease; but the periods of visitation had latterly became very rare,—even Mrs Botherby, the house-keeper, being forced to admit that, during her long sojourn at the manor, she had never “met with anything worse than herself;” though, as the old lady afterwards added upon more mature reflection, “I must say I think I saw the devil once .”

Such was the legend attached to Tapton Everard, and such the story which the lively Caroline Ingoldsby detailed to her equally mercurial cousin Charles Seaforth, lieutenant in the Hon. East India Company’s second regiment of Bombay Fencibles, as arm-in-arm they promenaded a gallery decked with some dozen grim-looking ancestral portraits, and, among others, with that of the redoubted Sir Giles himself. The gallant commander had that very morning paid his first visit to the house of his maternal uncle, after an absence of several years passed with his regiment on the arid plains of Hindostan, whence he was now returned on a three years’ furlough. He had gone out a boy, he—returned a man, but the impression made upon his youthful fancy by his favourite cousin remained unimpaired, and to Tapton he directed his steps, even before he sought the home of his widowed mother,—comforting himself in this breach of filial decorum by the reflection that, as the manor was so little out of his way, it would be unkind to pass, as it were, the door of his relatives without just looking in for a few hours.

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