Jackson Pearce - Cold Spell

“Keep driving! Your mother’s behind us!” I shout as I jump up and stumble my way to the back of the bus. Holding tight to a crevice by the roof, I fling open the back doors. The sound of engines and glare of headlights hits me, disorienting me for a moment; I almost fall out when Flannery takes an especially wild turn.

More time, more time. I look around frantically. There’s nothing here, nothing except—

“How’s it looking?” Flannery yells, punching the shifter into a higher gear.

“Perfect!” I yell back as I position one of the raccoon cages by the back door. Wait, wait —I kick it out just as the El Camino speeds up. It clatters to the ground; Brigit swerves to avoid it, but the cage hits the windshield of the truck behind her, shattering it.

The main road is up ahead—I see the station wagon just off the embankment. Faster, faster, though the bus is pitching dangerously. My heart speeds up, and my eyes narrow. I kick another cage out as we round another bend. It bounces along the ground toward the El Camino. Brigit avoids it but loses valuable seconds by braking to do so; I think I hear her cursing in the wind that’s whipping hair into my eyes. I turn back to grab another cage—

I’m out. There’s nothing else here, nothing to throw, nothing to do, and at least four vehicles chasing us. Flannery meets my eyes in the rearview mirror briefly; she speeds up in response. There’s nothing left to do but drive—

I hear a kicking sound, something about the tone of the air changing. I whirl back around and see several sets of headlights growing smaller and smaller behind us, until we go over a little hill and they disappear entirely. The El Camino continues closing in, but suddenly its engine quiets as well. I narrow my eyes at the darkness—did Brigit give up? Surely not.

“What happened?” I shout to Flannery, cautiously making my way back to the front.

Flannery taps the brakes quickly, hard enough to cause the back doors to slam shut, then laughs. “Looks like they’re all out of gas.”

“So Callum did buy us time,” I say.

“He did,” Flannery says. “He bought us the rest of our lives. For the low, low cost of two raccoon cages.”

I laugh, but then we’re silent for a moment as it sets in. We’re free. Both of us. This won’t just be a good story to tell Kai—it’ll be a good story to tell anyone, everyone. I feel like shouting, like celebrating; Flannery, on the other hand, looks shaken. Broken, even. She keeps looking in the rearview mirror as if she wants to see something familiar, something she loves, but it’s empty.

“So,” Flannery says, swallowing hard. “We’re going to look for Grohkta-Nap. Us and the Fenris, too. Huh.” It isn’t a question, and I can tell that despite her doubts about Mora’s divinity, Flannery is still afraid of her. I can also tell that having this plan, this mission, is the only thing stopping her from feeling totally adrift.

“You don’t have to come,” I remind her, just in case I’m reading her wrong. I want to give her an out.

“I know,” Flannery answers. “But I spent my whole life thinking she was a goddess. My whole life being the shit Princess of Kentucky and being threatened with marriage and being told lies and…” She shakes her head. “I’m free. I don’t have anywhere else to go now. And truth be told, I’d really like to stab something, so your Snow Queen will do.”

Home. We’re home.

It seemed an odd title for this place, when compared with homes in her other lives—the apartment on Fifth Avenue and the depths of the Atlantic Ocean. Different as those were, strange as they were, they felt like places she belonged. Places she loved. This place felt no more like home than the hotel rooms—a place to stay, nothing more, no matter how hard she tried to change that.

Mora let her fingers dance along tree trunks, watching frost climb from the roots to the tops of limbs at her touch. Despite there being no signs of Ginny or the Fenris on her trail, a nagging worry lingered in the back of her mind. She closed her eyes, focused on the water in the air, and made it cooler, cooler, until it became rain, then snow. It poured from the sky on her command and coated the ground, covering their tracks and freezing the Fenris out, should they be lurking somewhere close.

It almost amused her, how the Fenris probably thought they were taking any power she might have when they stripped her of her humanity. But in the ocean, her new sisters showed her how to listen to the water, how to use it for her will. Not control it, exactly, but to work with it, like convincing a wild horse to let you on its back. It was a skill Mora temporarily forgot when she first emerged from the waves and joined the Fenris, until the boy she loved kissed her and her memories returned. Now, it was easy: water in the sky to rain, rain to sleet, sleet to snow. The Fenris had inadvertently given her the very skill she needed to keep herself hidden from them.

Mora kicked at the ground, watched the snow turn to ice as it struck her boot, and then opened the front door. As expected, the cottage was disappointingly unwelcoming. She’d hoped moving into a small place, something that a grandmother or an artist might live in, would make it feel more… real than the high-end apartments and New England mansions she often took over. No such luck. Perhaps we should move again , she thought as the other members of her guard rushed to greet her at the door. They kissed her hands and the insides of her wrists, letting their fingers trail along her back. She allowed it for a moment, then stiffened; they stepped back and cast their eyes downward obediently.

“Gentlemen,” she said fondly, “this is your new brother, Kai.” She stepped aside and motioned to the doorway. Kai was there, silhouetted in gray light. Snow dusted his shoulders and his bare forearms, even clung to his thick lashes, something so attractive it made Mora press her lips together hungrily. She resisted the urge to kiss him, allowing the others to shake his hand instead. She often wondered if they really saw themselves as brothers, the way she and the other ocean girls saw themselves as sisters.

“Michael, unfortunately, didn’t make it back,” she said, dropping her head respectfully.

“What happened to him?” one of the boys—Edward—asked.

“He was shot,” Mora answered. “By hunters. And they could be following us.”

“We’ll go stand lookout,” Edward said immediately, and the others nodded in agreement. They were easily excited—there wasn’t often much to do here, few ways for them to prove their love and devotion.

“Excellent,” Mora said, smiling at them. Controlling the water was something Mora had to be taught, but controlling boys, teaching them to love her above all else? That came naturally. Perhaps it was something primal, or perhaps it was something that came from the darkness around her heart. The Fenris, after all, were all males and terribly good at convincing girls to love them, trust them. And then in the water, when she was an ocean girl, boys were hypnotized by the sound of her voice. Primal or dark, it wasn’t a skill she fully recognized until well after the boy she loved kissed her.

If you’d known back then, you’d have him here with you. But now he’s just dead in the ground. A corpse who can never love you. It was a disheartening thought, one that occurred to her daily—she could have had him, right there, and yet she had missed the chance.

That was the only thing she hated herself for.

The guards turned to go outside and begin setting up the lookout. Kai looked confused, bumbled around behind them, and shivered for a moment in the snow. Mora watched him carefully; he swallowed, and the chill bumps on his arms disappeared. He stood up straighter, now seemingly unfazed by the temperature, and walked off with another guard.