Mike Carey - The Devil You Know

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Felix Castor is a freelance exorcist, and London is his stamping ground. At a time when the supernatural world is in upheaval and spilling over into the mundane reality of the living, his skills have never been more in demand. A good exorcist can charge what he likes — and enjoy a hell of a life-style — but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. After a year spent in 'retirement' Castor is reluctantly drawn back to the life he rejected and accepts a seemingly simple exorcism case — just to pay the bills, you understand. Trouble is, the more he discovers about the ghost haunting the archive, the more things don't add up. What should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons, were-beings and ghosts all keen to claim the big prize. But that's OK; Castor knows how to deal with the dead. It's the living who piss him off...

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“I am fucking gonna love this,” Scrub rasped.

One hundred and twenty.

The first blast of music split the night. Actually, “music” is far too generous a word for it; it was a mauling shriek like the sound a dying cat might make. It was a whistle playing three octaves above middle C. Scrub stiffened, a look of wonder and dismay crossing his face. Still with his foot planted on me, he swiveled to look for the source of the sound. But we were alone on the walkway; no piper, pied or otherwise, hove into sight.

The whistle modulated through three slurred discords, dropping from screeching treble to skirling bass. There was no tune, just burst after burst of raw noise hacked into a barely perceptible pattern. It made strange shifts from major to minor, from key to ham-fisted key. It polluted the night with its imperfection.

And it made Scrub let out a startled grunt of protest, like a stuck pig. He cast his head about, triangulating on the sound. Obviously it was coming from behind us—from the empty planking thirty feet or so away, back in the shadows between the Mercedes and her nearest neighbor.

The sound rose in pitch again, and Scrub screamed in pain and rage. He took his foot off my chest, probably just in time to stop my whole rib cage from caving in, and ran back toward the harbor entrance. That meant he was running toward the weird music, which seemed to be as hard for him to do as swimming against a riptide. His headlong pace slowed; he staggered and seemed for a second to be about to fall sideways into the water. Then he saw something on the ground ahead of him and forced himself to take a few steps more, toward it.

I sat up, sucking in an agonizing breath around ribs that seemed to have been reduced to needle-sharp splinters. I watched Scrub try to bend and pick up the thing he’d seen on the floor and fall down instead. I saw him scrabble at the boards and come up holding the Walkman in his huge hand. He stared at it as if he was having trouble making his eyes focus. Then he bellowed like an ox and threw the thing from him. It shattered against the side of the Baroness Thatcher before falling into the waters of the marina, its harsh voice silenced midnote.

Loup-garous are different from regular ghosts—harder or easier, depending on what it is you’re trying to do. On the one hand, the invading spirit has burrowed its way deep into flesh and then resculpted the flesh around itself like a cocoon; so doing a full exorcism can be a bastard. But (and it’s a big but) the flip side of that is that the flesh remembers its original shape. The line of least resistance is to make host and parasite fall out with one another—to set up an interference, so that the borrowed flesh reverts to what it was before the ghost came in and redecorated.

I’d been half convinced that the afternoon I’d spent in Pen’s kitchen, teasing out that tune and getting it down on the Walkman, would be so much wasted time. But I knew I could never take Scrub one-on-one, no matter how many low blows I threw. So if I ever did come up against him, I’d need to have an even more unfair advantage.

The big man lurched to his feet again, but it took him a Herculean effort. His head snapped around, and he looked at me across ten meters of planking with a glare of insane, incendiary hatred.

“Castor,” he growled. “I’ll kill you for this. That’s a promise. When I—”

He stiffened, and a tremor ran through his body like a wave through water. He stared at his arms and groaned. They were writhing, not like limbs but like snakes, like puppy dogs in a sack. He tried to take a step toward me, managed, started work on another. That was as far as he got.

“When I come—back—” Scrub was having to force the words out, his voice bubbling and fluting. He began to melt from the legs up, and he shrank in on himself spectacularly. But he wasn’t melting; that was just the way it looked from where I was sitting on the walkway. What was actually happening was a whole lot more disgusting.

He turned into rats. The whole of that big, solid frame dissolved and separated, tore itself asunder, and a wave of brown, furry bodies struggled out of the folds of his greasy suit to sweep off along the walkway in a filthy tide, heading away from the water. If Scrub’s consciousness had still been animating them and welding them together, they could have eaten me alive, but Scrub—the mind and personality that used that name—was a ghost. When the music punched him out of the flesh that he’d wrapped around himself, the individual little rat minds all kicked back in and took up their own agendas again.

I thought back to the time when I’d unlocked the door of my room and found Scrub sitting on the bed. Now I knew how he’d managed to get in through that barely open window. I gave a reflexive shudder at the thought. When he’d threatened to kill me, it wasn’t just farting in the wind. I hadn’t exorcised him, just broken his concentration and stolen his body out from under him. He could find another body, given time—could and probably would. Loup-garous are like weeds in that way; you think you’ve got rid of them, but they pop up again when you least expect it, kill off your prize geraniums, eat your dog, and crush your skull like an eggshell.

But that was a thought to linger on during some warm summer evening yet to come. Right now I had other things to think about. Picking myself up off the planking, I retraced my steps along the walkway and retrieved the rest of my stuff: the lock picks, the bolt cutters, the cone-bore flute, the whole dodgy tool kit. Then I put my shoes back on, boarded the Mercedes again, and made a beeline for the cabin door.

I gave it the once-over as I hauled out my lock picks. Bog-standard Yale, slightly sexy Chubb. Not the piece of cake that I was hoping for, but far from impossible. I got to work, occasionally looking over my shoulder back toward the harbor entrance to see if anyone was coming down the walkway in my direction. Nothing. I worked undisturbed, got the Yale inside of ten minutes, but then lost time on the Chubb. It was a real fucking boojum, with an impossibly narrow barrel and a double detainer. Bouncing the pick didn’t help at all, so I was reduced to working out the set pins laboriously, one by one, the skin on the back of my neck prickling the whole time. Then it was one pass for each pin, with the minutes ticking by.

When the lock finally clicked and the door gave inward a fraction of an inch, I was taken by surprise and almost fell in with it. Recovering my balance, I stood up and stepped into the dark space inside the cabin.

I stood still for a few moments, listening. Nothing. I didn’t really want to turn a light on, because if Damjohn came home suddenly, I wanted to be the surpriser rather than the surprisee. I ought to be able to hear footsteps and maybe voices as he came along the walkway toward the boat, but if he saw a light, he’d send the heavy mob in first, on tiptoe, and before I knew where I was, I’d be replaying Custer’s last stand with only a couple of vowels out of place.

The faint movement of air on my face told me that the cabin or galley that I was in was fairly large, but it was impossible to see a thing. My nerves more or less screaming now, I forced myself to wait for my eyes to adjust to the darkness. The room built itself up around me, piecemeal, as the darkness separated out into discrete volumes.

There was a table right in front of me—long, low, and really convenient to trip over. There were two couches built into the sides of the room and something in the middle distance that looked like a tall cabinet of some kind against the farther bulkhead wall, with a squat, blocky object standing off to one side of it. In between me and the cabinet there was a chair, and the more I squinted at the chair, the more convinced I was that someone was sitting in it.

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