Mike Carey - The Devil You Know

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Felix Castor is a freelance exorcist, and London is his stamping ground. At a time when the supernatural world is in upheaval and spilling over into the mundane reality of the living, his skills have never been more in demand. A good exorcist can charge what he likes — and enjoy a hell of a life-style — but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. After a year spent in 'retirement' Castor is reluctantly drawn back to the life he rejected and accepts a seemingly simple exorcism case — just to pay the bills, you understand. Trouble is, the more he discovers about the ghost haunting the archive, the more things don't add up. What should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons, were-beings and ghosts all keen to claim the big prize. But that's OK; Castor knows how to deal with the dead. It's the living who piss him off...

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Juliet’s hand closed on my shoulder, her nails puncturing the skin. She squeezed, and I howled in pain—without, of course, making the slightest sound. My eyes snapped open again. I was staring at her left ankle, which was still encircled by the silver chain.

She was trying to haul me to my feet, her claws hooked into my shoulder right next to my throat. I fought back not against her strength—I couldn’t have resisted that for a second—but against the weakest link, which happened to be me. The flesh of my shoulder strained and then tore, and I screamed again—with the volume turned down to zero, but I’m sure it was music to Damjohn’s ears all the same. My right hand, which isn’t my strongest, groped and scrabbled on the floor for a moment or two, finding nothing except the sad remains of my flute. Then something cold and hard touched the heel of my hand, and my fingers closed around it. The handle of the bolt cutters.

Juliet bent from the waist and took hold again, her hands this time closing on either side of my head. Pinpricks of pain at temple, cheek, chin told me where her claws were embedded. I shut it out, shut her out, although ghost images of her still danced obscene tangos in my brain.

It was almost impossible to aim, to focus. My hand was a balloon sculpture, nerveless and fragile; it wouldn’t do what it was told. It wavered and wobbled, the lower jaw of the cutters finally catching on something at least, but I didn’t know what, and now she was pulling me upright again. If I struggled against her this time, my whole face would come off. In my head I uttered a prayer that didn’t even have words, and I squeezed the cutters closed. There was a slight but audible clack as the blades met.

Then I was lifted, Juliet raising me without effort to her own shoulder height, her hands cupping my head like a goalie about to punt the ball past the centerline. My feet flailed but found no purchase as she drew me close, her mouth open, her hypnotic pupils so wide she had no irises.

But her lips didn’t close over mine. She just held me there, dangling uselessly, an inch from my death and damnation and so much in her thrall now that I even felt slightly aggrieved that it had been postponed.

She was looking down, staring fixedly at the ground. No, at her own left foot. She was holding my head completely immobile, and my eyes couldn’t traverse that far, but I could see Damjohn and Gabe. They were also looking down, and a kind of sick horror spread in slow motion across their faces. Gabe’s first, because he had the summoning spell down word-perfect, and he knew exactly what he was looking at.

Juliet let me go, and by some supreme effort of will, I got my balance as I fell so that I only staggered back and slammed against the wall instead of taking yet another pratfall.

For a moment, the cabin was a frozen tableau. Damjohn, Gabe, Weasel-Face, the two anonymous heavies, even Rosa with her one good eye all were looking at Juliet, hushed, expectant, as if she was about to propose a toast. Her shoulders slightly bowed, Juliet flexed her ankle experimentally. The broken chain slid off and tinkled to the floor.

“H-hagios ischirus Paraclitus,” Gabe quavered without much conviction. “Alpha et omega, initium et finis . . .” Juliet swiveled from the hip, without undue haste but still moving almost too quickly to see, and kicked him in the stomach. He folded in on himself with a sound like water going down a partially blocked drain. From the floor, in a defensive crouch, I could hear him trying again to frame a word, without any breath left to force it out. Juliet stamped down on his neck, and it snapped audibly. It had all happened inside three seconds.

Both feet back on the ground, Juliet drew in a deep, lingering breath. For a moment, she closed those exquisite eyes; her face wore the sensual calm of someone who was about to enjoy themselves on a very deep, very visceral level. Then her eyes opened wide again; she flexed her long, elegant fingers once, twice, and turned to face Damjohn.

“Do as you’re told,” Damjohn snapped, pointing across at me. “Finish him off.” He knew damn well that this was a kite that wouldn’t fly, of course, but his whole life had consisted of outraging the natural order in various indefensible ways. You lose nothing by spinning the wheel. Except that this time he did. There was a sound like silk tearing, and he lost his look of contemptuous superiority, a surprising amount of blood, and what looked like a loop of his entrails. Again, Juliet didn’t even seem to have moved. She licked a trickle of blood from the heel of her hand and laughed a throaty, appreciative laugh as Damjohn fell heavily back onto the couch with a grunt of unhappy surprise.

There was a clattering of booted feet on planking as Weasel-Face Arnold tried to run. The other two guys drew a knife and a gun respectively, but Juliet walked through them with her arms flicking to left and right, and blood blossomed as they fell. Arnold was lucky enough to be looking the other way when she got to him. He was trying so hard to get the door open that he didn’t see her come, and his death as she smashed his face forward—into and through the bulkhead wall—must have been mercifully quick.

Then she turned back to stare at Damjohn. The expression on her face told me everything I needed to know. She hadn’t left him alive by carelessness or accident or whimsy, she was going to take her time with him. She even smiled in unholy anticipation.

With what little volition was left to me, I staggered over to Rosa, stumbled across her, and shielded her with my own body. I kept my own eyes firmly shut. It was one thing to be caught up in Juliet’s feeding and mating ritual, quite another to have to watch it. Damjohn’s whimpers and sobs went on for a very long time, until eventually they faded, Juliet’s sighs of satisfaction drowning them out.

When everything was silent again, I straightened up. Rosa’s one eye was staring up into mine, imploring, terrified. Slowly, without turning to look at Juliet, I started to untie Rosa’s gag. It wasn’t easy. Someone had gone to town on the knots, and I couldn’t get my fingertips between them. It didn’t help that I was so rigid with tension that I could barely make my hands move at all—or that the wound in my shoulder was sending irregular pulses of agony down my left arm, making my fingers spasm every few seconds.

The skin on my back was crawling, anticipating Juliet’s touch. I was expecting every second for her to take hold of me and turn me around, and since her tastes were catholic with a small “c” and polymorphously perverse, I was hoping to leave Rosa in a position to run while I was being devoured.

No such luck.

“Face me,” Juliet murmured.

With huge reluctance, I turned. She was standing exactly where Damjohn had been sprawled. The bodies of Gabe, Arnold, and the other two bully boys still lay where they’d fallen, but of Damjohn himself there was no sign.

“You set me free,” she said, her tone glacially cold.

I gestured toward the sigil on my chest, shrugged in mimed apology. My heart was tripping and stammering like a telegraph machine. She stared at the daubed pentagram as if she’d forgotten it until that moment. Then she drew her hand across in front of me—a single horizontal slash in the air—and McClennan’s chains of compulsion fell from me as if they’d never existed. I knew that at once, because suddenly I could hear my own harsh breathing.

“To bind and to loose,” Juliet said, and her face twisted now in almost physical disgust, “these are games that men play. And you dare to play them with me.”

I couldn’t think of anything to say to that. All I could do was shrug again. Her power over me was undiminished, and it was still hard to think around the searing fact of her nakedness. She turned her attention to Rosa, who was staring at her in hypnotized terror. The gag was still in her mouth; I was only about halfway through untying it. She made an urgent sound around it, pleading with me or with Juliet or with God.

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