Майкл Бишоп - The Final Frontier - Stories of Exploring Space, Colonizing the Universe, and First Contact

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The Final Frontier: Stories of Exploring Space, Colonizing the Universe, and First Contact: краткое содержание, описание и аннотация

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The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).
The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.
Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe.
The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.
[Contains tables.]

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“The fewer officials who get to know about this incident, the fewer problems it makes for you,” she reasoned.

“As long as you don’t get sick and die,” he replied.

“I’m not going to die.” Her wounds had not become infected, and her strength was returning rapidly.

They compromised. Sando hired someone to drive up from the nearest town to look after her while he was out at the excavation. Daya had basic medical training and didn’t ask awkward questions; he seemed happy to tend to Joan’s needs, and then lie outside daydreaming the rest of the time.

There was still a chance, Joan thought, that the Niah had carved the theorem on a multitude of tablets and scattered them all over the planet. There was also a chance that the Tirans had made copies of the tablet before letting Anne abscond with it. The question, though, was whether she had the slightest prospect of getting her hands on these duplicates.

Anne might have made some kind of copy herself, but she hadn’t mentioned it in the prologue to her aerobatic rendition of the theorem. If she’d had any time to spare, she wouldn’t have limited herself to an audience of one: she would have waited until the node had risen over Ghahar.

On her second night as an invalid, Joan dreamed that she saw Anne standing on the hill looking back into the fog-shrouded valley, her shadow haloed by the Niah light.

When she woke, she knew what she had to do.

When Sando left, she asked Daya to bring her the console that controlled the satellite dish. She had enough strength in her arms now to operate it, and Daya showed no interest in what she did. That was naive, of course: whether or not Daya was spying on her, Pirit would know exactly where the signal was sent. So be it. Seven light-years was still far beyond the Noudah’s reach; the whole node could be disassembled and erased long before they came close.

No message could outrace light directly, but there were more ways for light to reach the node than the direct path, the fastest one. Every black hole had its glory, twisting light around it in a tight, close orbit and flinging it back out again. Seventy-four hours after the original image was lost to them, the telescopes at the node could still turn to the Cataract and scour the distorted, compressed image of the sky at the rim of the hole’s black disk to catch a replay of Anne’s ballet.

Joan composed the message and entered the coordinates of the node. You didn’t die for nothing, my friend. When you wake and see this, you’ll be proud of us both .

She hesitated, her hand hovering above the send key. The Tirans had wanted Anne to flee, to show them the way to the stars, but had they really been indifferent to the loot they’d let her carry? The theorem had come at the end of the Niah’s three-million-year reign. To witness this beautiful truth would not destroy the Amalgam, but might it not weaken it? If the Seekers’ thirst for knowledge was slaked, their sense of purpose corroded, might not the most crucial strand of the culture fall into a twilight of its own? There was no shortcut to the stars, but the Noudah had been goaded by their alien visitors, and the technology would come to them soon enough.

The Amalgam had been goaded too: the theorem she’d already transmitted would send a wave of excitement around the galaxy, strengthening the Seekers, encouraging them to complete the unification by their own efforts. The Big Crunch might be inevitable, but at least she could delay it, and hope that the robustness and diversity of the Amalgam would carry them through it, and beyond.

She erased the message and wrote a new one, addressed to her backup via the decoy node. It would have been nice to upload all her memories, but the Noudah were ruthless, and she wasn’t prepared to stay any longer and risk being used by them. This sketch, this postcard, would have to be enough.

When the transmission was complete she left a note for Sando in the console’s memory.

Daya called out to her, “Jown? Do you need anything?”

She said, “No. I’m going to sleep for a while.”

THE ISLAND

PETER WATTS

Peter Watts ( www.rifters.com ) is is a former marine biologist who clings to some shred of scientific rigor by appending technical bibliographies onto his novels. His debut novel (Starfish) was a New York Times Notable Book, while his fourth (Blindsight) —a rumination on the utility of consciousness which has become a required text in undergraduate courses ranging from philosophy to neuroscience—was a finalist for numerous North American genre awards and winner of numerous awards overseas. His shorter work has won the Shirley Jackson and Hugo Awards.

You sent us out here. We do this for you: spin your webs and build your magic gateways, thread the needle’s eye at sixty thousand kilometers a second. We never stop, never even dare to slow down, lest the light of your coming turn us to plasma. All so you can step from star to star without dirtying your feet in these endless, empty wastes between .

Is it really too much to ask, that you might talk to us now and then?

I know about evolution and engineering. I know how much you’ve changed. I’ve seen these portals give birth to gods and demons and things we can’t begin to comprehend, things I can’t believe were ever human; alien hitchhikers, perhaps, riding the rails we’ve left behind. Alien conquerors.

Exterminators, perhaps.

But I’ve also seen those gates stay dark and empty until they faded from view. We’ve inferred diebacks and dark ages, civilizations burned to the ground and others rising from their ashes—and sometimes, afterward, the things that come out look a little like the ships we might have built, back in the day. They speak to one another—radio, laser, carrier neutrinos—and sometimes their voices sound something like ours. There was a time we dared to hope that they really were like us, that the circle had come around again and closed on beings we could talk to. I’ve lost count of the times we tried to break the ice.

I’ve lost count of the eons since we gave up.

All these iterations fading behind us. All these hybrids and posthumans and immortals, gods and catatonic cavemen trapped in magical chariots they can’t begin to understand, and not one of them ever pointed a comm laser in our direction to say Hey, how’s it going? or Guess what? We cured Damascus Disease! or even Thanks, guys, keep up the good work!

We’re not some fucking cargo cult. We’re the backbone of your goddamn empire. You wouldn’t even be out here if it weren’t for us.

And—and you’re our children. Whatever you’ve become, you were once like this, like me. I believed in you once. There was a time, long ago, when I believed in this mission with all my heart.

Why have you forsaken us?

And so another build begins.

This time, I open my eyes to a familiar face I’ve never seen before: only a boy, early twenties perhaps, physiologically. His face is a little lopsided, the cheekbone flatter on the left than the right. His ears are too big. He looks almost natural .

I haven’t spoken for millennia. My voice comes out a whisper: “Who are you?” Not what I’m supposed to ask, I know. Not the first question anyone on Eriophora asks, after coming back.

“I’m yours,” he says, and just like that, I’m a mother.

I want to let it sink in, but he doesn’t give me the chance: “You weren’t scheduled, but Chimp wants extra hands on deck. Next build’s got a situation.”

So the chimp is still in control. The chimp is always in control. The mission goes on.

“Situation?” I ask.

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