Майкл Бишоп - The Final Frontier - Stories of Exploring Space, Colonizing the Universe, and First Contact

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The Final Frontier: Stories of Exploring Space, Colonizing the Universe, and First Contact: краткое содержание, описание и аннотация

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The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).
The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.
Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe.
The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.
[Contains tables.]

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Now I’ve said she lived with the devtaru for a hundred years. When she was old, and the devtaru even older, something changed. The devtaru’s leaves had been falling for a decade or more, and now she could see that its long arc of life was ending. The moon-eyes and the other creatures left the shelter of the devtaru but the girl couldn’t bear to do so. The devtaru produced one last enormous moon-pod. The girl, now an old woman, crawled into the pod before its lips closed, and felt around her the creatures who were also stowaways, and felt also the smooth, shiny hard seed, half her size, larger than the seeds in the normal seed-pods. She had decided she could not bear to watch the tree die, and she would let it take her away to her final destination.

The pod grew and grew, and the old woman fell asleep inside it. Then one day the time came. She could sense a tensing in the limbs and sinews of the devtaru, preparing for the launch, but this time there came to her faintly a strange slight smell of burning. The lips of the pod closed completely, and if it hadn’t been for the stowaways making air to breathe, she would have suffocated. Off she went into the sky.

Now there was a sister of this old woman who came to see her from time to time, and she was watching from a hilltop not far from the devtaru. She liked to look at the stars through a telescope, so she was known as Sister Three-Eyes. She saw the great pod quiver and align with the now risen moon. Tendrils of smoke emerged from the crevices of the tree. Then the pod launched.

There was a noise like a clap of thunder, and the devtaru shattered. As it did, it began to burn from its deep internal fires, slowly and magnificently. What a death! But Sister Three-Eyes soon turned her attention from the dying devtaru and trained her telescope on the pod, because she wanted to know where it landed.

To her surprise, it didn’t land. It went higher and higher, and soon it was a speck she could barely see. Just before she lost sight of it, she saw it move into a low orbit, and then, suddenly, the pod changed its mind and made straight for the moon.

So she found that the devtaru’s last and final moon-pod is truly destined for the moon. Which is why the devtaru’s children grow on the moon, although they do not make such enormous pods as they do on Dhara. The lunar forest and the purple scrublands and the creatures that live there and make the air to breathe are all gifts of the devtaru, the only being known to spread its seed to another world.

As to what happened to Moon-woman—who knows? When the next generation found a way to get to the moon in shuttles, they looked for her in the forests and the grassy plains. They did not find her. Some say she could not have survived the journey. Others say that she did survive it, and she wandered through the lunar forests content that she had found a place among the children of the devtaru, and died a peaceful death there. These people named the moon Roshna, after her, as it is still called today. Her sister thought she saw a light burning or flashing on the moon some months after Moon-woman left, but who can be sure? There are those that believe that Moon-woman went further, that she found a way to launch her moon-pod into the space beyond the moon, and that she sails there still along the unknown currents of the seas of space and time.

Parin had always told this story well, but listening to it under the devtaru, in that companionable darkness, made it come alive. I wondered whether Moon-woman was, indeed, sailing the void between the stars at this moment, offering kinship to beings stranger than we could imagine. Looking at a small patch of starry sky visible between the leaves above me, I shivered with longing.

We never got to see a pod launch on that trip. But even now I can remember Parin’s young voice, the words held in the air as if by magic, the breathing of the others beside me, the feel of the tree’s skin glowing gently like a cooling ember.

The story anticipates the discovery of the Antarsa, of course. That I had a small role to play in it is a source of both pain and pleasure, because it happened when I first realized that Vik and I were growing apart from one another.

I have been torn between excitement of a most profound sort, and a misery of an extremely mundane sort. The excitement first: there have been several flickering images on the radar. It is clear now that there are others around me, keeping their distance—spaceships from the Ashtan system? Our long lost cousins? I sent a transmission in Old Irthic to them, but there is no reply. Only silence. Silence can mean so many things, from “I don’t see you,” to “I don’t want to see you.” There is a possibility that these are ships from other human-inhabited worlds, but it would be strange that they would not have made contact with us on Dhara.

My other thought is that the occupants of these ships may be aliens who simply cannot understand my message, or know it to be a message. This is even more exciting. It also makes me apprehensive, because I don’t know their intent. They appear in and out of range, moving at about the same average speed as my craft. Are they curious? Are they escorting me, studying me, wondering if I am an enemy? All I can do is to practice what I did in the great forest: stillness. Stillness while moving at more than 50% of the speed of light—I wonder what my aunt Visith would say to that! Do nothing, says her no-nonsense voice in my memory. Wait and observe, and let yourself be observed.

That I have been doing.

The misery is that I have a message from Vik. Sent years ago of course, but there it is: he is grateful for the pendant I tossed him when I left, and he has found a new partner, a fellow historian at Ship University, a woman called Mallow. When I first got his message I just stared at it. A sense of deep abandonment welled up inside me; my loneliness, which I had tried to befriend, loomed larger than mountains. Of course I had expected this—even if I had stayed on Dhara, there would have been no going back to Vik—but I felt resentful of his meticulous observation of correct behavior. Yes, it is a graceful thing to do, to tell a former long-term partner when you have found a new love—but I would never come back, never find a new love, someone to hold—there was no need to let me know. Except it would make Vik feel better, that he had done the right thing. He had not thought about me, and it hurt. For once Parin’s little biosphere did not assuage my pain. I couldn’t even go outside and run up a mountain or two. Instead I swam from chamber to chamber through the inertial webbing, if only to feel the web break and re-form as I went through it, my tears floating in the air around me like a misty halo, attaching to the gossamer threads like raindrops. There was nowhere to go. After I had calmed down I tethered myself to the porthole and stared into the night, and thought of what it had been like.

After Vik I had taken no lovers for a while, until I met Laharis. She was a woman of the Western Sea. I’d been working with Raim on the ocean, learning to sail an ordinary boat before I learned the ways of the Antarsa. We had been out for several days, and had returned with a hold full of fish, and salt in our hair, our skin chapped. Raim and I developed a deep love and camaraderie, but we were not drawn to each other in any other way. It was when I was staying at their kinhouse, watching the rain fall in grey sheets on the ocean, that his sister came up to me. The others were away bringing in the last catch. Laharis and I had talked for long hours and we had both sensed a connection, but the construction of the altmatter wings from the discarded moon-pods of the devtaru had taken up my time. Now she slid a hand up my arm, leaned close to me. Her hair was very fine, a silver cascade, and her smooth grey cheek was warm. Her long, slanted eyes, with the nictitating membranes that still startled me, shone with humor. She breathed in my ear. “Contrary to stereotype,” she whispered, “we Sea folk don’t taste like salt. Would you care to find out?”

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