Майкл Бишоп - The Final Frontier - Stories of Exploring Space, Colonizing the Universe, and First Contact

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The Final Frontier: Stories of Exploring Space, Colonizing the Universe, and First Contact: краткое содержание, описание и аннотация

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The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).
The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.
Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe.
The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.
[Contains tables.]

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“Alan!” Lizzie shouted. “What the fuck is going on?”

“Script-bunnies,” Alan said. He sounded simultaneously apologetic and annoyed. “They hacked into your confession and apparently you said something…”

“We’re sorry, Lizzie,” Consuelo said. “We really are. If it’s any consolation, the Archdiocese of Montreal is hopping mad. They’re talking about taking legal action.”

“Legal action? What the hell do I care about… ?” She stopped.

Without her willing it, one hand rose above her head and seized the number 10 rope.

Don’t do that, she thought.

The other hand went out to the side, tightened against the number 9 rope. She hadn’t willed that either. When she tried to draw her hand back, it refused to obey. Then the first hand—her right hand—moved a few inches upward and seized its rope in an iron grip. Her left hand slid a good half-foot up its rope. Inch by inch, hand over hand, she climbed up toward the balloon.

I’ve gone mad, she thought. Her right hand was gripping the rip panel now, and the other tightly clenched rope 8. Hanging effortlessly from them, she swung her feet upward. She drew her knees against her chest and kicked.

No!

The fabric ruptured and she began to fall.

A voice she could barely make out said, “Don’t panic. We’re going to bring you down.”

All in a panic, she snatched at the 9-rope and the 4-rope. But they were limp in her hand, useless, falling at the same rate she was.

“Be patient.”

“I don’t want to die, goddamnit!”

“Then don’t.”

She was falling helplessly. It was a terrifying sensation, an endless plunge into whiteness, slowed somewhat by the tangle of ropes and balloon trailing behind her. She spread out her arms and legs like a starfish, and felt the air resistance slow her yet further. The sea rushed up at her with appalling speed. It seemed like she’d been falling forever. It was over in an instant.

Without volition, Lizzie kicked free of balloon and harness, drew her feet together, pointed her toes, and positioned herself perpendicular to Titan’s surface. She smashed through the surface of the sea, sending enormous gouts of liquid splashing upward. It knocked the breath out of her. Red pain exploded within. She thought maybe she’d broken a few ribs.

“You taught us so many things,” the gentle voice said. “You gave us so much.”

“Help me!” The water was dark around her. The light was fading.

“Multiplicity. Motion. Lies. You showed us a universe infinitely larger than the one we had known.”

“Look. Save my life and we’ll call it even. Deal?”

“Gratitude. Such an essential concept.”

“Thanks. I think.”

And then she saw the turbot swimming toward her in a burst of silver bubbles. She held out her arms and the robot fish swam into them. Her fingers closed about the handles which Consuelo had used to wrestle the device into the sea. There was a jerk, so hard that she thought for an instant that her arms would be ripped out of their sockets. Then the robofish was surging forward and upward and it was all she could do to keep her grip.

“Oh, dear God!” Lizzie cried involuntarily.

“We think we can bring you to shore. It will not be easy.”

Lizzie held on for dear life. At first she wasn’t at all sure she could. But then she pulled herself forward, so that she was almost astride the speeding mechanical fish, and her confidence returned. She could do this. It wasn’t any harder than the time she’d had the flu and aced her gymnastics final on parallel bars and horse anyway. It was just a matter of grit and determination. She just had to keep her wits about her. “Listen,” she said. “If you’re really grateful…”

“We are listening.”

“We gave you all those new concepts. There must be things you know that we don’t.”

A brief silence, the equivalent of who knew how much thought. “Some of our concepts might cause you dislocation.” A pause. “But in the long run, you will be much better off. The scars will heal. You will rebuild. The chances of your destroying yourselves are well within the limits of acceptability.”

“Destroying ourselves?” For a second, Lizzie couldn’t breathe. It had taken hours for the city/entity to come to terms with the alien concepts she’d dumped upon it. Human beings thought and lived at a much slower rate than it did. How long would those hours translate into human time? Months? Years? Centuries? It had spoken of scars and rebuilding. That didn’t sound good at all.

Then the robofish accelerated, so quickly that Lizzie almost lost her grip. The dark waters were whirling around her, and unseen flecks of frozen material were bouncing from her helmet. She laughed wildly. Suddenly she felt great!

“Bring it on,” she said. “I’ll take everything you’ve got.”

It was going to be one hell of a ride.

THREE BODIES AT MITANNI

SETH DICKINSON

Seth Dickinson is the author of The Traitor Baru Cormorant and its forthcoming sequel, The Monster Baru Cormorant . He studied racial bias in police shootings, wrote much of the lore for Bungie Studios’ Destiny , and helped write and design the open-source space opera Blue Planet . If he were an animal, he would be a cockatoo.

We were prepared to end the worlds we found. We were prepared to hurt each other to do it.

I thought Jotunheim would be the nadir, the worst of all possible worlds, the closest we ever came to giving the kill order. I thought that Anyahera’s plea, and her silent solitary pain when we voted against her, two to one, would be the closest we ever came to losing her—a zero-sum choice between her conviction and the rules of our mission:

Locate the seedship colonies, the frozen progeny scattered by a younger and more desperate Earth. Study these new humanities. And in the most extreme situations: remove existential threats to mankind .

Jotunheim was a horror written in silicon and plasmid, a doomed atrocity. But it would never survive to be an existential threat to humanity. I’m sorry , I told Anyahera. It would be a mercy. I know. I want to end it too. But it is not our place—

She turned away from me, and I remember thinking: it will never be worse than this. We will never come closer.

And then we found Mitanni.

Lachesis woke us from stable storage as we fell toward periapsis. The ship had a mind of her own, architecturally human but synthetic in derivation, wise and compassionate and beautiful but, in the end, limited to merely operational thoughts.

She had not come so far (five worlds, five separate stars) so very fast (four hundred years of flight) by wasting mass on the organic. We left our flesh at home and rode Lachesis’s doped metallic hydrogen mainframe starward. She dreamed the three of us, Anyahera and Thienne and I, nested in the ranges of her mind. And in containing us, I think she knew us, as much as her architecture permitted.

When she pulled me up from storage, I thought she was Anyahera, a wraith of motion and appetite, flame and butter, and I reached for her, thinking she had asked to rouse me, as conciliation.

“We’re here, Shinobu,” Lachesis said, taking my hand. “The last seedship colony. Mitanni.”

The pang of hurt and disappointment I felt was not an omen. “The ship?” I asked, by ritual. If we had a captain, it was me. “Any trouble during the flight?”

“I’m fine,” Lachesis said. She filled the empty metaphor around me with bamboo panels and rice paper, the whispered suggestion of warm spring rain. Reached down to help me out of my hammock. “But something’s wrong with this one.”

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